Vampires are big now. Bigger than big, in fact. It's almost impossible to cover a vampire film, or even talk about vampires for that matter, without mentioning Twilight. However, good vampire movies are few and far between. With the recent craze, many of the lower budgeted or foreign vampire films attempting to cash in on the trend, unfortunately, go unnoticed despite their obvious superiority (IE, Let the Right One In). However, if you've become bored or are just outright fed up with the watered down subject matter of Stephanie Meyer's elementary school level books and films, Thirst very well could be for you.
After the commercial and critical failure of his last film I'm a Cyborg, but That's Okay, Park Chan Wook sought to get back more to his dark and disturbing roots of film making. With his latest film it's safe to say that he has succeeded at just that.
This gains him notoriety as being blessed by God himself and gives Sang a cult following. Soon after, through hints of increased senses such as smell, strength and even eyesight, he discovers something is horribly wrong. It is only as he wakes up to the burning of his skin from exposure to the sun when he realizes he has become a vampire. The once thought miracle has now become a curse. The disease that once ailed him returns as he begins to starve for blood.
Sang is now obviously torn between his needs as a vampire and his want to do good in a world where he feels there is a sever lack of. He isn't a bad man, by any means. In fact, he is a good man. The whole reason he was infected was out of attempting to help the needy. Not wanting to harm anyone because of this, he resorts to drinking from IVs and bloodpacks from the hospital he is given access to.
Along with having to deal with his newly found curse, amongst the previously mentioned "cultists" is Kang Woo, Sang's old childhood friend and his family. After being invited to their weekly game night, he finds himself oddly attracted to Kang's young wife, Tae-Ju, despite his vows of chastity to the church. He has become what he perceives as a monster. However, the young Tae-ju also shows an attraction to him. Perhaps it is a true love. Perhaps it is to escape from the abuse of her shrew mother in law and her abusive husband. Seeing an unfortunate soul in need brings out sympathy in Sang who's emotions and feelings for her only increase.
Admittedly, this probably isn't the best thing one can do...
What's interesting about the way Park Chan Wook directs and writes is that the basics of the story happen merely minutes into the movie itself. Take his most notable work Oldboy [http://www.escapistmagazine.com/forums/read/326.236848-JK-Reviews-Oldboy], for instance. The exposition is rather instant, the pacing is fast and the twists and turns in the plot happen immediately. This is not the case with his most recent feature. Rather than relying on a fast paced and twisty story, Thirst focuses on character development and a rather slow pace.
The general affect given by Chan-wook's experimentation in film making isn't as great as it could have been. That's not to say the film is bad. It isn't. In fact, it's quite good. Only, it feels as if it could have worked a bit better. The story is promising and interesting, however, you can almost feel Park's enthusiasm as he made the film.
It contains many of examples of good film making. The acting in particular from Song Kang-ho is always a joy to watch and this is no exception. He is steadily becoming one of the more notable faces in Asian cinema and I'd go so far as to say he's become one of my favourite actors of the time. Not too many other actors are present and while the film contains more characters, it resides mostly on the performances of Song and Kim Ok-bin playing the previously mentioned Tae-ju and they both carry their performances well.
Despite their several feuds throughout the movie, you get the sense of how much they truly care for and even love each other. The chemistry between Song and Kim is something I haven't seen done so well in quite a while. Those familiar with Park's work will recognize the visually stunning nature of the movie as with most of his films. The cinematography is definitely something to be praised and I normally won't take note of something like that. Even the direction itself isn't bad. However, it certainly isn't Park's best, though obviously an improvement over his last film.
With whatever positives the film has, it also has it's negatives. One of which is the overuse of sexuality. While not on par with the sexual perversion of some of Park's previous works, it still comes off as overly sexual and without much reason other than to be sexual. The scenes are often comedic in one way or another, however they come off as more uncomfortable and shallow rather than sexy or even funny. The film did manage to make me laugh a few times, so Park does have the ability to produce good humor, but the problem is that it isn't his strong suit.
One of the major problems with the movie is that it tends to drag for long periods of time. Things don't seem to progress with the story too much at a certain point and become stagnant. There are even several times where the film felt like it could have easily ended then and there.
I am so envious of that TV right now...
However, the biggest flaw the film has is the strange turn it takes about half way through. It almost completely drops the romantic theme in favour of a more dark, more violent and far more strange picture. There was a full 20 minute period where I had absolutely no idea what was going on. It isn't something that is lost in translation or that it just became boring. Rather, the sudden and almost overuse of hallucination sequences becomes too much and things become, for lack of a better term, cluster fucky.Though, even with my complaints, I can't bring myself to call this a bad film. And like I said before, it isn't bad. It just isn't Wook's best. The end result doesn't seem like all it could have been. I can't complain too much though. It kept me entertained throughout and even though there were instances of boredom, they seemed to be redeemed when something interesting would actually happen. The moments when action occurs allow almost whatever previous complaint before to seemingly melt away. It is something I would recommend to anyone craving a fresh vampire story.
While a bit convoluted at times, it maintains a certain fun factor to it that doesn't allow me to call this film bad or even poorly done. It's an interesting take on vampire folklore and while Park seemed to jump into the film a bit too enthusiastically, it never reaches the realm of self satisfaction. Park is in no way stroking his own ego by giving his take on this subject. It may have it's flaws and some may be left with a disappointed feeling, but Thirst is a film that kept me interested the whole way through. Wanting to know where the story would go, wondering what will become of the characters. While not on par with Wook's famed "Vengeance trilogy" it is still worthy of praise and the attention it deserves.
Movies:
Best Movies of the Decade [http://www.escapistmagazine.com/forums/read/326.164045-Best-Films-of-the-Decade-Warning-Extremely-Long-Review]
Inception [http://www.escapistmagazine.com/forums/read/326.215806-JK-Reviews-Inception]
Oldboy [http://www.escapistmagazine.com/forums/read/326.236848-JK-Reviews-Oldboy]
Games:
Bayonetta [http://www.escapistmagazine.com/forums/read/326.169030-JK-Reviews-Bayonetta-Warning-May-Contain-Spoilers]
Game of the Year [http://www.escapistmagazine.com/forums/read/326.163760-Celebration-for-My-5000th-post-Game-of-the-Year-awards]
God of War III [http://www.escapistmagazine.com/forums/read/326.182952-JK-Reviews-God-of-War-III]
NieR [http://www.escapistmagazine.com/forums/read/326.203204-JK-Reviews-NIER]
Castlevania: Lament of Innocence [http://www.escapistmagazine.com/forums/read/326.206361-JK-Reviews-Castlevania-Lament-of-Innocence]
Maximo: Ghosts To Glory [http://www.escapistmagazine.com/forums/read/326.212014-JK-Reviews-Maximo-Ghosts-To-Glory]
Kingdom Hearts [http://www.escapistmagazine.com/forums/read/326.229506-As-Per-Request-JK-Reviews-Kingdom-Hearts]
Kingdom Hearts II [http://www.escapistmagazine.com/forums/read/326.230725-As-Per-Request-JK-Reviews-Kingdom-Hearts-II]
Music:
Equilibrium's ReKreatur [http://www.escapistmagazine.com/forums/read/326.204108-JK-Reviews-Equilibrium-ReKreatur]
Best Movies of the Decade [http://www.escapistmagazine.com/forums/read/326.164045-Best-Films-of-the-Decade-Warning-Extremely-Long-Review]
Inception [http://www.escapistmagazine.com/forums/read/326.215806-JK-Reviews-Inception]
Oldboy [http://www.escapistmagazine.com/forums/read/326.236848-JK-Reviews-Oldboy]
Games:
Bayonetta [http://www.escapistmagazine.com/forums/read/326.169030-JK-Reviews-Bayonetta-Warning-May-Contain-Spoilers]
Game of the Year [http://www.escapistmagazine.com/forums/read/326.163760-Celebration-for-My-5000th-post-Game-of-the-Year-awards]
God of War III [http://www.escapistmagazine.com/forums/read/326.182952-JK-Reviews-God-of-War-III]
NieR [http://www.escapistmagazine.com/forums/read/326.203204-JK-Reviews-NIER]
Castlevania: Lament of Innocence [http://www.escapistmagazine.com/forums/read/326.206361-JK-Reviews-Castlevania-Lament-of-Innocence]
Maximo: Ghosts To Glory [http://www.escapistmagazine.com/forums/read/326.212014-JK-Reviews-Maximo-Ghosts-To-Glory]
Kingdom Hearts [http://www.escapistmagazine.com/forums/read/326.229506-As-Per-Request-JK-Reviews-Kingdom-Hearts]
Kingdom Hearts II [http://www.escapistmagazine.com/forums/read/326.230725-As-Per-Request-JK-Reviews-Kingdom-Hearts-II]
Music:
Equilibrium's ReKreatur [http://www.escapistmagazine.com/forums/read/326.204108-JK-Reviews-Equilibrium-ReKreatur]
Remember, that I am now taking requests for reviews, so any suggestions for future reviews you may have, please let me know via PM or in the replies to this review.