Understand, this isn't going to be a comprehensive review, it's going to be more of a rant.
Earlier this year I was playing AC and needed some more Assassiny stuff to work with in my head, so I picked up the first book in the Trilogy. I read it before going out and buying the second and third books because I don't want to buy them and then regret my purchase (which is ultimately what ended up happening anyway).
The first book is good. Well paced the characters are fun, and it's not so bleak that you loose all hope. It builds itself well, explains it's own mythos and allows for the reader to be drawn into the world, even if (after a bit) you start to loose track of a few characters. There were some bad spots to me, like the idea that the world needs to have the underworld highly organized and structured in order for the nation to work (basically being the honest to god shadow government). The ending causes it to trip up as it starts moving REALLY fast (to fast) and has everything go to hell to set up the second "act" (book).
Here's where my issues started... with the second book. While at the end of the first book everything goes to hell, it still ended on a happy note, with the main character (Azoth) giving up his life of being a deadly shadow and instead moving to another town with his girlfriend (Doll Girl) and adoptive daughter (almost inconsequential except being a living macguffin). The second book basically opens with Azoth and Doll Girl living semi-normally in the new town, although Azoth is frustrated because he's used to being out at night and just being active, while his new lifestyle has him rather sedentary (by comparison anyway). Doll Girl has become a serious Christian (well, analogue church anyway), and won't sleep with him and refuses to let him think about hurting others and is constantly yelling at him to sell his equipment from his assassin work. This goes on for a bit with Azoth playing the night vigilante and killing people in defense of others (breaking a promise to doll girl) until another assassin from their old hometwon (who'd tried to kill Azoth previously) appears and attacks. Doll Girl was out, and Azoth was distracted so the other assassin walks in and kidnaps their girl. At this point the girl basically has served her purpose and is forgotten except for one more point in the book.
Thus begins the chase where Azoth is chasing the daughter and the assassin/kidnapper, and Doll Girl comes back and chases both. Early on in the book we were introduced to a new character, who again, is just a plot macguffin when all is said and done. And this leads to probably the biggest issue I have with the book. The New character (A lady mage) comes upon the Assassin and little girl, beats up the assassin, figures out something has been done to her, and tells her just what she needs to hear to rush back to the Evil Emperor, then Azoth appears and the Mage tells him "She went Thataway" and gives him just enough strength to go after the assassin (who Azoth thinks still has his daughter) so he takes off, meanwhile the mage has actually kept the daughter who, as it turns out, is magically gifted up the wazoo so miss mage is going to basically take the kidnapped girl, and force her to enroll in magic school, she can leave once she turns 13 and her parents ask for her back, but until then she's effectively a prisoner of the school.
That's the major thing that bugs me about all of this. This Mage, appears in the story only to manipulate the main characters and steal this kid (literally, that's all she does). Eventually, as a result of the manipulation, the Assassin (a hot chick) and Azoth end up being forcibly bonded together by magic earrings... to the point where the assassin can literally say "be a ballerina" and Azoth will pirouette and skip like he's a six year old taking the first year classes. And not only this, but the Assassin is promptly enrolled (forcibly) in magic school (the same school that the daughter is in actually) as part of a political gambit. Up until this point I was.... ambivalent. In my normal reading I get into some dark stuff (darkest being the gang rape of a 9 year old deaf mute girl in The Black Company... the rapists are promptly killed), so this seems ok. But the kicker is that eventually all the main characters learn exactly what was done to them, exactly why (so they can be political chattel for this one tiny school), and yet they all seem perfectly ok with the situation. Note, the ring bonding thing? It's explicitly stated as IRREVERSIBLE once that sucker is on. The only way to get out of the bond is to rip off the ear, and Azoth was FORCED into the relationship.
Understand, a child kidnapping mage, who effectively forced the mental rape of a pair of people, and ruined what little chance Azoth had of actually being a husband to the woman he loves, gets off scott free. Not only that, but all the characters are sort of happy the girl was kidnapped because it meant "she gets an education!" Never mind the fact that her family is completely loaded and could have easily given her an education that would rival a nobles (Azoth is rich from his assassin work, and the girls biological parents are Azoth's master, who was richer than him, and the woman who runs the entirety of the underworld in their home town).
Oh, and those rings I was talking about? Not only do they bind the characters to each other through compulsion (woman able to order the guy around), but they also force a telepathic link between the two that gets to the point where the literally have dream sex, and can tell exactly what the other is doing at any given time.
That was my biggest gripe with the entire thing. The mage doing something that's worse than probably have the "evil" characters every did, and yet still being considered "good".
The other niggling things to me are the fact that several characters (as I mentioned above) are little more than biological plot devices. The daughter is one, and the mage is another (of sorts) but the story is rife with those one hit wonders who only appear to cause or do something that effects the main characters and makes their lives harder. Also, as the trilogy goes on (honestly, you might as well have made it one MASSIVE book) it picks up the pace, to the point where you are barely able to see what's going on in the larger picture, and have NO time to breath. The second book gives 0 hope of ANYTHING good happening, and the third only starts to look "up" RIGHT before the end.
Is the series good? Eeeehhhhhhhhhhhhhhhhhhhh I don't like it. It would have been good if they had kept it as sort of one shot stories within the same world, but it runs to long, has the aforementioned issues, and is packed with filler (when all is said and done).
At least it's not as bad as the Elenium and Tamuli trilogies by Eddings.
Earlier this year I was playing AC and needed some more Assassiny stuff to work with in my head, so I picked up the first book in the Trilogy. I read it before going out and buying the second and third books because I don't want to buy them and then regret my purchase (which is ultimately what ended up happening anyway).
The first book is good. Well paced the characters are fun, and it's not so bleak that you loose all hope. It builds itself well, explains it's own mythos and allows for the reader to be drawn into the world, even if (after a bit) you start to loose track of a few characters. There were some bad spots to me, like the idea that the world needs to have the underworld highly organized and structured in order for the nation to work (basically being the honest to god shadow government). The ending causes it to trip up as it starts moving REALLY fast (to fast) and has everything go to hell to set up the second "act" (book).
Here's where my issues started... with the second book. While at the end of the first book everything goes to hell, it still ended on a happy note, with the main character (Azoth) giving up his life of being a deadly shadow and instead moving to another town with his girlfriend (Doll Girl) and adoptive daughter (almost inconsequential except being a living macguffin). The second book basically opens with Azoth and Doll Girl living semi-normally in the new town, although Azoth is frustrated because he's used to being out at night and just being active, while his new lifestyle has him rather sedentary (by comparison anyway). Doll Girl has become a serious Christian (well, analogue church anyway), and won't sleep with him and refuses to let him think about hurting others and is constantly yelling at him to sell his equipment from his assassin work. This goes on for a bit with Azoth playing the night vigilante and killing people in defense of others (breaking a promise to doll girl) until another assassin from their old hometwon (who'd tried to kill Azoth previously) appears and attacks. Doll Girl was out, and Azoth was distracted so the other assassin walks in and kidnaps their girl. At this point the girl basically has served her purpose and is forgotten except for one more point in the book.
Thus begins the chase where Azoth is chasing the daughter and the assassin/kidnapper, and Doll Girl comes back and chases both. Early on in the book we were introduced to a new character, who again, is just a plot macguffin when all is said and done. And this leads to probably the biggest issue I have with the book. The New character (A lady mage) comes upon the Assassin and little girl, beats up the assassin, figures out something has been done to her, and tells her just what she needs to hear to rush back to the Evil Emperor, then Azoth appears and the Mage tells him "She went Thataway" and gives him just enough strength to go after the assassin (who Azoth thinks still has his daughter) so he takes off, meanwhile the mage has actually kept the daughter who, as it turns out, is magically gifted up the wazoo so miss mage is going to basically take the kidnapped girl, and force her to enroll in magic school, she can leave once she turns 13 and her parents ask for her back, but until then she's effectively a prisoner of the school.
That's the major thing that bugs me about all of this. This Mage, appears in the story only to manipulate the main characters and steal this kid (literally, that's all she does). Eventually, as a result of the manipulation, the Assassin (a hot chick) and Azoth end up being forcibly bonded together by magic earrings... to the point where the assassin can literally say "be a ballerina" and Azoth will pirouette and skip like he's a six year old taking the first year classes. And not only this, but the Assassin is promptly enrolled (forcibly) in magic school (the same school that the daughter is in actually) as part of a political gambit. Up until this point I was.... ambivalent. In my normal reading I get into some dark stuff (darkest being the gang rape of a 9 year old deaf mute girl in The Black Company... the rapists are promptly killed), so this seems ok. But the kicker is that eventually all the main characters learn exactly what was done to them, exactly why (so they can be political chattel for this one tiny school), and yet they all seem perfectly ok with the situation. Note, the ring bonding thing? It's explicitly stated as IRREVERSIBLE once that sucker is on. The only way to get out of the bond is to rip off the ear, and Azoth was FORCED into the relationship.
Understand, a child kidnapping mage, who effectively forced the mental rape of a pair of people, and ruined what little chance Azoth had of actually being a husband to the woman he loves, gets off scott free. Not only that, but all the characters are sort of happy the girl was kidnapped because it meant "she gets an education!" Never mind the fact that her family is completely loaded and could have easily given her an education that would rival a nobles (Azoth is rich from his assassin work, and the girls biological parents are Azoth's master, who was richer than him, and the woman who runs the entirety of the underworld in their home town).
Oh, and those rings I was talking about? Not only do they bind the characters to each other through compulsion (woman able to order the guy around), but they also force a telepathic link between the two that gets to the point where the literally have dream sex, and can tell exactly what the other is doing at any given time.
That was my biggest gripe with the entire thing. The mage doing something that's worse than probably have the "evil" characters every did, and yet still being considered "good".
The other niggling things to me are the fact that several characters (as I mentioned above) are little more than biological plot devices. The daughter is one, and the mage is another (of sorts) but the story is rife with those one hit wonders who only appear to cause or do something that effects the main characters and makes their lives harder. Also, as the trilogy goes on (honestly, you might as well have made it one MASSIVE book) it picks up the pace, to the point where you are barely able to see what's going on in the larger picture, and have NO time to breath. The second book gives 0 hope of ANYTHING good happening, and the third only starts to look "up" RIGHT before the end.
Is the series good? Eeeehhhhhhhhhhhhhhhhhhhh I don't like it. It would have been good if they had kept it as sort of one shot stories within the same world, but it runs to long, has the aforementioned issues, and is packed with filler (when all is said and done).
At least it's not as bad as the Elenium and Tamuli trilogies by Eddings.