A View to a Kill
Roger Moore's last turn as 007. Yeah, there's something off around the eyes - I'm assuming he'd had a facelift or something. He's got that deranged, unblinking Leslie Nielsen look half the time. And fittingly it's a very Naked Gun plot this time around, involving a nazi experiment turned psychotic industrialist who hops racehorses on steroids for profit during the first half of the movie, then spends the second half trying to flood Silicon Valley (also for profit?). I must've missed the part where any of this makes sense. Fortunately he's played by a supremely entertaining Christopher Walken, and he's seconded by an equally scene-stealing Grace Jones. They're great at playing weirdos and being weird with each other.
So like I said, the plot feels like it restarts halfway into the movie. Bit of a buzzkill since nothing that happens in the first half carries over and the secondary cast basically hits refresh. I don't think the settings are very entertaining either. Most of the movie takes place in a French manor and the Bay Area, which are relatively mundane settings for a Bond adventure. And the set-pieces are all fairly silly or standard. There's one good surrealistic chase that starts at the Eiffel tower (with murder by fishing rod) and ends in the Seine and that's about it. You've seen Bond ski away from bad guys a million times. You've seen patrol cars clutter stupidly as they chase Bond. You've seen the same underground facility shake and collapse over and over.
So here's my final ranking of the Moore movies:
1. The Spy Who Loved Me
2. Octopussy (fight me)
3. For Your Eyes Only
4. Live and Let Die
5. The Man with the Golden Gun
6. Moonraker
7. A View to a Kill