It's more about the world than the conversations. Rapture is a city you can see and look at. Posters, living areas, shopping areas - it's just a much more detailed environment. Most of the time in Metro you are in tunnels, and you really don't get to see much of the living spaces there. The slicers also say some weird things, if you can sneak up on them you can hear some odd conversations between them.Wolfram01 said:Well I wasn't trying to compare genres, but meerly that BioShock tends to be upheld as this epitome of the single player FPS in recent times, but I think Metro is better. I think you're wrong about the details... I mean for the most part in BioShock you just had the tapes. Yeah they did give you plenty of insight into the past, but did you ever try taking your time and listening to the conversations in Metro 2033 between NPCs? It's brilliant!meganmeave said:I don't know that you can really compare the two quite like this. Metro is more of a traditional survival shooter whereas Bioshock has a little more of that RPG element with the upgrading of abilities and such. Also, in Bioshock, you don't really get that same sense of danger. I certainly wouldn't call Bioshock survival horror, not with vita chambers everywhere. Metro with it's limited ammo and mask filters does have more of that survival element going for it.
As to the point that Metro is better than Bioshock, I would disagree there as well. Metro is really good, I loved it. But the details of the world were far less fleshed out than the details of Bioshock, and really, Bioshock shines because of those little details. Metro 2034 might be better on that front, since it can build on top of 2033. But it might also fail to capture the same wonder as the first, the same way Bioshock 2 did.
I think Bioshock is going the right direction to take things out of Rapture with Infinite rather than retreading the old city again.
And yes, I did listen to the conversations. But more because despite the fact that Metro takes place in a post apocalyptic society that the protagonist grows up in, it feels very lonely. Few people actually interact with you in any meaningful way. So eavesdropping is the only way to really connect to these people.