Dune: The Duke of Caladan (4/5)
The first installment in the Caladan Trilogy, yet the second one I read (you can see my earlier Lady of Caladan review if you want). LoC didn't suffer too much from me skipping ahead, but overall, I did find myself liking DoC more.
By this time, you're probably well aware of my feelings towards Anderson's writing style, and suffice to say, that style remains. Still, it's not as egregious here as some of his other works. In a sense, the 'functional' style serves the book, in that it's generally focused on its overall task - House Atreides dealing with a drug baron on Caladan, while the Noble Commonwealth is shaking the foundations of the Imperium, while the Harkonnens remain dicks on Arrakis, and everyone is caught between. It's not exactly Game of Thrones, let alone original Dune, but it serves its purpose. There's quite a few moments where I laughed - I think that was a first for Anderson's writing.
Something I think this novel deserves some credit for is its worldbuilding for Caladan. Now, I don't know how much of that is attributable to Original or Expanded Dune, and if the latter, how much of it was established beforehand (there's a lot of references to recent Atreides history that seems like it comes from a novel), but of what's here, it's appreciated, in that there's a sense of how Caladan's culture and geography works. Nothing approaching the depth of Arrakis and the Fremen as established in original Dune, granted, but I'll take what I can get. Hardly the first person to point this out, but there's a certain irony in Paul coming from a water world to reside on and eventually rule from a desert one.
Also, in what's a rarity for me in novels, period, Anderson actually depicted a battle sequence that I enjoyed reading. I know, I'm as shocked as you are, but, yeah. Towards the end, House Atreides has to bring out the heavy guns against Caladan's drug ring (which turns out to be part of the Noble Commonwealth in what's actually a pretty good plot twist), only the drugrunners are so fanatical they're willing to use las-weapons against shields, so that means unshielded combat, and a lot of it on the ground. It's combat that rings true to the Dune universe in regards to how melee has become important in this setting due to the pros and cons of shields, but also arguably ties in with the original novel, with Leto reflecting how on Caladan, they could rely on air and sea power, whereas on Arrakis, they need "desert power."
It's possible that I'm giving this novel more credit than it deserves, but overall, it's a good read. It's not on the level of the original novel (of what I've read of it), but in the scope of Expanded Dune, I'd say it's the best of the bunch (again, of what I've read).
The first installment in the Caladan Trilogy, yet the second one I read (you can see my earlier Lady of Caladan review if you want). LoC didn't suffer too much from me skipping ahead, but overall, I did find myself liking DoC more.
By this time, you're probably well aware of my feelings towards Anderson's writing style, and suffice to say, that style remains. Still, it's not as egregious here as some of his other works. In a sense, the 'functional' style serves the book, in that it's generally focused on its overall task - House Atreides dealing with a drug baron on Caladan, while the Noble Commonwealth is shaking the foundations of the Imperium, while the Harkonnens remain dicks on Arrakis, and everyone is caught between. It's not exactly Game of Thrones, let alone original Dune, but it serves its purpose. There's quite a few moments where I laughed - I think that was a first for Anderson's writing.
Something I think this novel deserves some credit for is its worldbuilding for Caladan. Now, I don't know how much of that is attributable to Original or Expanded Dune, and if the latter, how much of it was established beforehand (there's a lot of references to recent Atreides history that seems like it comes from a novel), but of what's here, it's appreciated, in that there's a sense of how Caladan's culture and geography works. Nothing approaching the depth of Arrakis and the Fremen as established in original Dune, granted, but I'll take what I can get. Hardly the first person to point this out, but there's a certain irony in Paul coming from a water world to reside on and eventually rule from a desert one.
Also, in what's a rarity for me in novels, period, Anderson actually depicted a battle sequence that I enjoyed reading. I know, I'm as shocked as you are, but, yeah. Towards the end, House Atreides has to bring out the heavy guns against Caladan's drug ring (which turns out to be part of the Noble Commonwealth in what's actually a pretty good plot twist), only the drugrunners are so fanatical they're willing to use las-weapons against shields, so that means unshielded combat, and a lot of it on the ground. It's combat that rings true to the Dune universe in regards to how melee has become important in this setting due to the pros and cons of shields, but also arguably ties in with the original novel, with Leto reflecting how on Caladan, they could rely on air and sea power, whereas on Arrakis, they need "desert power."
It's possible that I'm giving this novel more credit than it deserves, but overall, it's a good read. It's not on the level of the original novel (of what I've read of it), but in the scope of Expanded Dune, I'd say it's the best of the bunch (again, of what I've read).