You're right. I'll try to describe why I love Michael Haneke's work. I've never watched films by another director, in which the camera was more honest and more 'intrusive' towards its subject matter. Haneke is able to transform the camera into a living observer of its surroundings, and the viewer is forced (effortlessly and relentlessly) to see things through this living observer (the camera). This makes the characters palpably, almost uncomfortably real, like you're not actually watching a staged work but are intruding in the lives of real human beings. Add to this the fact that he generally works with themes that are almost too human, too close to our unconscious fears and anxieties, and does so unflinchingly. His movies rarely have scores, making the silence a deliberate intensifier of what we're observing on screen; silence is often a character itself in his movies. There's just nothing quite like a Michael Haneke work.BonsaiK said:Well this thread is certainly a little bereft of discussion value so far...