Back...
Just to elaborate on what I wrote before: Bloodrayne had it's faults but goddamn it was spanking fun to play. It had a special place in my heart. Dancing madly from one enemy to the other, dodging bullets with graceful cartwheels, deploying my impossibly high stilettos, dealing death with a marvelous array of weaponry, chunks of my foes flying in every direction and the oh so ecstatic satisfying of my need for sustenance and renewal by stealing such from my attackers whist using them as a shield! It all seemed so logical. Especially when those deserving a serve of my "justice" were evil Nazi zombies in an alternate universe. I repeat... Nazi zombies!!
I just knew with a sympathetic intelligent director that this would actually make a great film - sure it wasn't Oscar material but you get what I mean. It could be an exception to the dross of game to movie conversions. Tongue in cheek it would be a great laugh, bulk fun... if done right.
Lo and behold, I found it in a video store and took it home to watch in hopeful anticipation. What I saw was a cheap and nasty utter piece of crap. The actress whilst pretty was no lofty erotic Bloodreign, gone was the story, gone was the setting, gone were the signature moves, gone were the guns, and gone was the droll dialogue that would just make me laugh out loud in the midst of battle- "I think you might need ice on that" as an opponent's arm arced out of the frame in slow motion.
What I saw was a "you loved the game now I will exploit that in a shitty rip-off". I felt disgusted and insulted. But mostly fury. HairBall was no Paul Verhoeven, this was no Robocop-eske homage to a great video game character... this was worse than awful. This would tarnish the franchise.
To those thinking here is a tenacious Ed Woodian director/producer pulling himself up by his bootstaps... you are wrong. Boll is a fuckwit, exploiting a genre in a vainglorious attempt to make money (cable/rental/retail) and garner cult admiration.
I know the type, I worked for two years with a friend on the weekends- him camera, I sound- on another piece of pathetic tripe. The writer/director/lead-actor/producer (read: money) was another German with an even more absurd sounding name, just as deluded but arguably less charismatic. With dreams of Ed Wood's "Glenn or Glenda" we deluded ourselves that we would convince him at post that we should turn this into a comedy, with just enough length to class it as a feature. We worked hard, for no money, supplied all the equipment, we scrounged for leftover blank reel ends, conned good actors, makeup artists and other DOPs to donate their time- we hoped we could recoup something in said cable/rental/retail. It was a sci-fi, I was even set to do the opening CG sequences. We laughed ourselves silly at the rushes.
But horror (in the real sense of the word), he insisted on editing the thing- even though we had a respected expert 16mm editor willing to take on the task, for free. We woke up to ourselves, he was never going to see it as anything but a serious comment on humanities' inhumanity with himself as the hero. Endless closeups of himself in the first cut and endless boring, boring, boring. My girlfriend even fell asleep. *Sigh*
I'll never forget one day as a cavalcade of vehicles took off to that day's location. Volker, missing his prop, yelled from the back... "I forgot the brains!".
If you really want to choose a independent anti-establishment uber-talent to admire- choose Robert Rodriguez or maybe even Tarantino- not this self-aggrandizing buffoon who's public actions deserve the accolade only described exactly by the "C" word.