Absolutely agree with this. Fair enough if you want to argue about unfairness in today's society, but things that happened hundred(s) of years ago are meaningless when it comes to entitlement.Fragmented_Faith said:From the images ive seen said black actor looks good. The only thing I'm having trouble getting my head around is the explanation as to why this particular double standard is ok. "its fine because we wronged them generations ago" feels like a loose connection at best. But then this might just be because over here aussy "natives" are still using that excuse for every little thing under the sun and we just keep paying up.
Just saying, feels odd to see that particular defense brought up over a movie
Let me make my case in another way, using Britain (my homeland) as an example.
In 1807, Slave Trading was made illegal.
By 1833 all aspects of slavery were outlawed in Britain and her holdings.
Now....I will accept giving money, privilege, apologies and prima nocte on every white woman in Britain to the first black man that comes to me who was born before 1807 and was brought to Britain.
No-one? Anyone?
Well that's strange...I'd assumed there'd be a huge rush from all the people that were directly affected by the slave trade and had been living with the horrific memories ever since.
/sarcasm
The fact is that I've NEVER met an 'ethnic minority' that has EVER used that argument as to how hard life is for non-whites. It tends to be white people trying to show their racial sensitivity by bringing up a meaningless case. History is littered with the weak being shat on by the strong and it really boggles the mind why we still hold onto this one. Bob's opinion appears to be 'white people today owe all black people because we, today, each had some personal hand in helping to perpetuate the slave trade'. And there I was thinking it was 180 years before I was born. Silly me!
Giving movie roles as some sort of 'apology' for someone's ancestors being a shit to someone else's ancestors, however, is as insulting to the memory of their suffering as it is ludicrously illogical.
The final part where he says it shouldn't *matter* what race the actor is, is bang on the money. I can't say I care WHO plays what character as long as it's feasible (A New York Noir story populated by only Japanese actors would be suspending disbelief a little too far...!)