Movie Review: Wall-E

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Takatchi

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I recently saw Disney-Pixar's Wall-E with some local friends. I've always been a fan of Disney-Pixar. They usually know how to weave a heartwarming tale and keep the audience entertained throughout, something that more "serious" movie studios could learn from.

For those of you who don't know, Wall-E is the story of Wall-E, a trash-collecting robot left on Earth after a mass exodus of humanity. The Earth, so far as we are informed, was destroyed by human laziness and desire for convenience; a mega-corporation basically controlled the globe (or maybe just the US, as we never see any other area, but it is implied). As humanity became increasingly apathetic toward their environment, By and Large Incorporated realized all too late that the constant industrialization and pollution of the planet was making it inhospitable to life. In an effort to take everyone's mind off of it, they constructed a gigantic luxury liner space-station that would go on a 5-year-long cruise through space while BnL worker robots cleaned up the skyscrapers of garbage and processed the atmosphere.

Seven hundred years after the proposed solution, we open on Wall-E, who appears to be the last functioning garbage bot on the planet. Every day he ventures out into the abandoned city to compact garbage into cubes, and stacks those cubes into huge semblances of buildings. Despite his adherence to his routing programming, he's very quirky and collects baubles and knick-knacks, things he finds pretty, and stores them in his shed. He seems to have a very humble life, but is self-aware, and also very aware that he is alone on the world. This all changes when a probe is sent to Earth as part of the ongoing project to restore the planet. Wall-E bumps into an automated search-bot by the name of EVE, and from there the adventure begins. See, Wall-E has only had a single video of a 1950s love story, one of the musicals you might see in Drama Class in high school, to keep him company. Being innocent and impressionable, Wall-E uses the movie's ideas to attempt to impress EVE, who is at first only concerned with her Prime Directive, the recovery of a small plant Wall-E had found growing in an old boot.

The movie is a constant, visually-impressive ride through the course of robot and human discovery. There is a simultaneous plot going on between Wall-E's twitterpated attempts at winning EVE's digital heart. This story, the one revolving around the humans aboard the luxury-class starliner Axiom, is more intelligent, speaking out to the members of the audience who can understand environmental activism and personal accountability. The humorous antics of Wall-E and his robot friends are still very light-hearted and enjoyable, but the real meat of the plot is a combined message of taking responsibility for our own lives instead of living on conveniences while also taking accountability for your actions as they influence the world around you.

All in all, Wall-E will keep the kids entertained by the silly antics of the robots, whose only lines in the entire film (and indeed, the only lines in the entire first half hour of the movie) are simple terms like "Waaaalleeee," "Eeeeev-ah," and "Plllant!" However, the human side of things will probably be above their heads, intentionally aimed at teenagers and adults to tell a very serious story lightened by the heroics of our little trash-bot. The movie is intelligent but never keeps itself down in the dumps for too long, always driving the audience to the next point before we get too bored with the current scene.

I highly suggest Wall-E and give it a solid 8/10.
 

Anarchemitis

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Wall-E was an excellent movie. I personally enjoyed the silly redunancies of the designs in many of the robots or the ship, such as a robot that only has 2 finger-like arms solely to press buttons, or the gigantic arm folding out of the scout ship to enter a password. Or robots in the garbage room on the Axiom, whose sole purpose is to cube garbage and jettison it, where it would be faster to jettison it as it come down the chutes instantly.

And the old movie was 'Hello Dolly!' from I believe 1968.
 

shatnershaman

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Excellent movie with hilarious supporting robots (welding robot ftw) although I wish the movie had a quicker (less sappy) ending.
 

PedroSteckecilo

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Personally I found WALL-E to be the best Pixar film to date and so far my favorite movie of the summer (Iron Man was good, but WALL-E had more FEELING to it), but that's mostly because I'm a BIG fan of Buster Keaton and WALL-E himself was pretty much Buster Keaton in Robot form.
 

Anarchemitis

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Reasonable Doubt said:
Anarchemitis said:
And the old movie was 'Hello Dolly!' from I believe 1968.
You are correct on the year and movie since I just wikied it I would never have know otherwise.
I actually knew it because I had seen it before. "Holey Cabooses! We're of to Yonkers, New York!"

I've always loved Pixar productions. They're like Valve of the Animation industry.
And looking from a technical point of view, the new aspects of animation they added are absolutely spectacular. Depth of Field, Lens Flare and Barrel Distortion just like a real camera.

And the Presto! short at the beginning was genuis. Do you think the hat was inspired by Portal?
 

ElArabDeMagnifico

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I loved this one, favorite pixar movie that's for sure, but I think I also liked it a lot because of all the similarities to "idiocracy" - even though it's got a different (but not completely different) "message" and is set 700 years in the future and not 500.

-and I agree with Shatnershaman, that ending just seemed like it was thrown in there just for the sake of being sappy.
 

Tanthalos

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What is the score like? I noticed that Thomas Newman was the composer which could be good but at times he is so hit or miss.
 

Takatchi

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Part of the reason I never mentioned the movie's score is that I'm not a professional critic, so I don't listen for it. The score for Wall-E was very effective, because it blended well. It went with the atmosphere and the tone, and it enhanced the scene, rather than having moments interrupted by a Smash Mouth montage. The only song that I can recall that was actually vocal and sung was the ending credits' "Down to Earth," which was a good listen for some and nails on a chalkboard for others, depending on if you like that kind of thing.

Generally speaking, this is no Shrek, and the musical numbers are relevant to the film. At times the score can be sweeping and dramatic and at other times soft and romantic, and is especially fun during the Space scenes outside the ship.
 

ElArabDeMagnifico

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ZettaSan said:
ElArabDeMagnifico said:
-and I agree with Shatnershaman, that ending just seemed like it was thrown in there just for the sake of being sappy.
It's not sappy. It's adorable.

Love stories are supposed to be like that, and from the beginning, this movie was gonna be a love story.

Don't knock it because you've never been in love before.
My my what a crazy over-reaction, I don't know if I should even reply to you since you made such a crazy assumption, but whatever it's my opinion about the ending, I love the movie anyway - now excuse me while I go be misanthropic and not cry when bambi's mom getting shot because "I've never had my mom get shot" before.

No explenation as to how Wall-E just came back to..."life"... she rebuilt him and it ended up accidently "re-programming" him, but then POOF, he's back to Wall-E-ness and it's happilly ever after. I know it's a Pixar movie but it's like they didn't even try.
 

Takatchi

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ElArabDeMagnifico said:
No explenation as to how Wall-E just came back to..."life"... she rebuilt him and it ended up accidently "re-programming" him, but then POOF, he's back to Wall-E-ness and it's happilly ever after. I know it's a Pixar movie but it's like they didn't even try.
I like to think of it in that unexplained kind of technological way, in that Wall-E very well could have suffered damage to his CPU or even his motherboard, but if his Hard Drive was still intact he could have retained all the information he had "learned," and the zot at the end prompted his CPU to access a section of the disc that was previously "out of scope" for the basic operating system, and thus forced him to reconcile the entire database on EVE to cope with the act. BUT, since I've brought real-world explanations into a fantasy, God has just killed a catgirl and now I'm sad. :(
 

ElArabDeMagnifico

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lol well thanks it does make me dislike the ending a lot less now, and I do give it "kudos" for building up the "tension" but I guess there was no other way to do that, so at least it made the most of it's ending. Also, I thought God killed kittens >_>