Funny: I saw "An American Carol" in the theatres. Everyone in the theatre was laughing through most of the flick. There were some parts that were wincingly bad, sure --- also true of most Zucker flicks (even "Airplane" had some parts that dragged, being way overwrought). It seems to come with their brand of humor.
Then I saw what low ratings it was getting on RottenTomatoes, and began reading through the reviews from the professionals.
I was surprised to find that most had apparently not bothered to see the film. Some actually said they hadn't. Others described things that didn't appear in the film at all, apparently on the assumption that they would, given the film's obvious right-ward leanings. Still others seemed to take their cues directly from other reviewers, sometimes making the same verbatim statements about various scenes.
All in all, I found the film preachy and predictable, interspersed with genuine laughs when it wasn't trying to make a serious point (cue to all filmmakers: being serious with comedy requires the self-deprecatory skills of a Jon Stewart or Stephen Colbert). It didn't end well, though --- with Leslie Neilsen (the Narrator) dropping dead of a heart attack, but still clearly breathing during his death scene. Just plain amateurish, there.
Ironically, a better film about terrorism comedy is "Postal" by none other than Uwe Boll --- whether he meant it to be or not, it's easily one of the best flicks he's ever done, outdoing the Zuckers with similar humor and a much darker twist.
Then I saw what low ratings it was getting on RottenTomatoes, and began reading through the reviews from the professionals.
I was surprised to find that most had apparently not bothered to see the film. Some actually said they hadn't. Others described things that didn't appear in the film at all, apparently on the assumption that they would, given the film's obvious right-ward leanings. Still others seemed to take their cues directly from other reviewers, sometimes making the same verbatim statements about various scenes.
All in all, I found the film preachy and predictable, interspersed with genuine laughs when it wasn't trying to make a serious point (cue to all filmmakers: being serious with comedy requires the self-deprecatory skills of a Jon Stewart or Stephen Colbert). It didn't end well, though --- with Leslie Neilsen (the Narrator) dropping dead of a heart attack, but still clearly breathing during his death scene. Just plain amateurish, there.
Ironically, a better film about terrorism comedy is "Postal" by none other than Uwe Boll --- whether he meant it to be or not, it's easily one of the best flicks he's ever done, outdoing the Zuckers with similar humor and a much darker twist.