Agatha Christie’s Poirot - 9/10 overall.
David Suchet’s famous long form portrayal of the Belgian detective has long been the definitive version thereof. Plus like lots of British long runners there’s a fun game of spot the future famous person. There are times though when the suspension of disbelief of people putting up with Poirot’s eccentricities gets broken. There’s one episode where he’s brought on to help find the Prime Minister who has been kidnapped and he’s doing his usual act of keeping people in the dark. I can accept Japp of the Yard indulging him, but not the officers of MI5 and the Military Intelligence services. Them NOT dragging him into an alley and giving him a flogging to make him get to the bloody point could only be literary contrivance.
With that said, I’m curious which others Kenneth intends to adapt. Orient Express has the famous twist and isolated location, Death on the Nile has a similar closed location and takes place during a party so the costuming and set guys get to go whole hog. But most of them are pretty cut and dried, boilerplate murder mysteries or acts of theft/fraud/blackmail. Like they’re fine on well funded television but I can’t imagine any of the others I’ve seen so far making exciting cinema viewing.
David Suchet’s famous long form portrayal of the Belgian detective has long been the definitive version thereof. Plus like lots of British long runners there’s a fun game of spot the future famous person. There are times though when the suspension of disbelief of people putting up with Poirot’s eccentricities gets broken. There’s one episode where he’s brought on to help find the Prime Minister who has been kidnapped and he’s doing his usual act of keeping people in the dark. I can accept Japp of the Yard indulging him, but not the officers of MI5 and the Military Intelligence services. Them NOT dragging him into an alley and giving him a flogging to make him get to the bloody point could only be literary contrivance.
With that said, I’m curious which others Kenneth intends to adapt. Orient Express has the famous twist and isolated location, Death on the Nile has a similar closed location and takes place during a party so the costuming and set guys get to go whole hog. But most of them are pretty cut and dried, boilerplate murder mysteries or acts of theft/fraud/blackmail. Like they’re fine on well funded television but I can’t imagine any of the others I’ve seen so far making exciting cinema viewing.