Strain42 said:
Okay so...I just watched the Rebirth of Mothra trilogy and...I just...I can't...
...what happened? Okay, maybe I was partially thrown off by the bad dub, but I mean these movies looked terrible. The little dragon that the evil Elias rides around on just looked awful...like REALLY awful (so bad I included a pic) It seemed like every shot from these movies was either badly green screened or had some really bad looking CGI in it.
I love Mothra, but these were just not great movies. How is it the Mothra from 1961 looks better than the one from the late 90's?
And like the second one had this scene of a bunch of tiny little CGI mothra flying around shooting lasers like the attack on the death star...which sounds cool, but was very disappointing to watch.
Sorry, don't mean to just complain in a thread about how much we love these movies, but these ones really threw me for a loop, especially since Mothra was one of my favorites when I was a kid.
So I guess that gives us a new conversation topic. What are some Kaiju films you all just flat out didn't like?
Out of curiosity, did you watch the entire trilogy, or just the double pack you mentioned buying in an earlier post? Because for whatever it's worth (likely not very much, honestly), I'd hesitantly point to
Rebirth of Mothra 3 as the best of them.
I've never seen
Gamera the Brave and I remember you mentioning you had, so let me know if you find this comparison accurate: Based on the clips I've seen of it, it seems
Gamera the Brave ended up being to Godzilla's Millennium series what the
Rebirth of Mothra trilogy was to Godzilla's Heisei series years earlier. Like the Millennium
Godzilla films, the Heisei series was mostly dull and samey, but it was at least adult-oriented so that adults watching it wouldn't get irritated; meanwhile, kids only watch kaiju films for the monster fights anyway, so it really doesn't matter whether the rest of the movie is aimed at adults or not, and thus the adult-oriented angle was a good direction to take. Something that apparently eluded the makers of the
Rebirth of Mothra movies, who - like the makers of
Gamera the Brave - proceeded to shift the target audience squarely to children, without so much as reverting to the campy style that made the kaiju films of the sixties and seventies appealing to adults despite the similarly young age of their target audience. The sort of lack of logic that, indeed, makes you honestly wonder what they were thinking.
As for kaiju movies I don't like, I was surprised when I quasi-recently watched both
King Kong vs. Godzilla and
Godzilla vs. Mothra ('64) and discovered how much I disliked the former, especially compared to how much better than I remembered the latter turned out to be. Naturally, this was virtually all to do with the movies' stories.
Godzilla vs. Mothra had an interesting human drama, a surprisingly bleak and extensive view of corporate influence in modern society without resorting to heavy-handed preachiness, and a genuinely touching unifying theme of the nobility to be found in camaraderie when temptation bids us to abandon each other, all propped against a backdrop consisting of one of the most menacing depictions of Godzilla ever and the very real threat of him wiping Japan off the map.
King Kong vs. Godzilla, by contrast, was ninety minutes of meaningless B-movie plot occasionally interrupted by a token monster fight. What's worse about that is that this isn't the case at all in the Japanese version, which was a parody of the very commercialism that led to its own existence. Mind you, this was decades before the likes of
Freddy vs. Jason or
Alien vs. Predator made this sort of thing commonplace, which renders the Japanese
King Kong vs. Godzilla's self-awareness all the more impressive. Buuut no, apparently the American distributors thought audiences would be too brain-dead to accept anything other than the movie playing itself 100% straight, which is exactly what they turned it into.
On a less long-winded note,
Godzilla: Final Wars was a fairly abysmal way to celebrate Godzilla's fiftieth anniversary, and while
Pacific Rim is by far my favorite movie to come out this year, it could have gone from being a very fun film to a truly great one if it hadn't taken itself seriously at all and treated its plot with the same stylized, over-the-top self-indulgence that characterized its action sequences. As I mentioned before, the only human scenes that emulated what the entire movie should have been were the ones centering around the two kaijuologists and/or Ron Perlman. As it stands, the majority of
Pacific Rim's plot belongs in a different movie altogether.