Hmm. Different interpretations I guess.
I said it 2 weeks ago, the only reason Clerks worked for me at all was it's end message of "hey, you self proclaimed super advanced nerd person, if the best you can do is bad store clerk, you probably aren't as advanced as you think you are" (a message I think should be taken to heart by anyone posting online content without a harsh editor). By the time Clerks 2 came about, he'd seen the pressures of success and realized that going for the big success isn't all it's cracked up to be.Hence, and end message that so long as you're paying your bills and doing your best, finding the small place you're happiest with isn't inherently bad just because society tells you you must strive to be the biggest success possible to be worth anything.
I suspect this because that was largely the point of Jersy Girl: Big success isn't worth it if it costs you to lose what makes you happy. Of course it did the cardinal sin of not using business success as it's template for the formulaic film, but hollywood, so I imagine it didn't sit well with every amateur film maker thinking of blockbusters and oscars. Hence, I can understand a sense of betrayal from fans that looked to him as the guy that was going to prove nerd triva and dirty jokes can make you a mainstream success, only to have him say he'd rather raise his daughter and do the films he wants to. What following not being good killed what interest any of us that didn't see him as a messiah had really just reducing him to a small film maker or things that while aren't good, but not be as savaged if his name weren't attached.
Me, I think he should keep with comics. His deadline problems notwithstanding, the man gave Daredevil live, made Mysterio something other than a joke, and gave me a great Green Hornet series.
I said it 2 weeks ago, the only reason Clerks worked for me at all was it's end message of "hey, you self proclaimed super advanced nerd person, if the best you can do is bad store clerk, you probably aren't as advanced as you think you are" (a message I think should be taken to heart by anyone posting online content without a harsh editor). By the time Clerks 2 came about, he'd seen the pressures of success and realized that going for the big success isn't all it's cracked up to be.Hence, and end message that so long as you're paying your bills and doing your best, finding the small place you're happiest with isn't inherently bad just because society tells you you must strive to be the biggest success possible to be worth anything.
I suspect this because that was largely the point of Jersy Girl: Big success isn't worth it if it costs you to lose what makes you happy. Of course it did the cardinal sin of not using business success as it's template for the formulaic film, but hollywood, so I imagine it didn't sit well with every amateur film maker thinking of blockbusters and oscars. Hence, I can understand a sense of betrayal from fans that looked to him as the guy that was going to prove nerd triva and dirty jokes can make you a mainstream success, only to have him say he'd rather raise his daughter and do the films he wants to. What following not being good killed what interest any of us that didn't see him as a messiah had really just reducing him to a small film maker or things that while aren't good, but not be as savaged if his name weren't attached.
Me, I think he should keep with comics. His deadline problems notwithstanding, the man gave Daredevil live, made Mysterio something other than a joke, and gave me a great Green Hornet series.