Should a Creator Ever Explain their Work?

Eacaraxe_v1legacy

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altnameJag said:
...Fahrenheit 451 isn't about authoritarian censorship...
Well, it is, it's just not about state censorship, mixed with "banality of evil" themes vis-a-vis the outbreak of World War III and all. Which is something that seriously pissed me off about that godawful HBO adaption.

I'd add Starship Troopers (the novel), Clockwork Orange, and The Jungle to the list, too.
 

EvilRoy

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Personally I only ever want to hear it later, and even then only as an exercise in analyzing my own view of the work vs what the author thought - did I read them right, did I see enough implied context to dig into them as a person, or are there things going on that I just don't know about. Its always interesting to know how understanding vs intent shakes out, but ultimately the reality of how our world works means your only ever going to be 'close' and the internal understanding a person develops is always more valuable than the external dictation provided by others.

The easy example is americans reading europian literature. This isn't meant to trash on americans, its just easy since american culture is hard to dodge in the english speaking world, and therefore american analysis of other cultural works is just as hard to dodge. When you read one of those analysies and then you compare it against an analysis that shares a culture with the author, there's always going to be fairly plain differences in how things are taken, just because the context of the person reading is going to colour the analysis. On one hand you could say the american is just wrong - they started from the wrong point and got to the wrong end. On the other hand, and what I feel is more interesting, is that the starting point and by extension the ending point, says a huge amount about the person reading and what they're looking for. The author could dictate what they were going for, but that dictation is less interesting and less meaningful than taking a closer look at what lead to the difference.

The most interesting thing I ever came across with respect to how people interact with media is the phrase "If you're seeing it (reading/listening/consuming) then it's for you". More so than ever in a world where google suggests news articles to you based on what you've been reading. So we have a person who was lead to a piece of media that isn't from where they're from, who then consumes it and produces an opinion based on their own context. So you get three competing aspects - the system that helped you find this thing, what you've got going on inside, and the context of the world you're experiencing this stuff in. And from that farts out an opinion. Tolkien got brought up above here so consider this: start by assuming the readers are honest and the author is honest. That means that the context, internal workings and intent of the author was such that political commentary was completely not part of their goal and therefore the statement that they were making a commentary on it seems crazy. But at the exact same time, the context and internal workings of the reader who was lead to consume this media was such that the only conclusion was that there must be political commentary present. Isn't that wild?
 

Drathnoxis

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They can, but I don't think it's really all that valuable in all cases, especially if a significant amount of time has passed. Human memory is not perfect and a person's interpretation of something can drift over time. There have certainly been occasions that I've looked back at something I've done years later and wondered what the heck I was thinking at the time.

PsychedelicDiamond said:
They're free to, but to me, personally, explaining your work means admitting that you've failed to communicate whatever you've been meaning to communicate with it in the actual work. I mean, you've drawn your painting or wrote your book or made your movie and there it is. Everything to be said about it should be in it.
These are my thoughts as well.

Eclipse Dragon said:
Wow, speaking of death of the author, look at this account raised from the dead after 2 years!
 
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Silentpony said:
They shouldn't be required to, but they do reserve the right to call other interpretations to simply be wrong.
Agreed, as long as it works both ways. For example, if a certain video game director claims that his game, which contains blatant references to slavery and the Holocaust, isn't "political", the audience should have right to call bullshit.
 

Silentpony_v1legacy

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MrCalavera said:
Silentpony said:
They shouldn't be required to, but they do reserve the right to call other interpretations to simply be wrong.
Agreed, as long as it works both ways. For example, if a certain video game director claims that his game, which contains blatant references to slavery and the Holocaust, isn't "political", the audience should have right to call bullshit.
For sure absolutely. If there is like Holocaust or Trump shit or whatever, then a political statement is being made - what statement can be up for debate, but a statement none-the-less.

Likewise it'd be bullshit for someone to say...PacMan is actually a metaphor for the African Gay culture of 1950s Detroit between Cass Avenue and SST Fashion over off Gariot at Arndt Street on every other Wednesday. And that the cherries obviously represent ontological empiricism
 

Kyrian007

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They can if they want to, sure. But I don't see many reasons why thy would, or at least why I would if I had created something worth reading. Seeing stupid people interpret it wrong and laughing at them from my obviously superior place of intelligence would have been half the reason why I wrote said thing in the first place.
 

Neurotic Void Melody

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It's not necessary but understandable if they do. A lot of people, sometimes most, seem to only engage in a surface level observation of any work. So when subtle elements go unnoticed, it can lead to frustration when focusing on those sizable groups, which in turn can lead to the creator thinking maybe it's best to throw more information out there. Depends on how they do it I spose. I try to account for the varying levels of focus in my own faff; make sure the surface level is enough to appeal on its own, but commit to an array of subtle details for those wanting to look closer or longer for more information. Problem is gauging how close people are able to look in comparison to one's own creating eye. Am pretty sure most the shit I put in doesn't get seen at all, but that's fine, I'd prefer that than feeling cheap and lazy. Depends on the audience and intentions of the creator alongside quality of work.
 

CaitSeith

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Eclipse Dragon said:
To be honest, when I make an illustration and I show it to someone else, I always find it slightly disappointing if the viewer doesn't understand what's happening in the scene. I feel I've failed to properly communicate. It's amazing when a child, who is too young to read can look through a book and understand the story from the pictures alone. That's the point of illustration though, to tell a story through a single or series of images.


With more surreal or conceptual pieces, the interpretations people give can be waaayy out there and sometimes that's a beautiful thing, since it encourages me to look more critically at my own work or view it in a new light.


For some reason only the cat gets it.
 

Silent Protagonist

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I don't think there should be any stigma against it. Generally it's true that if the audience doesn't "get it" that's a failure of the creator to communicate their intended meaning, but even with a well done work explanations can be helpful for those who miss the meaning for one reason or another. I personally like them because they can make certain elements jump out more that I may not have noticed which can lead me to a greater appreciation of the work.

On the other hand, I really like seeing multiple different interpretations and theories on a work and those can sometimes be stifled when there is a definitive "correct" meaning of the work. Even if they are "wrong" those other interpretations can be incredibly interesting lenses to view the work through. I'd hate for those other points of view to not be developed because one can just point to the official explanation. One of the big things that separates good and bad teachers of literary analysis is whether their students are evaluated based on how close their conclusions are to "correct" one or on how well they justify and evidence their conclusions no matter how far from the creator's intentions they may be.