I mean, if you're looking for a sad boat...CaitSeith said:And no tears were shed here for "Titanic".
There was plenty of room for him on that door.CaitSeith said:And no tears were shed here for "Titanic".
Fuck how could I forgotten One Piecetstorm823 said:I mean, if you're looking for a sad boat...CaitSeith said:And no tears were shed here for "Titanic".
Actually I found Titanic quite sad in understated ways. Thomas Andrews adjusting the clock in the dining room, the band playing on the decks, little stuff like that.CaitSeith said:And no tears were shed here for "Titanic".
Damn. That reminded me of Memento. But more for the cop, than the main characterAgema said:I think the thing that usually gets me are where characters have been struggling so hard against a tragedy (even if self-inflicted), and the point finally comes where they can't contain the force of it any more and they break. So for instance when the guilt eventually cuts through the amnesia in The Machinist, the revelation of the trauma of the mentally ill man in Spider, or the first season of Fleabag as her defensive facade of fun woman-around-town finally collapses under the strain. I suppose this idea might include that most shameless of tearjerkers, Cinema Paradiso, although that's a little sentimental for my tastes.
Other than that, the start montage from Pixar's "Up!" summarising the old guy's life is one of saddest moments you'll find in a film.
twistedmic said:Logan had quite a few emotionally brutal moments-.Charles having some form of dementia and looking so frail and weak, Logan himself now being old and utterly worn down, Charles dying and Logan dying. But the saddest was the final shot when the Laura turned Logan's cross sideways to make it an X.
Fleabag! I don't know anyone else that has watched that magnificent show. Terrific show. I love when she speaks with a man that is going through a group thing with men. He speaks of how he wants to be better and let his wife know how much he adores her. Gotta stop typing. Getting vaklempt.Agema said:I think the thing that usually gets me are where characters have been struggling so hard against a tragedy (even if self-inflicted), and the point finally comes where they can't contain the force of it any more and they break. So for instance when the guilt eventually cuts through the amnesia in The Machinist, the revelation of the trauma of the mentally ill man in Spider, or the first season of Fleabag as her defensive facade of fun woman-around-town finally collapses under the strain. I suppose this idea might include that most shameless of tearjerkers, Cinema Paradiso, although that's a little sentimental for my tastes.
Other than that, the start montage from Pixar's "Up!" summarising the old guy's life is one of saddest moments you'll find in a film.
I'd expect a sizeable chunk of the British population - although it will be much harder to find Americans.Gorfias said:Fleabag! I don't know anyone else that has watched that magnificent show.
Not just him - I liked that that (including the second season) Fleabag lets nearly most of the characters have some depth, strength and sympathy. Fleabag's drippy boyfriend at the start; the guy she mucks around and who finally lets fly with his frustration, even her sister's odious husband. Major and minor, the characters are not just comedic grotesques, you're invited to see their pain and struggle, and feel for them too.Terrific show. I love when she speaks with a man that is going through a group thing with men. He speaks of how he wants to be better and let his wife know how much he adores her. Gotta stop typing. Getting vaklempt.
15 Million Credits and selling outCyanCat47 said:The end of the Black Mirror episode Men Against Fire.
Seconded.twistedmic said:Logan had quite a few emotionally brutal moments-Charles having some form of dementia and looking so frail and weak, Logan himself now being old and utterly worn down, Charles dying and Logan dying. But the saddest was the final shot when the Laura turned Logan's cross sideways to make it an X.
Edit: Seconded. I tried covering my ears to drown out her pain, it did not work.Kyrian007 said:Until it got retconned by "Bender's Big Score" the ending to Futurama's "Jurassic Bark" was the saddest ending to a television episode I had ever seen. What is most annoying, is by retconning the ending... yes it is less sad but the emotional impact of that ending was ripped away. It is less than it was and that is not a good thing. The other one that gets me is Trigun's "Paradise." Not because of the major character death that takes place in that episode, that is sad... but the scene that get to me is Milly's reaction later. She is always so optimistic, upbeat, happy... seeing her devastated and weeping just destroys me.
I saw both NaTHaT and Grave of the Fireflies within a couple of weeks of each other. I was 14 at the time (saw them both in 2003). What the hell was I doing watching those??!! Though I can't watch GotF, it feels way too guilt trippy. Which it is to its Japanese delinquent youth during the 80s.Here Comes Tomorrow said:The endings of Now And Then, Here And There and Saikano aka She: The Ultimate Weapon. As far as anime goes those are some peak fucking sadness and as far as I'm aware no one really knows about them. Possibly because they're 20 years old holy shit I'm old.
While looking up NaTHaT I also found out its been compared to Grave Of The Fireflies, so hey, if proof be needed.