Arnoxthe1 said:
Have you ever read The Belgariad and The Mallorean? They deserve a spot next to LotR IMAO. Why?
1. The world is constantly changing and feels REAL. There's not just the basic fantasy standbys here. There's a full economic system and an ordered government.
2. It has some of the most memorable characters I've ever seen in a book.
3. Pretty darn original. Some of the concepts in these books might seriously wow you.
4. It's LONG. And if you're anything like me, a long series is AWESOME.
Eddings actually serves as an interesting sort of counterpoint to Paolini. Both authors use a very typical Hero's Journey archetype, along with heaping doses of cliche in the latter's case. The key difference is that Edding's did it on
purpose. He gathered up all of the fantasy archetypes and tropes and set out to make a good story out of them and he
did. And the writing contains a lightness of tone so that the reader understands the author isn't taking himself too seriously. And that's what makes it work. That, and the well written snarky characters.
Contrast that with Paolini, who takes the writing
way too seriously, trying to play the cliches straight and the end result is they come off sounding trite. His case isn't helped by the fact that his protagonist's actions present him as a sociopath but in-universe he's treated as the Messiah.
I actually think it was a missed opportunity for really interesting character development. If Eragon actually
was a sociopath and this was recognized by the other characters but they were forced to work with him anyway, or if Dragon Riders became more vicious after bonding with their dragon, and had to balance that violent instinct without losing their humanity. But alas, it was not to be.
Having said all that: I do think there are glimpses of genuinely good, original writing throughout the books, and hopefully future books will improve.