The Big Picture: Miracle, Man.

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Something Amyss

Aswyng and Amyss
Dec 3, 2008
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Ishal said:
It seems like an expensive and confusing hobby.
Depends on how far down the rabbit hole you plan on going.

Growing up in the 80s and 90s, I had a collection inherited from my dad which showed off an era where there weren't a ton of crossovers (at least, not on an epic continuity level) and it wasn't all that bad.

Of course, then there were current comics. And suddenly, even relatively minor characters were being thrust into these big event comics. I remember Darkhawk being in a few, and Darkhawk was a comic that, while I was interested in, I expected to last about 12 issues (Because that was a fairly standard run for a low-rent comic at the time).

And being a Spider-Man reader, just about everyone crossed over with him, and....Yeah, that's one of the main reasons I dropped out of comics. But it doesn't really have to be that way. Except these days, I guess it kinda does.

So I guess ignore everything I just said.

Also, comics these days. GET OFF MY LAWN!

I brought most of that up because my mind went back to what Bob was talking about with the 90s and the speculator boom. This is one of the things that they decided sold comics. Big events. I don't know if it really works, but this is one of the bits they've held on to.

I just want to watch guys in tights beat up other guys in tights. or possibly power armour.

And for that, I guess we have comic book movies.
 

brazuca

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Jun 11, 2008
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If this happens it's not Marvel Macfarlane should be afraid of. It's Disney. Their lawyers and their influence go deep in the American justice. Todd MacFarlace will have a legal battle that is not going to please him. Even if he wins, it will be a moral victory only.
 

Canadamus Prime

Robot in Disguise
Jun 17, 2009
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Therumancer said:
canadamus_prime said:
Is it really as incredibly absurd as it sounds?
It's not really that absurd, I did an even more basic summary of it in response to the first half of this. Basically Mcfarlane and Gaiman were partners of a sort, had a falling out, hate each other, and have been slap fighting over the rights. Mcfarlane being a money hungry douche of the highest order.
And that doesn't sound utterly absurd to you?
 

Kurt Cristal

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Mar 31, 2010
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Augh! Stop it with all the event comics! I still haven't even caught up to Fear Itself! Which I heard is pretty crap but hey, Secret Invasion was my entry point and I'm sticking with it.
 

PuckFuppet

Entroducing.
Jan 10, 2009
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Its actually significantly more absurd than all of this appears, if you're willing to read between the "lines" as it were in terms of the legal battle both sides have basically been carrying on a series of meaningless grudges and then translating that into... well money. So the logic we're following here, MF has actually recovered from bankruptcy twice since '96 by the by, is that:

1. Creator rights.
2. Copyright law.
3. ?????
4. Profit.

Not even being remotely facetious. Gaiman can be forgiven for the most part, as a lot of the stuff past '02 was really the doing of a whole other bunch of interested parties and not him directly (all profit aside), but the fact that MF continues to remain solvent by basically gaming the system to remain somewhat in the black while simultaneously leaving small curled piles on money on the doors of Gaiman and all others involved should be worrying to everyone.

Of course this was before Disney decided to get involved, whatever dark magic MF may or may not possess is no match for Disney.
 

PunkRex

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Feb 19, 2010
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COPYRIGHT LAWS

ARE

BULLSHIT!

Seriously, I couldn't agree more with Jim on this one. Artistic properties should go back to their original creators after a set period of time and in the case of group works (such as video games) everyone should get a piece, I know this would be complicated but I don't care. You should reap what you sow not sponge off the hard work/creativity of others like some leech.
 

shrekfan246

Not actually a Japanese pop star
May 26, 2011
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Zachary Amaranth said:
And for that, I guess we have comic book movies.
Even that will go the way of the dodo if they keep on pushing with the Avengers and Justice League and whatever else cross-canon film stuff. When there's three films that are basically required viewing so you understand the context of a new film before watching it, when it's not explicitly mentioned to continue on from said movies that weren't actually connected to each other either... and when they all have their own individual self-contained universes that exist separately from the larger group they're a part of...

I confused myself just typing all of that.

Yeah, I can't follow comics. All of these "Comics Are Weird!" episodes exemplify exactly why that is.
 

LordLundar

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Apr 6, 2004
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canadamus_prime said:
Is it really as incredibly absurd as it sounds?
Something to consider: no matter how insane a fictional continuity is, reality is FAR more bizarre.

Now put that in perspective of the comic book industry in comparison to comic book continuity.
 

Crimson_Dragoon

Biologist Supreme
Jul 29, 2009
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SilverHammerMan said:
I really hope Bob's wrong about Marvel maybe introducing Marvel/Miracleman in Age of Ultron. See, Marveleman was really only notable for Alan Moore's reworking of him, before that he was just a generic,ripoff of Captain Marvel and by extension Superman. The Eclipse Comics stuff though, put him down into a world where there were no other superheroes and Moore wasn't bound by a status quo, which allowed Moore to go crazy with the character, throwing him into apocalyptic battles and dark conspiracies and questions about identity, ultimately ending the series as a quasi-benevolent dictator of a transformed Earth.

Putting Marvelman into the the Marvel universe though, would mean that he can't do any of that stuff, because at the end of the day Marvel Comics wants their fictional universe intact so that they can still tell stories and sell comics with the X-Men and Thor and all their other properties.

We saw the same thing when Marvel introduced the Sentry, that kind of superman-analogue just doesn't fit into the Marvel Universe's paradigm, so they're left awkwardly shuffling from story to story, no writer ever quite sure what to do with them.
This goes with my question: why go through all this trouble for a Captain Marvel (and as you pointed out, therefore a Superman) ripoff? I've never read any Marvelman books, but after your description of Moore's run, I'm also not seeing how he'd fit into the Marvel Universe. So again, why does Gaiman give so much of damn about this character that he would sink his own comic book profits into buying him?

Oh, and it wasn't just the Sentry. Marvel has tried this shtick before with other characters like Hyperion, and it didn't take off then either. I don't get why Marvel has such a Superman envy.
 

Canadamus Prime

Robot in Disguise
Jun 17, 2009
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LordLundar said:
canadamus_prime said:
Is it really as incredibly absurd as it sounds?
Something to consider: no matter how insane a fictional continuity is, reality is FAR more bizarre.

Now put that in perspective of the comic book industry in comparison to comic book continuity.
I think I need to go lie down... >_<
 

Deacon Cole

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Jan 10, 2009
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Marvel already had a character called Marvel Man, originally Marvel Boy, an old golden age character, who later changed his name to Quasar because some kid told him that was a stupid name in Incredible Hulk #234. I used to have that issue. Pity.
 

Therumancer

Citation Needed
Nov 28, 2007
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canadamus_prime said:
Therumancer said:
canadamus_prime said:
Is it really as incredibly absurd as it sounds?
It's not really that absurd, I did an even more basic summary of it in response to the first half of this. Basically Mcfarlane and Gaiman were partners of a sort, had a falling out, hate each other, and have been slap fighting over the rights. Mcfarlane being a money hungry douche of the highest order.
And that doesn't sound utterly absurd to you?
Nope, sounds like a typical business falling out to be honest. If you wound up in a company with a partner and then parted ways with them... badly, you'd probably wind up fighting over who gets what as well, especially if your dealing with the remnants of profitable collaberative work like we saw with Image.

In this case it seems like a pretty straightforward issue, things tend to seem "absurd" to me when arguements are based entirely on technicalities. In this case there are some very real, defined, IPs being argued about, and a lot of money coming from them.

To me absurd is when someone like Todd Mcfarlane decided to go after Palladium for their "Nightspawn" game because he felt the title and dark fantasy nature of the game made it too similar to "Spawn" even if it wasn't even close.

Another absurdist situation in this arena was one where Todd was actually a victim of sorts, with him being sued because he made a mobster named "Tony Twist" who looked vaguely similar to a well known Hockey Player by that name, it being an intentional homage to one of his heroes. The player successfully sued him for it, in one of the more WTF situations in comics, and pretty much establishing a doctrine by which it's difficult to give anyone a nod, wink, or acknowlegement like that in the media for fear that they might smell blood and come after you for money.

In the overall arena of geekdom legality this isn't absurd. It's also incredibly tame when you just look at the garbage that has followed Todd Mcfarlane around in paticular.

To be honest I largely suspect he bought that infamous baseball to dump his money because of all the people he pissed off. You can't get blood out of a rock to to speak, and the most they could do in the long run would be to basically auction the BB and fight over the proceeds. Of course I imagine he also suspeced the record it was connected to would last longer and be less contreversial, and thus worth more in the long run if he ever decided to cash it in. But this is all speculation on my part. Mcfarlane is pretty much a financial/legal soap opera when you get down to it. His situation is arguably absurd, but this paticular case with Gaiman really isn't, which is why I suspect Gaiman has been winning so often in the disputes (as Bob mentioned), it's actually downright straightforward.
 

GamemasterAnthony

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Dec 5, 2010
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Todd McFarlane going Super Saiyan.

Am I the only one with the phrase "We are so...BONED!" going through my head just now upon picturing that?
 

Canadamus Prime

Robot in Disguise
Jun 17, 2009
14,331
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Therumancer said:
canadamus_prime said:
Therumancer said:
canadamus_prime said:
Is it really as incredibly absurd as it sounds?
It's not really that absurd, I did an even more basic summary of it in response to the first half of this. Basically Mcfarlane and Gaiman were partners of a sort, had a falling out, hate each other, and have been slap fighting over the rights. Mcfarlane being a money hungry douche of the highest order.
And that doesn't sound utterly absurd to you?
Nope, sounds like a typical business falling out to be honest. If you wound up in a company with a partner and then parted ways with them... badly, you'd probably wind up fighting over who gets what as well, especially if your dealing with the remnants of profitable collaberative work like we saw with Image.

In this case it seems like a pretty straightforward issue, things tend to seem "absurd" to me when arguements are based entirely on technicalities. In this case there are some very real, defined, IPs being argued about, and a lot of money coming from them.

To me absurd is when someone like Todd Mcfarlane decided to go after Palladium for their "Nightspawn" game because he felt the title and dark fantasy nature of the game made it too similar to "Spawn" even if it wasn't even close.

Another absurdist situation in this arena was one where Todd was actually a victim of sorts, with him being sued because he made a mobster named "Tony Twist" who looked vaguely similar to a well known Hockey Player by that name, it being an intentional homage to one of his heroes. The player successfully sued him for it, in one of the more WTF situations in comics, and pretty much establishing a doctrine by which it's difficult to give anyone a nod, wink, or acknowlegement like that in the media for fear that they might smell blood and come after you for money.

In the overall arena of geekdom legality this isn't absurd. It's also incredibly tame when you just look at the garbage that has followed Todd Mcfarlane around in paticular.

To be honest I largely suspect he bought that infamous baseball to dump his money because of all the people he pissed off. You can't get blood out of a rock to to speak, and the most they could do in the long run would be to basically auction the BB and fight over the proceeds. Of course I imagine he also suspeced the record it was connected to would last longer and be less contreversial, and thus worth more in the long run if he ever decided to cash it in. But this is all speculation on my part. Mcfarlane is pretty much a financial/legal soap opera when you get down to it. His situation is arguably absurd, but this paticular case with Gaiman really isn't, which is why I suspect Gaiman has been winning so often in the disputes (as Bob mentioned), it's actually downright straightforward.
Well it is still absurd, it's just on the lowest end of the absurd spectrum. Regardless it still sounds like one hell of a clusterfuck to me.
 

vid87

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May 17, 2010
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As much as I've been loving the whole Marvel Movies era, I would honestly consider not going to any more of them if Angela does actually appear in GoG purely for petty vengeance and stupid tie-ins. The move wouldn't just be in bad taste: the entire facade of the Marvel cinematic universe would be destroyed for me, and I was pissed when they teased Iron Man getting killed in the Avengers while details for Iron Man 3 were coming out.
 

leviadragon99

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Jun 17, 2010
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Well that certainly lived up to the preface of this all being very convoluted.

Mcfarlane kinda seems like a douche to be honest, though I can't help but be morbidly curious just what him going "super saiyen" would entail...
 

leviadragon99

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Jun 17, 2010
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Grenge Di Origin said:
Okay, if Bob starts cheap-assing his videos by taking long as @#$% to get to the actual subject matter, noticeably slowing down his talking, and saying "last time I blah blah blah and here we're gonna talk about blah blah blah" that conspicuously artificially extends the video time, I really will want to rethink putting time into watching this show.
It's five minutes a week, I think you can find the time in your busy schedule, I know what you meant, but the phrasing of "rethinking putting time into it" Comes across fairly absurd.
 

Gatx

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Jul 7, 2011
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vid87 said:
As much as I've been loving the whole Marvel Movies era, I would honestly consider not going to any more of them if Angela does actually appear in GoG purely for petty vengeance and stupid tie-ins. The move wouldn't just be in bad taste: the entire facade of the Marvel cinematic universe would be destroyed for me, and I was pissed when they teased Iron Man getting killed in the Avengers while details for Iron Man 3 were coming out.
I think currently Angela is just going to appear in the comics, the Guardians of the Galaxy connection was just a tangential thing or possibly a promotional thing to bring their comics into the spotlight a bit before the movie comes out. The movie universe is still working on bringing in their weirder A-listers so we don't need to worry about Angela yet.
 

Mr_Terrific

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Oct 29, 2011
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I find it fascinating that Marvel is interested in, yet another, knock off of some other publisher's character. At least Marvel Man is, roughly, 94% less generic than the original knock off, Capt. Marvel Mar-Veil or whatever that idiots name is.

Oh...and Age of Ultron is awful.