I wanted so badly to work a Mad Max reference into the article, but my brain failed. Thank you!JamesBr said:On an related note: If I piss it off enough though, will it suggest Mad Max?
I wanted so badly to work a Mad Max reference into the article, but my brain failed. Thank you!JamesBr said:On an related note: If I piss it off enough though, will it suggest Mad Max?
Actually, my Netflix queue is filled with movies and tv shows I genuinely want to watch. These run from recent mainstream dramas to British crime shows to documentaries on FDR and Trudell to Korean romance shows to goofy/bad 80's horror and sci-fi. My problem is a major case of indecisiveness. I even have my queue of 221 titles sorted by genre (when I go Netflix-weeding, I usually can pare it down to about 135). The problem is that I usually have to be in 'the mood' for different things. Last weekend, it was Scream 4. This weekend, it might by Albert Nobbs or Surf Nazis Must Die. It takes me 15-45 minutes just to figure out what to watch.Zachary Amaranth said:This is a very real phenomenon that impacts most elements of life. Especially commercial ones. Too many options, even bad ones, overwhelm most people.
Unless you are "most people," then there's no "actually" about it.Overquoted said:Actually, my Netflix queue is filled with movies and tv shows I genuinely want to watch.
*stares at you* Your reading comprehension could use some work. Here, let me rephrase.Zachary Amaranth said:Unless you are "most people," then there's no "actually" about it.
Think most places outside the U.S. has that problem. I know licensing is problematic once it crosses borders. Kind of like how here, we can't get a lot of European and South American tv shows. Sorta depends on the popularity (and whether or not BBC America ported them over already).Charli said:"Consumers are stupid and must be treated as such"
Is this what marketers being told nowadays? It's feeling like a trend.
The statement is a bit more loaded than that folks, you took it way too literally.
Also Netflix isn't worth what it gives in the UK. Not even close. Especially when most our TV Cable providers offer all those shows inclusive. They gotta go big or go home here, and it's looking worryingly close to that.
You probably shouldn't question my reading comprehension if you're then going to make a statement that isn't what I said at all.Overquoted said:But hey, if you think 'most people' are only afforded bad choices...
Nowadays? When were they not told that?Charli said:Is this what marketers being told nowadays? It's feeling like a trend.
Actually, licensing is only "problematic" for these other countries because most industrial nations give better rights to the content producers. That makes it cost more.Overquoted said:Think most places outside the U.S. has that problem. I know licensing is problematic once it crosses borders.
In fact, one could argue (correctly) that the lack of popularity of these titles is the only issue here.Kind of like how here, we can't get a lot of European and South American tv shows. Sorta depends on the popularity (and whether or not BBC America ported them over already).
Considering there's lag in qhat's streaming on Netflix, they really don't. In fact, allowing them to stream old episodes would very likely increase their subscribers. But more than that, HBO already has a streaming service they could provide for a fee if they wanted to, and instead lock people out of that service unless they're already subscribers through their cable.Those guys have a vested interest in not allowing their content to stream right now.
Quite possible. But given the increasing population of Spanish speakers in the U.S., and the nearly complete absence of telenovelas and other content from channels like Telemundo, I wonder if maybe Netflix just hasn't considered trying to capture the market. I'm in Texas, and even English speakers here will sometimes watch Spanish channels (even when they don't understand 90% of the conversation). It's common enough that a lot of popular shows even come with English captioning.Zachary Amaranth said:In fact, one could argue (correctly) that the lack of popularity of these titles is the only issue here.
Well, by vested interest, I'd say it's a case of either being fully committed to the cable model (HBO, bafflingly), or an interest in preserving ad revenue (most channels only allow streaming of old seasons; as an example, AMC's Hell on Wheels has one season on Netflix but is about to start airing the third). And remember, these channels still air reruns with ads, too. So the lag is deliberate.Considering there's lag in qhat's streaming on Netflix, they really don't. In fact, allowing them to stream old episodes would very likely increase their subscribers. But more than that, HBO already has a streaming service they could provide for a fee if they wanted to, and instead lock people out of that service unless they're already subscribers through their cable.
Really, HBO is just backwards, like a lot of content providers. At a time where more and more people are "cutting the cable," HBO went and added more restrictions to their premium cable service (that requires you already have a costly cable package).
*eyes glaze* I was returning sarcasm for sarcasm. It's what forum posters do best. B) But my original statement, I think you read too much into 'actually.' And that was more or less because I only quoted you, rather that you and the original poster. Cleaner reading? Less comprehensive, too!Zachary Amaranth said:(snip)
So....
I get that. In fact, the hispanic market is considered to be one of the biggest growers for basic cable, but at the same time it's considered pretty low in terms of purchasers for premium, so I wonder if the interest would be there for the base market that leads to this.Overquoted said:Quite possible. But given the increasing population of Spanish speakers in the U.S., and the nearly complete absence of telenovelas and other content from channels like Telemundo, I wonder if maybe Netflix just hasn't considered trying to capture the market. I'm in Texas, and even English speakers here will sometimes watch Spanish channels (even when they don't understand 90% of the conversation). It's common enough that a lot of popular shows even come with English captioning.
Relaly? Most of the ones I have watched are subbed. It even surprised me when I found out Bleach wasn't. Mostly because I'm used to JYB as Ichigo.Also, I hate Netflix for never offering subbed anime. English dubs are terrible. >_<
I get that too, but I don't get the dedication to the cable model as it's failing, and I still think showing two season old episodes on Netflix might promote HBO subscriptions. I also think Go might be money straight to them. I could be wrong and all, but it's my spin.I'd say streaming is already being seen as a way to drum up subscribers rather than as independent revenue generation, but only by specific channels (others just exempting themselves entirely). Or maybe they're delaying content as a way to increase download and dvd sales. Either way, they all see a vested interest somewhere.