That's STILL poor story writing, regardless of the reasoning. Being bland is a way you can make a character project-able sure, it just happens to be the the most shallow, uninteresting, and lazy way to do so. It's hardly a defense.
I was going to say exactly this, verbatim, even down to the capitalized "OR..." In other words, QFTDurgiun said:OR, and this is the more likely scenario, Meyer was just trying to cover her poor writing skills by bullshitting her way out. Sounds a hell of a lot more convincing to me.
Yes, yes it is, but the conference specifically stated the panel was on Twilight and Tru Blood.ChaosDemon said:I openly admit this is just me nitpicking, but the Books are the Southern Vampire Mysteries, the TV Series is True Blood.Daquin said:For more fun information on this, I would like to point out that the ACA/PCA Conference in San Antonio is going to have an entire academic panel on the modern vampire stories (Twilight and Tru Blood), so if you are a college student and really want to look deep into this, shoot them a paper and you might be the academic expert on the matter.
Actually they do, quite often and they areTheNamlessGuy said:See, where your theory fails is that they don't make Japanese dating sims into movies (I hope)(Hentai doesn't count).
But before the films, sure!
Why not!
I don't think anyone's debating it's cultural or artistic significance, I think it's more down to an attempt to understand a fleeting phenomena. I mean as kids most of us loved Goosebumps, they weren't artistic, or well written by adult standards but in 10/20 years it'll probably be nothing anyways. One of the best selling books of the last couple years but remember Safety Dance sold quite a few copies and the only thing it's good for these days is being mocked.Torrasque said:You are an idiot.
You do not connect to the characters by making them terrible, you connect to them because they are well made.
For example: In the book series Wheel of Time (my favourite book series ever) every character goes through an extreme amount of development, and I genuinely care about what happens to them. Hell, Robert Jordan had an amazing ability to describe a character that you had just met, in 1 paragraph, and you felt like you had known that person for years.
Another contemporary example would be Master Chief. Little is known about his past and his character development seems to be written in assault rifle bullets and the blood of Elites, but he is by no means a flat character. Yet millions of people project themselves into his suit and fight the covenant.
Flat characters deserve no respect, no concern, and no recognition.
As far as I'm concerned, the only flat characters that have no development, are street thugs you see for a whole 5 lines in a book before they are promptly beaten and forgotten completely, or characters that don't get told about in any regard.
The fact stands, that Twilight is a waste of money, time, and consideration.
The OT was talking about the relate-ability of Bella and how she is supposed to be a non-character, so my point was to mock them by bringing up to examples of characters that are diverse and are much more relatable.Andrew Bohan said:I don't think anyone's debating it's cultural or artistic significance, I think it's more down to an attempt to understand a fleeting phenomena. I mean as kids most of us loved Goosebumps, they weren't artistic, or well written by adult standards but in 10/20 years it'll probably be nothing anyways. One of the best selling books of the last couple years but remember Safety Dance sold quite a few copies and the only thing it's good for these days is being mocked.Torrasque said:You are an idiot.
You do not connect to the characters by making them terrible, you connect to them because they are well made.
For example: In the book series Wheel of Time (my favourite book series ever) every character goes through an extreme amount of development, and I genuinely care about what happens to them. Hell, Robert Jordan had an amazing ability to describe a character that you had just met, in 1 paragraph, and you felt like you had known that person for years.
Another contemporary example would be Master Chief. Little is known about his past and his character development seems to be written in assault rifle bullets and the blood of Elites, but he is by no means a flat character. Yet millions of people project themselves into his suit and fight the covenant.
Flat characters deserve no respect, no concern, and no recognition.
As far as I'm concerned, the only flat characters that have no development, are street thugs you see for a whole 5 lines in a book before they are promptly beaten and forgotten completely, or characters that don't get told about in any regard.
The fact stands, that Twilight is a waste of money, time, and consideration.
I didn't mean so much that it was a case of it being significant. I mean if twilight's what the naughties are remembered for, holy fuck we wasted a decade. I meant more, the point isn't moot, but it's not necessarily defending twilight. I reckon it's more of a "this might be why" than a "don't hate D=".Torrasque said:The OT was talking about the relate-ability of Bella and how she is supposed to be a non-character, so my point was to mock them by bringing up to examples of characters that are diverse and are much more relatable.Andrew Bohan said:I don't think anyone's debating it's cultural or artistic significance, I think it's more down to an attempt to understand a fleeting phenomena. I mean as kids most of us loved Goosebumps, they weren't artistic, or well written by adult standards but in 10/20 years it'll probably be nothing anyways. One of the best selling books of the last couple years but remember Safety Dance sold quite a few copies and the only thing it's good for these days is being mocked.Torrasque said:You are an idiot.
You do not connect to the characters by making them terrible, you connect to them because they are well made.
For example: In the book series Wheel of Time (my favourite book series ever) every character goes through an extreme amount of development, and I genuinely care about what happens to them. Hell, Robert Jordan had an amazing ability to describe a character that you had just met, in 1 paragraph, and you felt like you had known that person for years.
Another contemporary example would be Master Chief. Little is known about his past and his character development seems to be written in assault rifle bullets and the blood of Elites, but he is by no means a flat character. Yet millions of people project themselves into his suit and fight the covenant.
Flat characters deserve no respect, no concern, and no recognition.
As far as I'm concerned, the only flat characters that have no development, are street thugs you see for a whole 5 lines in a book before they are promptly beaten and forgotten completely, or characters that don't get told about in any regard.
The fact stands, that Twilight is a waste of money, time, and consideration.
I don't really care about the cultural significance because currently Jersey Shore is a huge phenomena, and Justin Bieber is making a 3D movie biography? if that doesn't prove "culturally significant = shit" then I have absolutely no idea what will.
lol, I'm sorry if it seemed that I was taking offence to what you said, it just seemed like you were confused with what I was trying to say.Andrew Bohan said:I didn't mean so much that it was a case of it being significant. I mean if twilight's what the naughties are remembered for, holy fuck we wasted a decade. I meant more, the point isn't moot, but it's not necessarily defending twilight. I reckon it's more of a "this might be why" than a "don't hate D=".Torrasque said:The OT was talking about the relate-ability of Bella and how she is supposed to be a non-character, so my point was to mock them by bringing up to examples of characters that are diverse and are much more relatable.Andrew Bohan said:I don't think anyone's debating it's cultural or artistic significance, I think it's more down to an attempt to understand a fleeting phenomena. I mean as kids most of us loved Goosebumps, they weren't artistic, or well written by adult standards but in 10/20 years it'll probably be nothing anyways. One of the best selling books of the last couple years but remember Safety Dance sold quite a few copies and the only thing it's good for these days is being mocked.Torrasque said:You are an idiot.
You do not connect to the characters by making them terrible, you connect to them because they are well made.
For example: In the book series Wheel of Time (my favourite book series ever) every character goes through an extreme amount of development, and I genuinely care about what happens to them. Hell, Robert Jordan had an amazing ability to describe a character that you had just met, in 1 paragraph, and you felt like you had known that person for years.
Another contemporary example would be Master Chief. Little is known about his past and his character development seems to be written in assault rifle bullets and the blood of Elites, but he is by no means a flat character. Yet millions of people project themselves into his suit and fight the covenant.
Flat characters deserve no respect, no concern, and no recognition.
As far as I'm concerned, the only flat characters that have no development, are street thugs you see for a whole 5 lines in a book before they are promptly beaten and forgotten completely, or characters that don't get told about in any regard.
The fact stands, that Twilight is a waste of money, time, and consideration.
I don't really care about the cultural significance because currently Jersey Shore is a huge phenomena, and Justin Bieber is making a 3D movie biography? if that doesn't prove "culturally significant = shit" then I have absolutely no idea what will.
Complaining about it, however, is completely helpful. Go you.KnowYourOnion said:You know, this comment isn't particularly helpful..................Zachary Amaranth said:You know, that thought is neither particularly new nor profound.
OT: I've read the first book, I didn't like it and this theory doesn't make me like it any more
I thought it already was....voorhees123 said:Hey, if Twilight was published that way then it would be the most awesome vampire book ever.
That reminds me of those old time machine books my sister used to read to me when I was a kid... Wonder how these would fit with Twilight, though?iLikeHippos said:I'd buy it. ^^Casual Shinji said:Then how about I publish book consisting of nothing but blank pages?
Then the audience can project as much as they want... It's genius!
OT: Yes, but the problem of the fact is, that she WROTE IT ALL WRONG!
If you REALLY wanted the person (let's cut the crap...) girl reading to be the main protagonist, you should make it to an action-novel where there's more than one way to end the story, more than at least 1 path to choose, since all girls won't always want the vampire to marry them.
Sadly, the book contains no such thing. So it fails. She wrote it ALL wrong. Good job, you newbie. Better luck writing next time.