Actually, as much as I loved the effects in The Avengers, I just went to the midnight premiere of Prometheus, and HOLY SHIT. If that film doesn't sweep the technical awards, something is seriously wrong with the Academy's brains. That was one of the most visually and auditorially arresting movies I've seen in a long time.bigdork said:Probably not Best Picture. Almost certainly Best Special Effects, possibly best costumes. I don't know enough about things like sound editing to have an opinion on those categories.
See, this is exactly the kind of attitude that some of us thinks need to change. The one that can't see past the film and that it is "just entertaining" and instead look at what an achievement this "popcorn movie" really is. How much actual effort went into it and how well it succeeded on every level that it was trying to accomplish something on, not to mention being a landmark in film history for trying and succeeding in adapting comic-book style continuity. If you can pull a "toll of war" message out of Return of the King, then surely we can all pull a message about "traditional one-man heroism in today's day and age" out of The Avengers.j-e-f-f-e-r-s said:No.
Sorry, but for all its billion dollar box office and witty dialogue, The Avengers is just another popcorn movie. An entertaining one, true, but nothing more. And there's too much coming out between now and the end of the year for it to stand a chance at the kind of recognition you're talking about.
In the Superhero genre, we've got The Dark Knight Rises. And I'm sorry, but that's got expectations above and beyond anything people had for The Avengers. The Dark Knight itself absolutely knocked it out of the park, being a superhero film that genuinely deserved the Oscar recognition it got. If TDKR lives up to the expectations of fans (and let's be honest, if there's one director who's pretty good at living up to the hype, it's Christopher Nolan), then that will be the superhero film to watch at next year's Oscars.
There's the new Bond film, Skyfall. And while Bond films have never traditionally been Oscar material, this one's got a few things going for it. One, it's a continuation of the narrative heavy, surprisingly emotion Daniel Craig reboot that started with Casino Royale. Two, it's being directed by Sam Mendes, who the Academy fucking adore. If Mendes manages to create a Bond film that combines Hollywood thrills with his signature intelligent style, then expect something very special indeed. And expect the Academy to respond.
Lastly, there's this little thing called The Hobbit. Which is a prequel to The Lord Of The Rings trilogy. Which won about a million Oscars during its run. And it's being directed by Peter Jackson, and made by the same folks who made the LOTR films. Again, if it lives up to expectations, expect this film to be a big fucking deal at the Academy Awards.
And this is all ignoring one thing: Hollywood tends to avoid big blockbuster types when it comes to Best Film and Best Director gongs. Blockbusters that win these awards are the exception, rather than the rule. Because for the most part, blockbusters rely more on spectacle than they do on story, and Best Film nominees tend to go the opposite route. If any of the three mentioned above get a nod, it will be because they're big budget films that still manage to have real narrative depth and emotional content. And sorry Bob, but for all you go on about genre films being a maligned artform, most comic book movies/genre movies in general have all the narrative depth and emotional content of a used handkerchief.
The Avengers is no different. It's entertaining, sure, but Academy Awards are supposed to be awarded to films that go beyond being merely entertaining, and are actually thought-provoking and emotional. The Dark Knight managed to provoke thought in how it contrasted comic-book theatrics with the urban reality of gang crime. The Return Of The King managed to balance both big budget spectacle with well done introspection on the toll of war. The Avengers... was about CGI dudes in rubber costumes beating each other up.
Sorry Bob, but maybe you need to lay off the viagra a bit? This hard-on you've got for the Avengers is now threatening to poke people's eyes out...
Name 1 concrete plot-hole in The Avengers please.metaldemoni said:Should the Avengers be at the Oscars? If by "at the Oscars" you mean "parking cars for Oscar attendees," then yes. There was nothing extraordinary about Avengers other than its length. Two plus hours of gravitas-crushing one liners, industry average special effects, and a plot with more holes in it than Dick Cheney's driver do not add up to anything even remotely Oscar-worthy.
Because you want to see how long an awards show can go on?Maxtro said:There need to be new categories created for the Oscars.
There have been special achievement oscars in the past. The most famous example was Shirley Temple giving Walt Disney 7 tiny oscars for the first feature length animated movie (Snow White). They fell out of favor some time ago.The Gentleman said:Because you want to see how long an awards show can go on?Maxtro said:There need to be new categories created for the Oscars.
OT: There probably should be an "exceptional achievement" Oscar for movies like Harry Potter and the Avengers, where there is no justifiable reason to give them one of the main awards, but the movie achieved something unique or a milestone in cinema.
At the very least, they can toss a few technical awards in the Avenger's direction...
Loki's tricked Thor before with that whole clone thing. Yet, somehow he didn't think the Hulk was a big enough threat to use on him, even though he was counting on the Hulk to take down the entire superhero team. Plus he apparently decided to never get up and walk away at any point.Silverspetz said:Name 1 concrete plot-hole in The Avengers please.metaldemoni said:Should the Avengers be at the Oscars? If by "at the Oscars" you mean "parking cars for Oscar attendees," then yes. There was nothing extraordinary about Avengers other than its length. Two plus hours of gravitas-crushing one liners, industry average special effects, and a plot with more holes in it than Dick Cheney's driver do not add up to anything even remotely Oscar-worthy.