If they do it properly, its great and well worth the money, but if they just throw it on to get a few extra £'s its pointless, especially when the glasses actually make the screen darker than it should be
Actually parallax, one of the "tools" you mentioned requires at least 2 points of reference to work: 2 eyes; and it's pretty much how stereoscopy works.Jared Domenico said:Yes, stereoscopic vision is a pretty big deal, considering it was the primary means by which Homo Sapiens dodged hungry lions. It's so important that the brain has its own, rather effective work-arounds just in case one of our eyes gets fucked up - size disparity, parallax, memory, and probably a whole bag of other tricks that we use to, even when one eye is disabled, be able to get a three-dimensional bearing on what we're looking at.OlasDAlmighty said:snip
So adding 3D to a movie reduces the quality of it's plot and acting performances? I'm pretty sure good screenplay writing can exist in a movie with or without and 3D visuals.Jared Domenico said:We abandoned the glorious clarity of digital projectors and high-resolution filming techniques for blurry pop-up films. We traded the possibility of experimentation and exploration in genre, plot, and performance so we can have things jumping out at our faces.
Way to go, us.
Dude, he's passionate about because he thinks its cool. However he isn't so stupid as to think everyone was gonna buy into it on his say so. 3D is no more his fault than the retarded 90's Grim Anti-Hero or Dark Deconstruction comic trend is Allan Moore's fault.SonOfVoorhees said:Also, James Cameron himself stated that Avatar was meant to be seen in 3D and not 2D. Didnt stop him from releasing it on 2D and dvd/blueray etc on a normal screen. So its all bullshit as he could have released it as 3D only if he was that passionate about it.