Problem is, no one would ever be as lucky as he would have to be unless God were actively supporting him from the get-go. And when God is an active participant, wave bye-bye to dramatic tension.dead_rebel said:Here's the thing about Luc Besson's version, he leaves it up to interpretation. Was she chosen by God? Or was she a mad zealot who imagined the whole thing?
The same could be said for The Book of Eli albeit more subtle. Every action of "faith" he takes can either be explained away as "God used him" (which is the interpretation you're sticking to tooth and nail) or he is lucky/skilled/a hero.
I think "throwing" something into a story is not the same thing a PUTTING it in. "Throwing it in" implies not that it is an important element, but that it's tacked on, either as a cheap way to bring heat to a story that doesn't have any, or as a cheap way of getting around creating interesting characters. When your answer to every question about why we're supposed to root for this guy is "Because God told him to do what he's doing," that's the very definition of a Designated Hero [http://tvtropes.org/pmwiki/pmwiki.php/Main/DesignatedHero]. And while I admit there is a BIT more going on in The Book of Eli than just "He's the good guy because he's doing God's work and that's all there is to it you heathen," this article isn't just ABOUT that one movie. It's about how "It's about God" is used as a crutch in a zillion works of fiction out there.Mr.Pandah said:Since when is throwing God into a story lazy? Since when is throwing anything into a story lazy? People turn into zombies because they were infected by a virus. Is that going to be considered lazy now too? Or how about the evil mastermind behind some grand scheme to rule the world? Is that considered lazy as well? I don't understand where this sense of "laziness" is coming from anymore, and frankly I'm quite tired of hearing about it.
You have to remember that Neon Genesis Evangelion was designed to fail so the same could probably be said about the whole series.thenamelessloser said:The creator of Neon Genesis Evangelion, an anime which uses TONS of Christian terms, even admits he uses the terms just because they SOUND COOL. http://en.wikipedia.org/wiki/Neon_Genesis_Evangelion_(anime)#Religion Yet people analyze the heck out of it, lol.
Superior cinematography, more ambitious setup, people turning into giant bat-monsters and Sam Neil.Axolotl said:On topic, what was it about Book of Eli that made it worse than Daybreakers?
Let's call it "observation" in this particular case, though otherwise I'm quite fond of Narnia even while recognizing that Lewis is using it to work through some... "interesting" psychological hangups, or at least appears to be.And was that praise or criticism for Narnia to say it bases itself in Christianity?
Cadfael's entire premise for becoming a monk was to atone for his actions in the crusades. In a way, he was trying find Christianity for himself. He is post-change but parts of his old life pop up in places...such as his son.OwenEdwards said:I have an interest in the matter, as a trying-to-be-devout Christian looking forward to a career in church ministry and theological lecturing.
I think Bob's 100% right that films use popular tropes (topos, as it were) to hook audiences. The new Transformers series has used childhood nostalgia, big explosions and tits to make up for an enormous vacuity, appalling morality and narrative abombination. Some other films use religion, or gratuitous violence, or child abuse, or whatever - an emotive or exciting issue - to lend weight to a thin plot.
Bob, in this article (though not consistently elsewhere), recognises that religious material and conviction can provide the basis for fantastic literature and film (contra Martin Amis). Lord of the Rings is the other very obvious example of an evidently Christian story, written by a devout Christian. C.S. Lewis' science fiction trilogy is similar, and Chesterton's Father Brown and Peters' Cadfael both tie the faith of the detective and the situation closely together (cf especially Brown appealing to Flambeau to change his ways). Religious feeling has motivated some of the greatest poetry of all time - Donne, early Wordsworth, Browning, Eliot, to name but a few English language poets.
It genuinely seems a healthy, sincere faith is a creative thing, not something that calcifies, and certainly religious material, from Greek mythology to Christian Scripture, seems able to inspire great works by those who don't necessarily believe. But what about films? Is it somehow uniquely inappropriate in films to wear your faith on your sleeve? Or is the Exorcist's indebtedness to Christianity ONLY to the sociological background of the Satan concept?
Well, no. The Exorcist is about, amongst many other things, a struggle for self-worth and understanding of the world in the face of doubt, and the redemptive epiphany of self-sacrifice in the face of true evil (the Truest Evil, you might say). The Stone Table scene in the new The Lion, Witch, and the Wardrobe film is heartbreaking and redemptive not because of some strictly humanist perspective, but because of the theological narrative facts involved. And so on.
(Also, to call the West a religious milieu borders on the ridiculous. Europe is very secular and America is about the least Christian country I can imagine, in so many ways. Having a religious heritage is like having a heritage in mining - it means you know some half-remembered things about it, but doesn't make you a miner!)
This now that I understand what you were really trying to get across and why you disliked Book of Eli I don't feel like defending it's religiousness.HyenaThePirate said:Had you stated THIS in your review of the book of Eli instead of "The Bible?! BOooooooo!" and ranting on about it in a manner that was both unnecessary and poorly supported in the context it was provided, then I don't think you would have received the criticism you did.
There is a difference between critical analysis of something and just straight bashing it because you dislike it. Sometimes that line might become obscured or so hard to see that a person can't cross it, but it's there. To be honest a review of a movie that actually turned out to be pretty darn decent to many people when you looked PAST the religious undertones (or overtones depending on your particular perspective) should have remained in the context of the FILM, but instead you scarcely touched on any OTHER aspect of the film. This aided the impression that you didn't like the movie because it was the kind of film someone of faith might walk away from feeling slightly inspired to continue believing in a God you do not believe in.
But we can all consider such thing, teachable moments. Disagreeing on a subject does not give one carte blanche to ignore or even insult the importance of said subject to others. One can be diplomatic in these things while still maintaining your own personal beliefs and exercising free speech.
I suppose one could call it "tact".
Fair enough, I disliked Daybreakers because it's action scenes hid the actual action making them confusing to watch, and it's obsession with people exploding. I saw Book of Eli's trailers and it looked like a similar film with better action and Post Apocalypse vibe and wondered what separated them.MovieBob said:Superior cinematography, more ambitious setup, people turning into giant bat-monsters and Sam Neil.
Well Lewis was inspired to write the Narnia books because of his conversion to Christianity. And whilst he got really hamfisted towards the end they wouldn't exist without his religious inspired passion.Let's call it "observation" in this particular case, though otherwise I'm quite fond of Narnia even while recognizing that Lewis is using it to work through some... "interesting" psychological hangups, or at least appears to be.
I felt pretty much the same way about them.crotalidian said:What really gets me is not people putting heavy pro-religious styles in films to make them sell. Much more I hate them removing negative pseudo-religious messages from established stories that could have made a kick ass trilogy of films (Read His Dark Materials/Golden Compass here) Dont know about anyone else but I fucking loved those books and have stoutly refused to see the film because all of the religious references were removed so fox news wouldnt give it bad press!
He probably tried to warn the poor people about all this masturbatory analysis because, quite frankly, it gets scary at times.thenamelessloser said:The creator of Neon Genesis Evangelion, an anime which uses TONS of Christian terms, even admits he uses the terms just because they SOUND COOL. http://en.wikipedia.org/wiki/Neon_Genesis_Evangelion_(anime)#Religion Yet people analyze the heck out of it, lol.
Roger Ebert said:It grips your attention, and then at the end throws in several WTF! Moments, which are a bonus. They make everything in the entire movie impossible and incomprehensible -- but, hey, WTF.