I think people can find quality in anything if they're looking for it. My original point is that success isn't a qualifier for quality. You cannot simply look at the success of Eragon and gauge its quality (which I said to the statement "The best-seller's list and national success would seem to work against you." which in itself was a response to someone saying the quality of the Eragon books was bad). Whether bad or good, the fact is that it's impossible to look at a books and say "It sold 2 million copies in two days that means it's an amazing book."spartan231490 said:I do not think that success is a true test of quality. I do agree that it didn't deserve the praise it got. But i do think it's indicative. Pure crap is never gonna be popular. amazing is never gonna be completely ignored. but the middle ground can end up anywhere, that's what I think.JambalayaBob said:sorry, internet is crap, first part of this was a double post.I find the writing to be completely novice at best (and fanfiction fangirl at worst). I'll even admit that I can be snobbish and nitpicky about the quality of writing because of the subject matter. But her characters are flat at best and her plot takes an entire book to start.spartan231490 said:See above comment. I don't think Twilight is poorly written. I don't think it's amazingly well written either, but it's definitely solid.
But even if you don't agree, would you say that Twilight deserves the amount of praise and attention it has received over other books that came out at a similar period of time?
Even if you consider the writing solid, I don't see how anyone can look at the books and say that they deserve the attention they've received and the sheer praise that can be seen by countless admirers, especially over other books aimed at similar age groups with similar themes (Gemma Doyle Trilogy comes to mind, books that received fame but nothing close to the rabid fangirlism like Twilight).
And that is my original point. Success does not equal quality.
spartan231490 said:I will admit your points are well argued, but I defy you to find a high fantasy character who doesn't fit those definitions by the end.SilverKyo said:snipspartan231490 said:-snip-
as to learning too fast, he's facing a rider who's been around for over 100 years, and who cheats. he kinda has to or the story makes no sense. That's not a mark against it. "oh really, you mean a fantasy story is unrealistic because it has to be? How ever can you stand it." The only way that would be a mark against it if he learned to read in 5 years and became a master swordsman in 1, then it would be confusing. Rand beats 2 Heron-marked swordsman less than a year after beginning to learn. It happens, it has to for an author to allow his main character to start standing up for himself. Ok, so it doesn't have to, but you get my point.
I don't think that argument really holds water. He can't access that reliably or consciously until much later in the series. I'm talking in the first couple of books, he does that all on his own without the help of what you mentioned. The reason he learns so fast prolly has something to do with his Father's blood and the fact that Lan is teaching him.Scrubiii said:spartan231490 said:I will admit your points are well argued, but I defy you to find a high fantasy character who doesn't fit those definitions by the end.SilverKyo said:snipspartan231490 said:-snip-
as to learning too fast, he's facing a rider who's been around for over 100 years, and who cheats. he kinda has to or the story makes no sense. That's not a mark against it. "oh really, you mean a fantasy story is unrealistic because it has to be? How ever can you stand it." The only way that would be a mark against it if he learned to read in 5 years and became a master swordsman in 1, then it would be confusing. Rand beats 2 Heron-marked swordsman less than a year after beginning to learn. It happens, it has to for an author to allow his main character to start standing up for himself. Ok, so it doesn't have to, but you get my point.The difference is that Rand is the reincarnation of the Dragon reborn, and it is repeatedly established that he inherited a large portion of his predecessors knowledge and skills.
There's no justification for why Eragon learns fast other than how superior to mere mortals he is.
I don't think that argument really holds water. He can't access that reliably or consciously until much later in the series. I'm talking in the first couple of books, he does that all on his own without the help of what you mentioned. The reason he learns so fast prolly has something to do with his Father's blood and the fact that Lan is teaching him.Scrubiii said:spartan231490 said:I will admit your points are well argued, but I defy you to find a high fantasy character who doesn't fit those definitions by the end.SilverKyo said:snipspartan231490 said:-snip-
as to learning too fast, he's facing a rider who's been around for over 100 years, and who cheats. he kinda has to or the story makes no sense. That's not a mark against it. "oh really, you mean a fantasy story is unrealistic because it has to be? How ever can you stand it." The only way that would be a mark against it if he learned to read in 5 years and became a master swordsman in 1, then it would be confusing. Rand beats 2 Heron-marked swordsman less than a year after beginning to learn. It happens, it has to for an author to allow his main character to start standing up for himself. Ok, so it doesn't have to, but you get my point.The difference is that Rand is the reincarnation of the Dragon reborn, and it is repeatedly established that he inherited a large portion of his predecessors knowledge and skills.
There's no justification for why Eragon learns fast other than how superior to mere mortals he is.
I don't think that argument really holds water. He can't access that reliably or consciously until much later in the series. I'm talking in the first couple of books, he does that all on his own without the help of what you mentioned. The reason he learns so fast prolly has something to do with his Father's blood and the fact that Lan is teaching him.Scrubiii said:spartan231490 said:I will admit your points are well argued, but I defy you to find a high fantasy character who doesn't fit those definitions by the end.SilverKyo said:snipspartan231490 said:-snip-
as to learning too fast, he's facing a rider who's been around for over 100 years, and who cheats. he kinda has to or the story makes no sense. That's not a mark against it. "oh really, you mean a fantasy story is unrealistic because it has to be? How ever can you stand it." The only way that would be a mark against it if he learned to read in 5 years and became a master swordsman in 1, then it would be confusing. Rand beats 2 Heron-marked swordsman less than a year after beginning to learn. It happens, it has to for an author to allow his main character to start standing up for himself. Ok, so it doesn't have to, but you get my point.The difference is that Rand is the reincarnation of the Dragon reborn, and it is repeatedly established that he inherited a large portion of his predecessors knowledge and skills.
There's no justification for why Eragon learns fast other than how superior to mere mortals he is.
That's not what happened at all, the third book, was going to be too long to fit all of the things he wanted to put in it, so he cut it in half and made 2 books, kind of like what they did with the last Harry Potter moviePappeska said:I liked the first book, but I've grown as a reader. The last book was more annoying than interesting. But I guess I want to know how it ends, if I buy the book or just skim through it somewhere.
Oh, and the fact he had to write a fourth book to wrap it up. It annoys me because in my books it says 'Trilogy' now if I buy the fourth, I may have to buy new copies of the others just to get it right.
That's bad writing/planning on the authors part.artanis_neravar said:That's not what happened at all, the third book, was going to be too long to fit all of the things he wanted to put in it, so he cut it in half and made 2 books, kind of like what they did with the last Harry Potter moviePappeska said:I liked the first book, but I've grown as a reader. The last book was more annoying than interesting. But I guess I want to know how it ends, if I buy the book or just skim through it somewhere.
Oh, and the fact he had to write a fourth book to wrap it up. It annoys me because in my books it says 'Trilogy' now if I buy the fourth, I may have to buy new copies of the others just to get it right.
In all fairness, CP and co have admitted that the second book wasn't good in their eyes either. CP was a growing teenager and a growing author, so there's plenty of reason for that.Necromancer Jim said:I read about halfway through the second book.
When it came out.
Haven't touched one of the books since.
Chalk me up as "Not in the slightest".
And you know exactly how long each of your books are going to be before you write them? It can happen to anyone Orson Scott Card originally intended for Xenocide and Children of the Mind to be one book, and he quickly realized that it was going to be to long and he couldn't fit everything he wanted in just one book. It has nothing to do with planing its how the plot and characters grow while you are writing itPappeska said:That's bad writing/planning on the authors part.artanis_neravar said:That's not what happened at all, the third book, was going to be too long to fit all of the things he wanted to put in it, so he cut it in half and made 2 books, kind of like what they did with the last Harry Potter moviePappeska said:I liked the first book, but I've grown as a reader. The last book was more annoying than interesting. But I guess I want to know how it ends, if I buy the book or just skim through it somewhere.
Oh, and the fact he had to write a fourth book to wrap it up. It annoys me because in my books it says 'Trilogy' now if I buy the fourth, I may have to buy new copies of the others just to get it right.
Everyone in A Song of Ice and Fire, save Daenerys? That's not the point, however. It doesn't matter what other authors do; if a series' main character has no more depth than a Mary Sue, then you have a serious problem. The fact is that Eragon is a two-dimensional character, and not because he was intentionally written that way. You get the sense that Christopher Paolini wanted to make him a living, breathing person, but lacked the ability to do so.spartan231490 said:I will admit your points are well argued, but I defy you to find a high fantasy character who doesn't fit those definitions by the end.SilverKyo said:- Fantastic post, but snipped for space. -
Rand begins training with the blade in Emond's Field, continued through Shienar, and all the Great Hunt, before he encountered his first blademaster. He was being taught by the best swordsman of the age - for the most part - and it was established that the Flame and the Void were key to his success. I'm not totally sure that it's defensible, but at least it's something.spartan231490 said:I don't think that argument really holds water. He [Rand] can't access that reliably or consciously until much later in the series. I'm talking in the first couple of books, he does that all on his own without the help of what you mentioned. The reason he learns so fast prolly has something to do with his Father's blood and the fact that Lan is teaching him.
I've also seen the same arguments about another dozen books, none of which are rip-offs in my opinion. His premise is similar, it happens in a world with this much entertainment, that is going to result in similar plot structure. I see the differences as being more significant than the similarities.[/quote]Zachary Amaranth said:Of course, that's a silly argument and nobody would seriously offer it. You may taker issue with the more specific points which are pretty heavily derived from one specific source, but that does not facilitate a silly, over-the-top argument. Well, it readily facilitates it, but it's rather uncalled for.spartan231490 said:Let's boil it down further: Weak youth gains power and accomplishes great things. Hey look, it's every high fantasy ever written, they must all be rip-offs.
We're not talking a few generic plot points, we're talking a good chunk of the series, point by point. You say yourself you've seen those lists.
Doesn't that strike you as at all ridiculous? He killed two hundred soldiers in a single battle?spartan231490 said:Ok.Favorite character is probably Arya, favorite moment is definitely when Roran kills almost 200 soldiers.
You mentioned OSC. You are now my friend (Note, I only like his books, not his politics)artanis_neravar said:And you know exactly how long each of your books are going to be before you write them? It can happen to anyone Orson Scott Card originally intended for Xenocide and Children of the Mind to be one book, and he quickly realized that it was going to be to long and he couldn't fit everything he wanted in just one book. It has nothing to do with planing its how the plot and characters grow while you are writing itPappeska said:That's bad writing/planning on the authors part.artanis_neravar said:That's not what happened at all, the third book, was going to be too long to fit all of the things he wanted to put in it, so he cut it in half and made 2 books, kind of like what they did with the last Harry Potter moviePappeska said:I liked the first book, but I've grown as a reader. The last book was more annoying than interesting. But I guess I want to know how it ends, if I buy the book or just skim through it somewhere.
Oh, and the fact he had to write a fourth book to wrap it up. It annoys me because in my books it says 'Trilogy' now if I buy the fourth, I may have to buy new copies of the others just to get it right.