Probably too much to hope that we can't just pretend the Schumacher stuff never happened.
What I liked about the recent film version of Phantom of the Opera is that - being a Weber musical - it's SUPPOSED to be grandiose and colorful and bombastic with overwrought characters.
Batman does not need to punch glow-in-the-dark biker gangs, and Forever just cemented the notion that all villains just needed to be Nicholson's joker with a different backstory and, amazingly, LESS nuance in their performance.
What I liked about the recent film version of Phantom of the Opera is that - being a Weber musical - it's SUPPOSED to be grandiose and colorful and bombastic with overwrought characters.
Batman does not need to punch glow-in-the-dark biker gangs, and Forever just cemented the notion that all villains just needed to be Nicholson's joker with a different backstory and, amazingly, LESS nuance in their performance.