sumanoskae said:Alright, enlighten me.Pyramid Head said:I've discussed this before on page one, but thanks for being a good example of why Korrasami went kind of underrated. You missed pretty much every bit of subtext.
Okay... I never said that Mako and Korra had a healthy relationship, and I'm not clear on how that makes the relationship between Korra and Asami more romantic.When Mako and Korra weren't lip-locking they were either fighting or ignoring each other.
Yeah, I'm clear on the fact that Mako and Korra have no actual chemistry. So Korra and Asami, then?The series was one of few that recognized there's a difference between a crush and a relationship, showing the initial love triangle as stupid teen crushes
Which consisted of what?but trying to build up the relationship between Korra and Asami as a friendship that evolved into a relationship. They went for a subtle, more natural approach.
I haven't been a huge Disney fan since I was a kid, and I didn't notice any distinctive romantic subtext. So either the writers took note of the fandom's raging hard-on's for the pairing and decided to go with it at the last minute, or they planned the whole thing out and like half the people watching didn't even notice.Hence why it may have been better off as something other than a kids show. Even if it weren't a bisexual relationship most people would STILL miss the clues since they're too used to Disney's garbage.
Subtlety is not an inherently good or bad thing, it's just a tool; people nowadays have a tendency to confuse it for an end in and of itself, but being too subtle with your storytelling is just as bad as being too overt. It's a balancing act, not vertical climb.
If an important and dramatic part of your story is too subtle, it just becomes obtuse; people can't form a connection to it or learn anything from it, because they're never certain of what it's supposed to actually mean.
See, what something could be is a matter of perspective. I can most certainly imagine a basically plausible version of Legend of Korra where Asami and Korra fall in love, if I was working off of confirmation bias. But I could also imagine a version of the story in which Iroh has was secretly orchestrating the actions of the Red Lotus from the spirit world, in order to weaken Korra enough for Kuvira to take over and unify the four nations.
My favorite example of this is The End of Evangelion, the story of which was presented almost entirely via symbolism, much of which you would need to have knowledge of theology to understand. The lack of a coherent plot didn't make the story more interesting, it just made it confusing. You could interpret it any which way you wanted, but none of them are satisfying because none of them are true; none of them can be attributed to the story itself.
If Korra and Asami's sizzling romantic tension had been less subtle and more emotionally involving maybe I would have actually cared about it.
They weren't going for "Romantic" they were going for natural. And no chemistry? Aside from how well they worked together, shared senses of humor, emotional and physical support, them trusting each other more than anyone else, and the only time Korra let an argument get to her, it was one with Asami? Asami inventing excuses to hang out with Korra? Korra always behaving more intimately with Asami?
It was there, but toned down because drawing too much attention too it can (and in Katara and Aang's case did) get cheesy and saccharine. After they had their fun simultaneously sinking the Mako and Korra and Katara and Zuko ship, the creators began working on the plans for that ending since season two. But it wasn't supposed to be dramatic or overly romantic, it was part of the two characters development. Honestly as much as i like the ship, it's pretty silly in my mind that it's one of the most talked about elements of that show even though the final season had Zelda Williams as Napoleon with magical weapons and one of the most on the nose depictions of PTSD since Spec Ops: The Line.