I know not every director is going to worry about the reception of their films but this person really seems like they're up their own ass. Is the movie you wanted to make or was it just what the studio mandated? I feel like this person is either lying to themselves, or trying to fool people who like the movie. Whatever a few they are that did.
You're right, it was Fortnight, I completely misremembered.That is actually Fortnite, but I think what Elvis is referring to is this sound bite from Palps is canon. The opening crawl of TROS references Palpatine's broadcast to the galaxy about his return, and is the reason why Kylo Ren was hunting him down in the beginning of the movie.
So to do such a thing in a video game, much less Fortnite, is just... weird.
I mean they definitely didn't decide to edit the movie just to have that collaboration with Fortnite, they probably thought they could reuse some leftover dialogue that was cut. But the optics aren't great.
^This. Marvel blew their load with all the popular and well-known IPs early on, and have since cranked the production line (because let's be honest, Marvel Studios is a factory, not an environment where creativity and innovation are nurtured) up to 11 with a bunch of relatively lesser-to-unknown characters and a multiverse to further convolute the mess they've made. Reminds me of the classic scene from I Love Lucy:Also, the MCU is now like the comics where there's too much shit to watch. It used to be like 2-3 movies at 2 hours apiece per year of your time, but now it takes so much more time to keep up with everything. It kinda went from a football season where it's somewhat easy to watch all your team's games to a baseball season of 162 games.
Iron Man used to be a C tier comic book character that they elevated to A tier just based on the Marvel Cinematic Universe. Same with the Guardians of the Galaxy. They can take lesser known characters that fewer people care about and make them cool and marketable. They just haven't since Phase 1.^This. Marvel blew their load with all the popular and well-known IPs early on, and have since cranked the production line (because let's be honest, Marvel Studios is a factory, not an environment where creativity and innovation are nurtured) up to 11 with a bunch of relatively lesser-to-unknown characters and a multiverse to further convolute the mess they've made. Reminds me of the classic scene from I Love Lucy:
Pretty sure the point wasn't that it added anything or explained anything, but instead that squirreling away something like like RoS's inciting incident (Palpatine's "galaxy-wide broadcast") in Fortnite is a dick move that makes the ass-pull worse.Either way, my point stands. If it didn't show Palpatine surviving/being resurrected it doesn't count. It doesn't add anything to the already terrible movie, nor does it explain the ass-pull of where Palpatine came from.
Yup. The MCU only exists because Marvel nearly went bankrupt and that had to sell all the rights to their most popular characters. Spider-man, X-men, Fantastic Four, etc. Its what makes the MCU even more impressive, they started an empire with characters no one gave a shit about, and were so successful that people don't even remember that the characters used to be nobodies.Iron Man used to be a C tier comic book character that they elevated to A tier just based on the Marvel Cinematic Universe. Same with the Guardians of the Galaxy. They can take lesser known characters that fewer people care about and make them cool and marketable. They just haven't since Phase 1.
Yup. We all already knew Palps was back because of the trailers, but them putting it into Fortnite just made it abundantly clear that the movie was written in a day, probably while on cocaine. They knew that it was a shit idea, so might as well milk it for the trailers and Fortnite.Pretty sure the point wasn't that it added anything or explained anything, but instead that squirreling away something like like RoS's inciting incident (Palpatine's "galaxy-wide broadcast") in Fortnite is a dick move that makes the ass-pull worse.
That's because Toho knows what they're actually doing. They have slipped up before and I didn't like Shin Godzilla much. Wish wasn't AI written. I don't care how much you just like it. That was just Disney being their usual selves and playing it way too safe.I just saw Godzilla - One. It had a budget about 1/2 of an episode of She-Hulk. $15 million. It was a blast. They put so much on the screen. But most of it was about human characters dealing with human situations.
ITMT, they're giving us such drivel from Disney (which owns Marvel) people are wondering if it is all A.I. written.
There's been so many "monsterverse" movies of late, yet the new Godzilla movie felt like someone gave a dang about the story, character arcs, etc. No fatigue here.
I can't believe it's been near 10 years since the Bryan Cranston Godzilla! My buddy thought it much more recent and, well, no it wasn't but I didn't realize it was that old! Not seen shin Godzilla. Is it similar to Colverfield, a found footage version?That's because Toho knows what they're actually doing. They have slipped up before and I didn't like Shin Godzilla much. Wish wasn't AI written. I don't care how much you just like it. That was just Disney being their usual selves and playing it way too safe.
Also, I like the Monster verse, barring Godzilla 2014. The monster versus doing its own thing. Minus One is you're more serious Godzilla monster movie, and the monster verse movies take the more fun approach. Nothing is wrong with neither and it's nice to have both. The people who make the Monster verse movies to care. I don't know about that TV series that recently aired on peacock or whatever, but I'm not invested. I'm just waiting for the new Godzilla X Kong movie. Kong has a bionic arm now and is even more like Kratos.
I know it's Disney and everything, but they didn't use AI for this movie; it's just them being their dumb and safe selves. I have not forgotten dad there are many movie studios in Hollywood that want to replace actors and writers with AI or CGI. They can go straight to hell for trying that shit. I will say Disney did try to use AI art for one of their dumb anniversary things, but people immediately saw it called bullet pack on even YouTube doesn't like AI thumbnails. And that is saying something.I can't believe it's been near 10 years since the Bryan Cranston Godzilla! My buddy thought it much more recent and, well, no it wasn't but I didn't realize it was that old! Not seen shin Godzilla. Is it similar to Colverfield, a found footage version?
I wouldn't be so certain about them not using A.I. for scripts. I tried out ChatGTP asking it to give me a 5 page screen play about a topic and boom, it made it. At best, one would need to edit/punch it up some. Back in the day Entertainment magazine would do an annual piece about power in Hollywood. Actors, directors, producers: if they want a movie made, who can get it done i.e. if Christopher Nolan wants to make a movie it is getting made. One year they did another piece in addition to the power one: No Power. It was about writers. Imagine how much they'd love to tell writers they are not needed anymore. Dramatized in 1992's, "The Player" Peter Gallagher is an exec saying how little writers are needed and then starts spouting out some concepts saying such concepts would bring about a movie as they write themselves. A.I.? Wife poo pooed my concerns then took a class for work and after it she said to me, "thank g-d we're nearing retirement".
Keep it going a little longer and it will start forgetting what it was talking about. With prompting, AI can start giving out something decent looking, but it stumbles if asked to continue.I tried out ChatGTP asking it to give me a 5 page screen play about a topic and boom, it made it.
I think for some time into the near future, you will still need editors but I think the thing a heck of a tool that is going to automate a ton. It is going to be as big a challenge for the bright collar class as automation in factory, manufacturing, warehousing was the blue color class from the 80s to today.Keep it going a little longer and it will start forgetting what it was talking about. With prompting, AI can start giving out something decent looking, but it stumbles if asked to continue.
Just like the video game industry, it's either all the money in the universe or nothing at all when it comes to the big Hollywood movies.and somebody fired back with "all marvel films must make a billion dollars" and everything went to shit.
I appreciate the shout out to Meteor Man. I used to watch that one a lot as a 4-year-old. Not so much nowadays, but I appreciate what Townsend was trying to do.Somebody somewhere said "hey maybe we take it easy and do a Ms. Marvel, small stakes save the Neighborhood meteor man style film on 60mil. Muslim actors are cheap!"
Yeah idk, Meteor man always comes to mind whenever I think of "local superhero movie" you know where somebody gets powers fighst crime, loses them, neighborhood bands together. It apparently flopped in theaters, but the wiki seems to indicate it had a following on home video. I'd be surprised if you found a xennial who hasn't seen it. It was on cable all the time when I was a kid. I've probably seen it 4 or 5 times in that USA/TNT era of television where scifi and superhero movies were on all day everyday.Just like the video game industry, it's either all the money in the universe or nothing at all when it comes to the big Hollywood movies.
I appreciate the shout out to Meteor Man. I used to watch that one a lot as a 4-year-old. Not so much nowadays, but I appreciate what Townsend was trying to do.
I have a feeling Marvel and Disney might not actually be capable of making movies under a 100mil due to the size of their organizations. You know, like they probably have so much financial impracticalities that they can't hire people cheap or make things cheap anymore. ROTS doesn't look one iota better than TESB, but TESB was made on sets on small lots with poster backgrounds and model kits cut up by hand. I just don't think Disney is even capable of producing films in that way anymore.Just like the video game industry, it's either all the money in the universe or nothing at all when it comes to the big Hollywood movies.
True, a lot of my time watching it was from my mom renting it multiple times from Blockbuster. Then sometimes a Double Dragon movie. We told her not to do that one anymore after a certain point.it. It was on cable all the time when I was a kid. I've probably seen it 4 or 5 times in that USA/TNT era of television where scifi and superhero movies were on all day everyday.
Sucks to be them. I personally think they're capable of doing so, they just don't want to. All that money and boasting in the entire world, and none of y'all can make a film on the cheaper side out of either pride or your own stupidity and messing up your finances. It's not a good outlook either way. Yet Netflix, Blumhouse, DreamWorks, or in the studios in general are dancing circles around Disney and Warner Brothers. Warner Bros Discovery I have a bigger personal beef with at the moment, because of the firing of all their people of color or women in powerful positions. Hope it was worth it you jackasses. You lost all that money from The Flash, and cancelling Batgirl and Scoob didn't save. Your reality shows are crap and there's barely anything worth watching on HBO Max. I don't blame people for pirating from TV again, if they're just going to get rid of all their good stuff (that either don't have physical versions, or digital only, or not available in specific regions), because it doesn't appeal to white men only, or WBD feels it doesn't make all the money in the world.I have a feeling Marvel and Disney might not actually be capable of making movies under a 100mil due to the size of their organizations. You know, like they probably have so much financial impracticalities that they can't hire people cheap or make things cheap anymore. ROTS doesn't look one iota better than TESB, but TESB was made on sets on small lots with poster backgrounds and model kits cut up by hand. I just don't think Disney is even capable of producing films in that way anymore.
There's certain analogy to be made between Disney and the Deathstar.
It is not insignificant to note that Toho regularly takes breaks between each Godzilla movie.I just saw Godzilla - One. It had a budget about 1/2 of an episode of She-Hulk. $15 million. It was a blast. They put so much on the screen. But most of it was about human characters dealing with human situations.
ITMT, they're giving us such drivel from Disney (which owns Marvel) people are wondering if it is all A.I. written.
There's been so many "monsterverse" movies of late, yet the new Godzilla movie felt like someone gave a dang about the story, character arcs, etc. No fatigue here.