AzrealMaximillion said:
Andrzej Sapkowski's response to the adaptation is respectable. He didn't whine about it like Alan Moore does every damn time. Yeah the From Hell and League of Extraordinary Gentlemen movies sucked, but The Watchmen was decent(just way overhyped) and V for Vendetta was awesome.
Glad to see the Witcher's author isn't the usual stick in the mud.
Actually Alan Moore has good reason to be upset. His work generally conveys very specific messages and imagery. The movie adaptions have generally missed the point of his work.
The issue isn't whether the movies themselves are any good or not, it's that they are being directly linked to his works. "V For Vendetta" for exmaple was a good movie, but they should have made it it's own thing, and not named it after the graphic novel, or connected it in any way, because the movie totally, 100%, misses the point of that graphic novel and what it was about. "V For Vendetta" was not a movie about a freedom fighter up against an oppressive goverment, it was about a lunatic anarchist who didn't care about who he hurt or what damage he did, he was totally out for revenge. Some of the people he went up against were bad, others were not, Mr. Susan (replaced by Sutter in the movie) for example was very well intentioned and was doing a lot of good. A huge reveal in that story is that V himself hacked into the central computer controlling everything and was actually causing a lot of the problems that were going on and the authorities were being blamed for.
To be honest I always thought it was kind of interesting that Anonymous took on the Guy Fawkes Mask. I get the impression they largely did it because of the movie, and the whole Hactivism thing (I haven't checked the timing), but given that Anonymous has largely been an elemental force of chaos before the relatively positive "hacktivist" press, they do bear a bit of a similarity to the maniac from the graphic novel.
At any rate, the point is I think it's a bad analogy. A big part of the differance in how the writer of "The Witcher" is reacting and how Alan Moore reacts, is that "The Witcher" is a respectful version of the work, and while differant, stays pretty close to the original vision and spirit of the world and characters. It's sort of like comparing the Conan comics and other non-canon stories to the original stories by the creator (or ones written during Howard's life when other people wrote him occasionally), it's differant, and can't be confused with the canon mythology, but still spiritually the same thing and pretty bloody respectful of the themes. "Sherlock Holmes" and the canon vs. non-canon stories is another decent example.
Alan Moore really did have the guys who held onto the rights of his work take a huge dump all over them in the pursuit of money. I actually respect him for not selling out, which he apparently had more than one oppertunity to do. In general there is NO similarity between "V for Vendetta" the graphic novel, and the movie, except superficially, spiritually they are entirely differant works. "Watchmen" was probably the closest to his original work, but even so I can see why he distanced himself from it, because it missed a number of key points, many of which would have been very difficult to do in any other medium except for the original (which is one of the reasons I think trying to make movies out of some things is just a plan bad idea). The change in Ozymandia's plan and what he was specifically doing is a key element to the problem with the movie, his motivation was pretty much the same, but there was a bit behind the specifics of his plan that I think were integral to the story and tying everything together the way it was intended.
In the end the biggest point of all though (for those that read this far) is the guy who created "The Witcher" gave his approval for the games to be created. Alan Moore never specifically agreed to have these movies made, he pretty much got screwed on contracts. Ultimatly the guys doing these movies have the legal right to do so, but aren't doing it with the blessings or support of the creator, but rather in defiance of him.