Charcharo said:
Yeah. That is why I am still not even at Diamon City and why I uninstalled it from my PC today. Sure.
It is an unplayable mess. Am going back to better games until this is fixed. Not worth it. And dont think I spend 3 hours on stuff. When I said I spent more time trying to fix the shit, I meant it. But at one point it is not worth it, even if fixing it was fun for the first 5-6 hours.
-snip-
And yes. Yes it is special. Here I strongly disagree, that train of thought is either super-nihilistic (which I kind of understand) or barbaric. Sorry.
Sorry to cut out most of your post, but these are the two main points I wanted to deal with.
First one - you describe
Fallout 4 as an unplayable mess. Yet, I am now ten hours in. Clearly it is playable. That's the problem with hyperbole - it's subjective opinion playing as objective fact and holds no water as an argument. While you might thing
those aspects of the game are poor, they didn't make the game unplayable - because people are playing it.
The second point - there's nothing nihilistic about it. I trained as a copywriter and editor for part of my degree (so if I fail as a writer, I can make a living off of successful writers) and there is nothing any less inherently materialistic about books.
It's a noble idea, to reckon that authors write because they absolutely must get their message out to the world, but that's not the case. That's rarely the case. Authors write because they need to eat, and because they're good at writing. It's their trade. Half the greats were written by bored, wealthy people, and the other half were by people who worked out writing was a decent way of paying the bills. I don't understand where your logic comes from whereby as soon as the written word is played out by actors (who have an art all of their own) (and I'm not just saying that because every girl I've ever dated ended up being an actor or a model) (apparently I have a type) you decide that the words are now invalid as an art form. Is a script not a book formatted differently? I mean, sure, scripts get hammered out for
Sharknado movies that are nothing more than blatant cash grabs, but the exact same thing goes for books, too. Check out the erotica industry. It's fucking massive, and it's just full of shit. Next time you're at an airport or a service station, have a look at the bookshelf. Look at all the novels about a handsome American with a fondness for classic cars hunting for secret treasure and evading foreign secret agents. I'm pretty sure every author on those shelves is just another nom-de-plume for Clive Cussler. I'm absolutely certain he's the only author who writes in that genre and just pretends to be other people.
And that's without covering the romance novels. Back in the second half of the 18th century, Caroline FitzGerald warned her daughter Margaret that those romance novels would rot her brain. She was right. Romance novels are brain-rotting. Especially since Margaret's little sister Mary tried to elope with Colonel Henry FitzGerald and that guy ended up being shot by her brother and both her brother and her father ended up escaping justice via the privileges of lordships - basically Mary got her damn head full of romance novels, tried one out in real life and people ended up dead.
Though Margaret herself was brought up by Mary Wollstonecraft and became close friends with Wollstonecraft's daughter Mary Shelley, and I don't have to tell you why those two names are important. You clearly read a lot - so you must recognise them both.
And both of 'em were aware of the damage romance novels can cause.
And they're just shit novels.
I would certainly say that if you're looking for avant-garde material these days, you should study film. Auteur projects, specifically. The advantage films have as a newish medium is that they can still do new things, whereas books have pretty much stagnated. There are some great stories, sure, but there are only so many plots, and now it is not enough to be narratively original.
If Nobody Speaks Of Remarkable Things is a fairly recent novel, and I would say it's pretty damn good - but it's the narrator's voice that makes it good. The overuse of simile actually works. But the story? Nothing new whatsoever. But interesting and original devices in novels are more and more infrequent, and directors are finding so many more ways to make film fresh and interesting.
Maybe I'm just studying books too much. But I'm bored of the bloody things. I used to read many, many different authors and I'm honestly bored of them to the point where I barely read for pleasure anymore. Until
Peace Talks and
The Swallow's Tower are released in the United Kingdom, I can only really see myself reading history books on the train. And they're so fucking dry.