But like I said earlier, the difference between the way Khan does it and the way Star Trek usually does it is that it explores a theme, but it doesn't have a specific message that the entire thing is built around, except maybe that the good of the many outweighs the needs of the few, or the one. And that was a really small part of the movie as a whole, the stuff about getting older was much bigger, and even it was less central than, you know, Khan wanting revenge, for the sheer sake of getting revenge. The themes weren't really tied into the main story all that well.DRTJR said:TWoK isn't just about one man's (who read way too much Moby Dick) obsession over the man who left him to die, it's the story of one man feeling as if he is though and that gallivanting around the cosmos is a task for the young and Admiral Kirk feels old, and by meeting Carol Marcus and his son Kirk not only beats his greatest external enemy in Khan it's also about the greatest enemy off all men Time. If it feels as if the story of Wrath of Khan could have happened every were may be true but it is made stronger the fact that it's about James T. Kirk and Khan Noonien Singh, we know the history of these two men and Why Khan is so hell bent on killing Kirk. The fact the story stands on it's own makes it a good movie based on an existing proberty what makes it great is from where it builds it's foundations.Owyn_Merrilin said:Which is funny, because the only time they didn't look totally doofy was in that one episode of TNG where Picard had a vision of what his life would have been like if he had never needed an artificial heart. Somehow they finally managed to make the things look cool. But still not as cool as the ones in TMPDRTJR said:The problem of TMP is that it tried to be 2001 a space odyssey as well as Star Trek. Leonard Nimoy hated doing TMP soo much his condition to signing on to TWoK was that Spock died. The studios were wearied that another Trek project would ruin them because TMP had a monstrous budget, the filming of TWoK did several great things not only on a budget but also with the fact that Ricardo Montalban and William Shatner were never in the same room during filming yet the those two actors shared such great chemistry despite that. That is what makes some of the best Trek, creating art under such great adversity, aslo the uniforms that appeared in TWoK became one of the most icon ones in franchise history.Owyn_Merrilin said:I'll give you the other two, but TMP was actually a box office success that revitalized the franchise. It's remembered as a failure today because it picked up an undeserved bad reputation somewhere during the 80's or 90's, but it made close to three times its budget in the US alone. Source for the budget thing: http://www.boxofficemojo.com/movies/?id=startrek.htmDRTJR said:TMP, The Final Frontier, and Nemesis all earn my ire for a singular reason, their failures were almost bad enough to sink the entire franchise. A franchise that I want back on the small screen. Doctor Who is alive and well bopping about time and space, and yet no one is boldly going were no man has gone before? Why is this? It's because Nemesis and Enterprise failed and we suffer from those.Owyn_Merrilin said:I have to disagree though, because TWoK wasn't quite /everything/ that made Trek great, but TUC was. If one day it's the only piece of of the original series that still exists, future generations will still have a pretty darned good idea of what it was all about. Whereas Khan, while an excellent story told within the universe, kind of does its own thing with it.DRTJR said:Wrath of Kahn is an amazing film! Undiscovered country is a fitting end to ToS and a proper send off but TWoK is everything that made Trek Great, an amazing story that was both old and new in SPACE!Owyn_Merrilin said:Not unless you count the the sixth movie, but then they were only counting the shows themselves here. Anyone who likes Star Trek and hasn't seen that movie owes it to themselves to watch it, though. It's the best of the bunch, with TWoK unfairly getting more love because it came earlier in the series.DRTJR said:DS9: is the "best" series of Star Trek, my favorite is ToS but that series has no legitimate end.
Also, The Motion Picture is a better TNG movie than any of the actual TNG movies. VI and I are my two favorites in the whole series, then II, III, IV, V[footnote]For execution. On premise it's number 1[/footnote], with the TNG movies all far enough behind that it doesn't really matter how I rank them.
Edit: And I realize the TNG movies were generally better put together than The Final Frontier was (Generations aside, that is), but the problem is they fall into the same basic trap that Trek '09 does: they're well put together action movies, not well put together Star Trek movies, and especially not well put together Star Trek: The Next Generation movies.
Edit: Also, the biggest box office success until at least the '09 movie, adjusted for inflation, was actually The Voyage Home. Part of the reason The Final Frontier was so bad was Shatner wanted to do something serious, like The Search for Spock, but Paramount thought something sillier and more comedic, like The Voyage Home, would make more money. That infighting is why the tone is so schizophrenic.
Edit Edit: Correction, it turns out that TMP was actually the highest grossing in inflation adjusted dollars until Trek '09, with IV being the highest in un-adjusted dollars, and second highest in adjusted. Trek '09 is now the highest in both, but Into Darkness still ranks below IV. Source: http://www.boxofficemojo.com/franchises/chart/?id=startrek.htm
And for the rest, I do see what you're saying, I just personally prefer TMP and TUD (though not in that order) to TWoK. It's a good movie, but it really doesn't need to be a Star Trek movie to work. It could have just as easily been set in the 17th century and be about a marooned pirate trying to get revenge against the man who left him to die. You could give it points for being universal, but it's just missing something for me that keeps it from being the perfect Trek film. The biggest thing is the surface narrative really is the biggest thing the film has going. It explores themes of growing older, friendship, and revenge, but that's just it: they're themes, not a message. Star Trek without a message isn't really Star Trek.
Plus, you know, Kirk doesn't get into a fistfight with an alien twice his size or have sex with a weird alien chick. He does that in The Undiscovered Country
And then he gets into a fistfight /with himself/ (or rather, that alien chick shape shifted into a copy of him), which is just beyond awesome. And then there's that message about the end of the cold war and the collapse of the soviet union, which truly was the "undiscovered country" at the time and oh god I've got to rewatch it again, dammit XD