Drathnoxis said:
I really hate what they did with Annette, trying to give her some redemption arc. It's so dumb. She worked for years trying to make a horrible unstoppable monster but... didn't intend to make any monsters? She tortured orphans to death (something the remake itself added) but we're supposed to pretend that this character is somehow redeemable? She doesn't make any sense here, it was far better in the original where she was evil and died a hilarious death getting crushed by some rocks or whatever happened to her.
I don't see Annette having a redemption arc per se. Also, I don't think it says she tortured children. It's certainly established that Umbrella was experimenting on children, but that didn't extend to torture, nor did Annette have a direct hand in it (though was almost certainly aware of it).
But that aside, like I said, Annette isn't redeemed in my eyes. She gets some redemption, but it doesn't excuse the bad she does, it's just her trying to make up for it as best she can, both in terms of the outbreak, of William, and her relationship with Sherry.
I'll be honest, I really liked the take on Annette in the game (actually, I think most characters benefit from better presentation). It's far more palatable than how Annette hammed it up in the original version. Here, we see that she's well meaning, but socially indept, especially in her relationship with Sherry.
dscross said:
do people generally play resident evil games for an immersive narrative experience rather than for survival, horror, and working out which way to go with puzzles (gameplay)?
Raises hand...sort of.
I mean, look, RE4 is my #1 RE game, but it sure as hell isn't in that spot for the quality of its story. But I've always been invested in the characters and lore from day 1. Even if it got convoluted as hell later from what I can see, RE2 at least is spared the excesses of later entries. But as I said earlier, RE2 vanilla has the better plot, while RE2 remake has the better storytelling (and yes, plot and storytelling are two separate aspects of narrative).