Labyrinth said:
berethond said:
Labyrinth, must you always post these at 3:00AM local time?
Couldn't you post them at a more reasonable hour?
I'm afraid not, though you're welcome to move to a more sensible location when it comes to timezones.
unabomberman said:
I'm speaking as a violinist of many years here. The maths in terms of movement on the instrument itself is subconscious, like the maths required to catch a ball and the rest. Where it comes into play is when figuring out the passage of music itself, how the notes fit together, how they interrelate and which movements are hence appropriate to use.
I'm sorry but math at its core just ain't the same as counting. They are movements; you are arching, waving, pressing chords, releasing chords, taking account of your timing, etc. You can explain all that in mathematical terms but they
aren't exactly mathematical. Math comes later.
PD: I thought your gig was painting. Good for you and congrats. I tried violin for a semester but my greatest hit was, and still remains, Twinkle Twinkle Little Star.
berethond said:
unabomberman said:
berethond said:
unabomberman said:
zen5887 said:
Wow.. I really had no idea there was any 'tension' between Art and Science. As a muscian I have to acknowledge the scientific side to my art and even though I don't understand that side very well, I am aware of how important it is.
In short.
Why can't we just get along.
Nevar. It's a fight to the death.
In all seriousness, how scientific is music? I know there is a method, and harmonics, and tones, etc. but my question is why do you think it qualifies as scientific instead of it being a very elaborate and sophisticated method, but not necessarily scientific?
PS: Yes, it is an actual question, not a rethoric one.
Music is
ridiculously scientific.
Mathematicians are still learning things about Calculus from Bach, for cryin' out loud.
No. They aren't
learning calculus from Bach. You don't know what they're talking about.
One thing to say is that you can apply a sophisticated mathematical method to better understand music and another is that from tones, frequencies and harmonies you can learn a mathematical descipline.
I'm sorry to tell you this but you are terribly misguided. But then again, you can always prove me wrong which would be rather educational for me.
<url=http://www.kunstderfuge.com/theory/dentler.htm>Wallis learned almost all of what he knew about conic sections & such (Which greatly is how Newton came up with calculus) by studying Bach and Mizler's music.
Look. I've read the link you sent me and I can't for the life of me equate it to what you are telling me.
The guy did not learn the conics from music. He went away and learned the conics, which were already there thanks to the pythagoreans, because he wanted to make sense of a specific piece that was written in that context. The piece was like an enigma for him, and he cracked by learning math. I'm sorry, but I just don't see how that proves your point.
Another thing I have contention with is your understanding of the origins of calculus. You can trace it back to ancient times if you so wish.
Also, Newton didn't invent calculus explicitly trying to understand music, and neither did Leibniz when he came up with the same thing as Newton on his own. That's...just bogus, what you said.
But what Leibniz said was:
For indeed, there is nothing in the intellect which was not in the senses, except the intellect itself. Music is the pleasure the human mind experiences from counting without being aware that it is counting.
And that is a beautiful thing. Your brain is made in a very specific way that performs in a manner which can be explained mathematically. And that also involves music, but for that to happen one has to
have math.
Music was doing fine before math came along to meddle with it. One cannot
derive a different, new kind of math from music lest some kind of different physical phenomenon is being considered other than the macroscopic ones already known to everyone(periodic pressure oscillations in a medium).