Continuing with my music theme from my last review and having picked this up today, I shall be reviewing the much-anticipated and somewhat controversial solo offering from the hatted guitar god himself, Slash...
Ghost - Ian Astbury
Crucify the Dead - Ozzy Osbourne
Beautiful Dangerous - Fergie
Back from Cali - Myles Kennedy
Promise - Chris Cornell
By the Sword - Andrew Stockade of Wolfmother
Gotten - Adam Levine
Doctor Alibi - Lemmy Kilmister
Watch This - Duff McKagen & Dave Grohl
I Hold On - Kid Rock
Nothing to Say - M. Shadows of Avenged Sevenfold
Starlight - Myles Kennedy
Saint is a Sinenr Too - Rocco DeLuca
We're All Gonna Die - Iggy Pop
Baby Can't Drive - Alice Cooper & Nicole Scherzinger of The Pussycat Dolls
Crucify the Dead - Ozzy Osbourne
Beautiful Dangerous - Fergie
Back from Cali - Myles Kennedy
Promise - Chris Cornell
By the Sword - Andrew Stockade of Wolfmother
Gotten - Adam Levine
Doctor Alibi - Lemmy Kilmister
Watch This - Duff McKagen & Dave Grohl
I Hold On - Kid Rock
Nothing to Say - M. Shadows of Avenged Sevenfold
Starlight - Myles Kennedy
Saint is a Sinenr Too - Rocco DeLuca
We're All Gonna Die - Iggy Pop
Baby Can't Drive - Alice Cooper & Nicole Scherzinger of The Pussycat Dolls
Firstly, this is possibly the most hyped up album of the year, if not longer. In fact, it's pretty close to Chinese Democracy in terms of how hyped this has been. What it also has is controversy. Naturally people were somewhat shocked by a few of Slash's choices for guest musicians. The prime target, of course, being Fergie. It is understandable though, what is this RnB singer doing on our rock 'n' roll album? Well, from the sounds of Beautiful Dangerous she's making some simply amazing music, her voice, changing from that of a much-loathed RnB star into the perfect female accompaniment to Slash's guitar style, her voice lingering seductively in verses before exploding into full rock 'n' roll mode for the chorus. Proof, if it were ever needed, not to judge a book by it's cover.
Another of the surprises here is Baby Can't Drive, with Nicole Scherzinger and Alice Cooper. Although not quite as talked about as Fergie's contribution this is certainly unexpected. Again, what's this bird from The Pussycat Dolls doing on my rock album? And, like Fergie, she's kicking some ass. With Cooper doing his usual rock god stuff, Scherzinger proves her worth on this song, which is obviously a whole world away from her usual work.
While there are a few other shining lights of brilliance from the album, such as Doctor Alibi, Nothing to Say, I Hold On and Starlight it is largely let down by Slash's unnerving, though commendable, move to something slower with singers such as Myles Kennedy and Chris Cornell. They seem dull and drawn out, too progressive for the context set out with the first handful of songs. What is more worrying though, is the contribution from the Prince of Darkness himself, Ozzy Osbourne. While the song is sound, the execution just isn't right at all to me. It's Ozzy and Slash, but now how it should be. It should be much better for what it is.
Overall, this album is a worthwhile purchase which will be different things to different people and worth buying no matter your musical interest. For the more prog-loving among us, you will most likely disagree with me completely and love the songs with Myles Kennedy, Chris Cornell and Andrew Stockdale.For me, though, it just doesn't hit the right spot.