I was going to say what about Al Pachino in the Devil's Advocate? Surely he beats out both of them.Gorfias said:We actually kinda want this monster to win, and in a way, he does, and is happy about it, and we kind of are too!
EDIT: I have to write that Jim "won" this one as to the two they chose. Hades is almost a clown. You can sympathize with him but he's not chilling like Vigo. But Vigo's part is very small in that movie. Less time to mess it up. I still vote I win so far
I agree! He's charming, and scary. He looks as he does because he chooses it. In a moment where he loses control, he is beautiful, as Lucifer is supposed to be. He's super smart and convincing.canadamus_prime said:
Glad you liked the crossover episode. Unfortunately we were only able to record two episodes while there, the second one has special guest Lisa Foiles!zvate said:I really enjoyed that one. best no right answer in awhile. Jim seemed exhausted but he put on a great show and argued his devil well. I hope they managed to grab Yahtzee for another guest show and I would pay money for a Paul versus Graham debate on just about any subject.
My vote would have also been for the sandman Lucifer though
Not only that, but like any good villain he talks sense; like when he goes on about he's all about the people and how he's been down there getting his hands dirty and whatever.Gorfias said:
This (Lucifer) would have been my vote as well, except for the fact that he isn't The Devil. He's Lucifer. He's never been evil or trying to sucker people out of souls. Hell, he barely ruled over hell, he was tricked into exile and people came to suck up to him. In the Vertigo/Sandman continuity, which includes Hellblazer, The Devil is a lower-ranked entity (which used to be 'Gods Conscience'). He shows up in Hellblazer alot and shares all the characteristics of the usual 'Devil'.Therumancer said:Hannibal942 said:My Lucifer doubles as a night club pianist after he quit his job.
This would have been my vote also. DC's Devil is cool, and makes it quite clear that he's doing an important job, and makes that point most eloquently when he pretty much says "I'm done with taking this crap, someone else can do it" and in the process winds up teaching the cosmos a lesson, especially given how lacking his replacements are.
Not to mention his payback on "The Sandman" for earlier embarrassment is kind of epic in it's simplicity when he pretty much drops the keys to hell on his lap and says "I'm leaving these here, and I know you'll feel responsible for this incredibly important piece of psychic real estate" before walking off, pretty much causing every other avatar of a fundamental concept of reality, god, and celestrial being, to show up on his door step to make a case for why he should give it to them, right when he's got all this other stuff on his plate to try and put his section of reality right (and plan his own demise, due to feeling he's become too human in his outlook, which a fundamental force of reality cannot be and still do it's job).
The thing is though that I don't think it would be easy to explain what makes this version so awesome in a short video. With "Hades" and the version from "The Prophecy" it's easily understandable, not quite as obscure, and involves simple visual and audio reference.
