I see. Keep in mind though that you are the one who gets to set the expectations. As the author of the work, you can lead the reader into expecting one thing while keeping your options open to come up with a surprise reveal.Trilligan said:Thank you for the encouraging words!Manji187 said:On the contrary, it is rather interesting. A double mystery; what is Topside really (wasteland, utopia, something else entirely?) and who is Trilligan really?
What I am curious about is Trilligan's methods of keeping everyone in line and his motivation for doing so. What does he get out of being "king of the slaves"?
No matter how powerful he is, fact is that he needs the people more than they need him, so when all the workforce starts to rebel en masse and eventually they will (for instance because they have come to consider even death to be a welcome release from their pitiful existence), how will Trilligan manage the situation and get everyone working again (and not plotting the next uprising)?
Also, who is the main character/ protagonist? Some youth who wants to escape the drudgery of work and see Topside for himself?
My biggest problem, at this point, is building the mystery and it's resulting revelations in such a way that the end result - the answers to questions about who Trilligan is, what his penultimate motives are, the actual state of Topside, etc. - doesn't disappoint the audience by falling short of their imagined expectations.
The protagonist I have in mind is one Taylor Crosse, who isn't one of the Gap's laborers; he hails from Cliffwall, and descended into the Gap in pursuit of someone (though I'm still finding a reason for this pursuit that fits thematically); the biggest feature of Taylor at this point is his addiction to a drug called Epiphany, which gives him visions of the future.
The drug is part of Trilligan's control apparatus, of course, but the prophetic elements are so far functionally unique to Taylor.
The other part of Trilligan's control apparatus is a woman known as Minerva, who is at this point his Dragon, but who I hope to flesh out a great deal more over the course of the novel.
Who is Taylor Crosse? If he is pursuing someone, is he a detective/ investigator? Or is he a wanted felon who wants to clear his name (falsely accused/ wrongfully convicted)? Or something else entirely?
Be careful if you opt for the detective route though. Combined with his drug addiction he might resemble a character named Nick Bottom, the protagonist from a novel called Flashback by Dan Simmons (yes, Nick Bottom is also a character in William Shakespeare's A Midsummer Night's Dream, the link was intended by Simmons). In Flashback, the protagonist uses a drug called flashback (yeah lol) to relive the past.
I wonder how exactly the drug is part of Trilligan's control apparatus. Sure, it could keep the populace passive/ docile but they still need to be fit for work, right? Is the drug free from adverse effects?
Interesting choice for a name, Minerva. Minerva as in the Roman Pallas Athena, the goddess of wisdom, courage, inspiration, civilization, law and justice? People are likely to associate, even if that was not your intention. The thing is, how will you use that association? Will you use it at all?