Spygon said:
Tono Makt said:
Spygon said:
Finally people are start to realize Whedon knows what he is talking about and makes great stuff.
He makes decent stuff that, until Avengers, appealed to a small but vocal group of fans. It is also vitally important to realize that Whedon came in to the Marvel movie universe after the groundwork was laid and the fans appetites whetted to ravenous. To use a baseball analogy, he came up to bat with the bases loaded, a tied game, no outs and a tired pitcher on the mound. All he had to do was avoid hitting a double play and he'd win the game. He hit a long single that scored 2 run because the runners were running before the pitch.
He did what he needed to do, and deserves credit for that. But no more than he deserves.
Capchta: "No means No." Preemptively stopping me needling of the <pre-censored>
First Whedon co writes toy story one of the most popular animated films ever created.
then he comes out of no where with Buffy the vampire slayer that had an average 4.7mil viewers over 7 seasons that is a huge viewership for your first project.It instantly became a media sensation and you would be hard to find someone that has never heard of Buffy the vampire slayer.This came with a spin off Angel not as successful as Buffy that generated an average 4.4mil viewers that for a spin off was unheard of at that time.He won an Emmy for his writing for Buffy in 2000.
Then he made his true "cult" hit with firefly that did not really get off the ground when it was aired but generated a huge cult following when it had gone.That also lead to a full feature film.
After that Whedon makes the hugely popular Dr.Horribles Sing-along blog that took the internet by storm and received huge amounts of praise for the web series.
Toy Story: Co-writer of the screenplay. Not the original story - he was working with characters written by other people, and was one of 4 writers credited for the screenplay and 8 writers overall. It's not his any more than Rosanne was his, or Alien Resurrection was his. He was involved, but it's not his. Not like Angel, Buffy, Firefly, Dollhouse and Dr. Horrible.
Regarding Angel and Buffy neither Buffy nor Angel ever cracked the top 50 shows watched for any single episode. So averaging 4.7 million viewers sounds great, but when it's regularly the 80th ranked show for the week, it loses the pop that it had. Like I said, it was popular with a small segment. Yeah, it won Emmy's, which isn't an easy thing to do. Most decent shows earn an Emmy or two if they last for more than 4 seasons, and I did say he made decent stuff.
Firefly could have become a great show, but it was cancelled far before its time. No argument there, and it's his true cult hit that eventually allowed him to make a full feature film for it.
Dr. Horrible is a good little production. It gains quite a bit from the sentiment that Whedon was screwed for Firefly and so there's a way to make up for it as well as hitting during the Writers Strike and made specifically to circumvent the strike, but it is a solid bit of writing and performing.
Spygon said:
Now to your baseball analogy (stay with me because i dont know much about baseball)
But as you said the bases were loaded and an tied game.This game was probably the biggest of his life as you say the fans were ravenous all attention was on this film.If he had made one slip up the fans and critics would have pulled him to pieces.So he was under huge amount of pressure to pull this off all the time and effort that been built up for that moment rests on his shoulders.So all he has to do is step up and not fuck up while the whole world were waiting for him to do so.
The ball is pitched and he doesn't just pull it off.He smacks the ball straight out of the park for someone he made a film that was the 3rd biggest grossing film of all time.
Dude, I get it. You love Whedon. But he didn't hit it out of the park. He won the game. He didn't screw it up. But he didn't hit it out of the park. Yeah, we were all waiting for him to screw it up, we were all crossing our fingers that he wasn't going to screw it up, and we all were afraid that he was going to screw it up. Then he didn't screw it up. And we all rejoiced that he didn't screw it up. He hit the ball, he drove in the needed run. Now people are delirious with the post-game high of victory.
But the film has some very serious flaws. Not little flaws either, but serious flaws.
Spygon said:
If you can mention any other director/producer that has done anything like this then i will not say he deserves a ton of credit.But other wise this guy has had his hand in some of the most incredible media projects over the last 10 years.
John Lasseter. (Pixar.)
Chris Nolan. (Inception, Batman trilogy, Memento.)
Michael Bay. (Transformers. I hate them, but if we want to talk about movies making money...)
Sam Raimi. (Spiderman, Spartacus)
James Cameron. (Avatar, Terminator TV series)
Jon Favreau. (Iron Man)
Peter Jackson. (Some fantasy trilogy, District 9)
Guillermo del Toro. (Hellboy, Pan's Labyrinth)
Those are just off the top of my head. And that's only in the Fantasy/Sci Fi genre. (I'm deliberately ignoring JJ Abrams because of personal biases.) There are many other writers and producers who are the equal of Joss Whedon and have been involved in brilliant media projects in the past 10 years.