http://screenrant.com/ghost-shell-movie-set-photos-scarlet-johansson-
Scarlett definitely looks the part and Pilou is some CGI away from not looking bad either. Will wait for a trailer before making a decision.
Something like that is probably next to impossible to pull off practically.madwarper said:So, they're going with a shorter hair cut from the movie, rather than a longer/ponytail from SAC. OK.
However, I'm going to reserve my judgement on Batou until I see a shot of him post-effects, because they would be rather remiss if they didn't do something to include his ocular implants, which is not evident in the above picture.
For practical effects, it's not at all impossible, they've done tons of things like that in the past before CGI...MatParker116 said:Something like that is probably next to impossible to pull off practically.madwarper said:So, they're going with a shorter hair cut from the movie, rather than a longer/ponytail from SAC. OK.
However, I'm going to reserve my judgement on Batou until I see a shot of him post-effects, because they would be rather remiss if they didn't do something to include his ocular implants, which is not evident in the above picture.
Not really. Japan is pretty central to the idea of Ghost in the Shell. The story is firmly rooted in Japanese politics, and the USA in that universe was split into three distinct countries (the one still named the USA being the weakest, least relevant of them). Changing the setting would change the entire dynamic by default, because instead of an elite team navigating stifling bureaucracy and corruption to keep one of the few actually stable post-war countries stable, it would just become a straight up dystopia. Not to mention they'd have to justify a ton of name changes (Motoko Kusanagi, Daisuke Aramaki, Ishikawa, Saito... the list goes on) or why there are a bunch of Japanese people working for a non-Japanese country. Fans would be displeased (more than they already are), and curious non-fans won't know the difference.Ezekiel said:The problem was never a lack of Asians. A foreign adaptation doesn't need to have actors of the same ethnicity or be set in the same country. They should write it from their own point of view and background like the Japanese did rather than fail at replicating a culture they barely know. The stories of Ghost in the Shell can work in almost any industrialized city, just as the story of Infernal Affairs worked as well in Boston (The Departed). I like an adaptation that has an identity.
While true, any practical prosthetic that covers the eyes like Batou's cybernetics would, would probably also be pretty uncomfortable to act in, so I can understand why'd they opt to add them with cgi in post (assuming that is what they're doing).KyuubiNoKitsune-Hime said:For practical effects, it's not at all impossible, they've done tons of things like that in the past before CGI...
That is probably a good thing for portraying the Major.Silentpony said:I'm worried because Scarlet is incapable of a role more advanced than dead-eyed, disinterested pout with a big ass. And that's a hell of a corpse glare she has going there.
Was going to say the same thing. I remember seeing something once that apparently in the original movie they purposely didn't animate any of the characters blinking, so a dead stare and maybe using computers to remove all blinks from the characters to make them seem more artificial will be a good thing for the movie.09philj said:That is probably a good thing for portraying the Major.Silentpony said:I'm worried because Scarlet is incapable of a role more advanced than dead-eyed, disinterested pout with a big ass. And that's a hell of a corpse glare she has going there.
Indeed, which is another thing that people trying to defend this keep missing. You're talking about a series wherein our current politics have radically changed and that Japan is once again a giant contributor on the world stage due to its technological innovations (during the time of the original manga's creation they were about two years away from the Bubble bursting). And then of course there are also the technological aspects like transhumanism, AI, identity of the human condition, etc. That'll be forgotten and it'll just be another shitty, C-grade Blade Runner wannabe.Kolby Jack said:Not really. Japan is pretty central to the idea of Ghost in the Shell. The story is firmly rooted in Japanese politics, and the USA in that universe was split into three distinct countries (the one still named the USA being the weakest, least relevant of them). Changing the setting would change the entire dynamic by default, because instead of an elite team navigating stifling bureaucracy and corruption to keep one of the few actually stable post-war countries stable, it would just become a straight up dystopia. Not to mention they'd have to justify a ton of name changes (Motoko Kusanagi, Daisuke Aramaki, Ishikawa, Saito... the list goes on) or why there are a bunch of Japanese people working for a non-Japanese country. Fans would be displeased (more than they already are), and curious non-fans won't know the difference.
Actually it isn't; the Major is very expressive in spite of her prosthetic body. Heck, she cracks jokes all the time and has that right amount of flippancy to come off as relaxed but not smug.09philj said:That is probably a good thing for portraying the Major.Silentpony said:I'm worried because Scarlet is incapable of a role more advanced than dead-eyed, disinterested pout with a big ass. And that's a hell of a corpse glare she has going there.