Kaidan has as much history and personality as anyone else. Even (speaking as a huge Garrus fan) growing up in a biotic hell-training camp where you accidentally killed your instructor in self defense is far more 'interesting' than the 'was in the police, didn't like the paperwork' of the franchise's most popular character.
I love how Kaidan, who acts like an actual person, gets all the hate for being boring while angst filled badasses with a dark past or master assassins wracked with guilt are considered the baseline for interesting characters, the 'norm'. In a lot of ways, that's what I like about him - he has his story, he's dealt with it and it's just part of him, rather than something that melodramatically defines him.
(Not that I mind the 'interesting' characters either. Except Jack, who is a fantastic advertisement against buying the armour upgrade.)
Edit - Yeah, "two dimensional" - that's what irks me. Just because a character doesn't focus their entire existence around 'deep' issues doesn't make them shallow. And if you go too far, you get someone like Jack who is so 'deep' and messed up that she just comes across as a writer trying far too hard. If you look at real people - the least two dimensional characters in existence - they aren't eternally wracked with drama and haunted by their pasts - they have their history, but they don't dedicate their lives to it.
'Issues' alone =/= depth.
I love how Kaidan, who acts like an actual person, gets all the hate for being boring while angst filled badasses with a dark past or master assassins wracked with guilt are considered the baseline for interesting characters, the 'norm'. In a lot of ways, that's what I like about him - he has his story, he's dealt with it and it's just part of him, rather than something that melodramatically defines him.
(Not that I mind the 'interesting' characters either. Except Jack, who is a fantastic advertisement against buying the armour upgrade.)
Edit - Yeah, "two dimensional" - that's what irks me. Just because a character doesn't focus their entire existence around 'deep' issues doesn't make them shallow. And if you go too far, you get someone like Jack who is so 'deep' and messed up that she just comes across as a writer trying far too hard. If you look at real people - the least two dimensional characters in existence - they aren't eternally wracked with drama and haunted by their pasts - they have their history, but they don't dedicate their lives to it.
'Issues' alone =/= depth.