I'm really not sure how they were planning to judge this in the first place. Writing in a video game isn't just about the dialogue, it's about the setting, the character and level designs, the quality of the voice acting, how the player's choices affect the story...
Still, yeah, RDR probably would've won. And I could see Dragon Age get a nomination. But as much as I love Mass Effect 2, the writing for the main plot was terrible, just terrible. The recruitment and loyalty missions were great, but remind me again why we went on the Collector ship with no plan, no layout, no explosives, and no real goal besides wandering around until we find something to plug EDI into? Or why, when we needed to test the IFF, we decided to pack the entire team onto the shuttle instead of picking two beforehand? Or why a Sole Survivor Shep would even work for Cerberus in the first place?
Yeah, sorry, that kind of writing ought to disqualify them from winning so much as a lollipop.
Still, yeah, RDR probably would've won. And I could see Dragon Age get a nomination. But as much as I love Mass Effect 2, the writing for the main plot was terrible, just terrible. The recruitment and loyalty missions were great, but remind me again why we went on the Collector ship with no plan, no layout, no explosives, and no real goal besides wandering around until we find something to plug EDI into? Or why, when we needed to test the IFF, we decided to pack the entire team onto the shuttle instead of picking two beforehand? Or why a Sole Survivor Shep would even work for Cerberus in the first place?
Yeah, sorry, that kind of writing ought to disqualify them from winning so much as a lollipop.