I'm not being pretentious, but I actually put effort into learning scales and modes, classic basslines, cliches of modern bass playing and so forth in order to intentionally dodge such predictable styles.
Whenever I feel a tune I'm writing begins to bend into a standard for the instrument, I think of ways to challenge what I have written.
On one hand, it is constricting, in that overly simplistic "been there, done that" concepts I try to stray as far from as possible, yet this causes me to be creative. I'm never satisfied with anything I write if I feel it is just "ok."
Not that I don't take to being simple occasionally; it's practically a necessity with the bass in order to achieve coherency at times,
I just like to challenge myself, and I find knowing what has been done is a good way to craft what can be done.
Whenever I feel a tune I'm writing begins to bend into a standard for the instrument, I think of ways to challenge what I have written.
On one hand, it is constricting, in that overly simplistic "been there, done that" concepts I try to stray as far from as possible, yet this causes me to be creative. I'm never satisfied with anything I write if I feel it is just "ok."
Not that I don't take to being simple occasionally; it's practically a necessity with the bass in order to achieve coherency at times,
I just like to challenge myself, and I find knowing what has been done is a good way to craft what can be done.