(In before people start shouting at you to read the Dune books) I liked the Riddick movies too. Vin Diesel is kinda ludicrous, but they're not bad by most definitions.castlewise said:I must be one of the 4 people in the world that like the Riddick movies. Even the second one, although I was frustrated that they seemed to have built this whole mythos and never explained any of it.
Well I guess that makes me number 3 then, because I liked them too & i'm really looking forward to the next one.Thunderous Cacophony said:(In before people start shouting at you to read the Dune books) I liked the Riddick movies too. Vin Diesel is kinda ludicrous, but they're not bad by most definitions.castlewise said:I must be one of the 4 people in the world that like the Riddick movies. Even the second one, although I was frustrated that they seemed to have built this whole mythos and never explained any of it.
May I be the first to coin the term 'Tonto taint' for this phenomena? There are entredres which I think do justice to the stinker. In the future when it looks like Depp has been cast to wear a funny hat and draw attention from an otherwise phlegmatic endeavor we can caution that his Tonto taint is showing, so look away. Look away!MovieBob said:That's not good news for when his blockbuster clout really does dry up and serious projects are wary of casting him for fear of residual Tonto jokes tainting their prospects.
Sure, I'm with you guys. The first did a lot with a small budget. The second was was... well, not weird, just not the movie I expected, though given my low expectations this was totally a value added feature. Also, I'm faintly mystified / impressed that Dame Dench was in it.Thunderous Cacophony said:(In before people start shouting at you to read the Dune books) I liked the Riddick movies too. Vin Diesel is kinda ludicrous, but they're not bad by most definitions.castlewise said:I must be one of the 4 people in the world that like the Riddick movies. Even the second one, although I was frustrated that they seemed to have built this whole mythos and never explained any of it.
Although Olympus (according to wikipedia anyway) had the bigger box office, it was only by $30 million. If it had had the same box office Down had it still would have been a financial success because it had less than half the budget. I wouldn't say that the lesson is so much get their first as it is, don't have a budget that you aren't sure you'll be able to make back.But whereas the expensive Down had a disappointingly average debut at the boxoffice, the low-budget Olympus opened earlier in the year and did tidy business for itself. Lesson learned: Get there first.
Using archetypes I see, breaking rules, I don't see. The major characters under discussion? Tough blackIt walks a deft tightrope between utilizing archetypal characters while effortlessly breaking Hollywood rules about the function of women and people of color in "big" movies.
Everyone I've talked to about is as completely fucking stocked about the new Riddick movie as I am. Seems only reviewers don't like it!castlewise said:I must be one of the 4 people in the world that like the Riddick movies. Even the second one, although I was frustrated that they seemed to have built this whole mythos and never explained any of it.
Let's not forget the film spent the first half deciding if Asian Girl and White Guy were gonna hook up or not.Pyrian said:Using archetypes I see, breaking rules, I don't see. The major characters under discussion? Tough blackIt walks a deft tightrope between utilizing archetypal characters while effortlessly breaking Hollywood rules about the function of women and people of color in "big" movies.policechief who dresses down the protagonists a lot and the asian martial artist sidekick? These are ancient stereotypes.
Kumagawa Misogi said:It's a shame Pacific Rim still lost money even as a success in China as I would like a prequel (or what Pacific Rim should have been about in the first place THE START OF THE WAR!)
The problem with China is that in most countries 50% of ticket sales go to the syudio but for chinese ticket sales only 25% go to the studio so unless China starts co-funding the films being a success there doesn't help as much as it could for films that don't do well in the US.
Dude, DO NOT give him ideas.MacNille said:I can't wait for next week, where he will ***** about Nolan. AGAIN! Because of course he will.
In an earlier time or a better film year, I might have agreed. But this summer was so full of disappointments, this well-made film with a simple plot was far better than all the messy SERIOUS BUSINESS blockbusters surrounding it. Comedy's not my favourite genre, and I'm definitely not a horror guy, and yet this summer the best films I saw were This Is The End, The Heat, The World's End, and The Conjuring. Meanwhile, other than Iron Man 3 and Pacific Rim, every other action blockbuster left me really disappointed.Lionsfan said:Pacific Rim was an ok film, not great, and certainly not ground breaking
It used to be that for domestic box office, the Hollywood studios made 90% of the ticket sales while theatre owners made 10% for the first two weeks of release, then the studio and theatre would split the take 50/50 after that. But for the last decade or so, the studios have been able to negotiate far more advantageous deals for themselves.Kumagawa Misogi said:Pacific Rim's production budget was $190 million so it needs a box office gross of $380 million to break even as the studio gets 50% while the theater chain gets the other 50% except for China were the stuido only gets 25%.