I have to say that I'm really kind of confused as to the argument you've been making for the past couple of pages. You keep bringing up criticism as if it is the same thing as the demanded outrage that Dwarven has been talking about this whole time.
And I can't tell if you are doing it on purpose knowing full well that there is a difference between going "I really didn't like that thing" and "I don't like that thing and therefore I demand that it not only be destroyed but the people responsible should lose their jobs and apologize for upsetting me". And you are just calling it criticism to pretend like one of those things isn't obviously crossing the line.
Or if you genuinely think that both those statements are valid responses to a thing you dislike. In which case you would terrify me.
So I'm dangerously cautious to know which one is true.
OK, look at it this way. What does "demand" mean in this context? We usually use the term in connection with someone who actually has the authority to get something done. If we're talking about a twitter rando using the hashtag #FireGinaCarano, it doesn't mean very much beyond "I think X should get rid of them". They might be being hyperbolic, but they're not leveraging any great power.
Functionally, it's identical to criticism or condemnation. So I'm not seeing the threat to freedom of expression that it represents. The public figure utilised freedom-of-expression; the twitter rando utilised it in response.
Because you have to understand the difference in cultural climate from which something was created. You think something is shitty to say because in your current world view it is shitty to say. But to the people of that timeframe it wasn't shitty and what gives you any more right to say it's wrong than the people of the time saying it's fine? The answer is nothing.
Every value judgement we can possibly make is subjective, obviously. That doesn't mean we cannot make them. It's not as if something occurring in the past magically makes it always morally-neutral.
The problem here is the optics. Because of the current cultural climate, when critics look at a show like "Batwoman" and you can tell it's a show made to make the Lesbian traits of the characters stand out, more than it is about trying to make a good show. Because the sexuality of the characters is the forefront of the show, it's going to be the target of the criticism.
And I agree with you. If you just made good characters that also were gay, nobody would fucking care because the show and the characters are good.
That's not what I'm saying. The subset of the community I'm talking about would absolutely still care.
But in your example: what exactly is the criticism? The writing is poor? Then say that. If your criticism is that they're focusing on the "lesbian traits" (whatever that means), then I don't consider that a valid criticism. Is a book/film in which Bond has loads of sex focusing on the "hetero traits", and equally objectionable?
Explain to me why people think the CW shows suck ass and mock the overabundance of LBGT tropes, while at the same time people love Modern Family a show with a wonderful and funny gay couple as part of the main cast? Why is Rocky Horror Picture Show such a classic and beloved film?
You'd have to ask people who simultaneously come out with the criticisms I'm talking about, and also love Modern Family & RHPS. I don't know any of said people.
Things don't exist in this SJW-vacuum and nobody wants to admit that making media of any kind with progressive ideals is never going to work if you aren't building a good framework around those ideals. The core of the show, movie, book, or game must be good before you can play with inserting ANY ideal into it, otherwise it will just bounce off of people and they'll hate it.
....and if they then resort to complaining about the presence of minority characters in that book/show/movie etc, then they're railing against it for a stupid reason. If they're disliking it because it lacks a good core, then
criticise that. There's no reason that has to be arbitrarily connected with the existence of minority characters all the damn time, as if gay characters make the writing bad.
Got any examples? Because outside of very few exceptions I can't think of any outright complaints about anything under the single basis of "eww girls are gross".
Well, let's look at the Ghostbusters example that's already been brought up.
The film is mediocre, lacking in imagination, written way too obviously. The acting is quite poor. These issues don't have anything to do with the fact that the characters are women, any more than the reason the original Ghostbusters was good was because the actors and characters were men. And yet the criticism was hyper-focused on that element of it.