Spade Lead said:
but the whole "Light Side rising to meet the power of the Dark" doesn't make sense on the simple premise of that is exactly what DIDN'T happen with Vader and Palpatine, and there is no justification for it in the previous canon.
Because if something doesn't happen before, it can never happen.
Nevermind that Anakin is concieved via the will of the Force, so it's well established to have an active hand in things.
The difference for me is simple. TLJ was a fun movie set in the wrong universe, that breaks the current universe by bringing in things that had don't belong in the saga.
Such as?
The very things that make Rogue One appealing
What things?
The Republic and First Order should have been rival powers, not space terrorists funded by a corrupt government and a neo-nazi Parody
Disagree it's a parody, but I'm sympathetic to this idea.
that is supposedly evil just because of the way one guy gives a speech standing in front of a weapon that he then uses to decapitate the military and civil command structure of said corrupt government.
In TFA alone, it's well established that the First Order abducts children and inducts them against their will, along with killing civilians wholesale. There's plenty to dislike about the First Order before the Hosnian system is destroyed.
The problems with TLJ (Besides the blatant ant-capitalism and anti-weapons manufacturer propaganda)
What?
were the terrible story telling plotholes and the ridiculous message about "Toxic Masculinity"
Oh God, here we go...
that people keep claiming aren't present in the movie.
Because they aren't.
I enjoyed the movie in theaters way more than Episode VII, but once I started thinking about the actual storyline, the movie is just badly written and even worse in pacing.
More I thought about it, the more I liked it.
When Poe destroys the dreadnought he is rebuked for being negligent and foolhardy, despite the fact that within the next three scenes he is proven to not only have saved the fleet, but that had he failed to destroy the dreadnought the bomber fleet would have been destroyed in the hangar anyway, thus negating the whole argument anyway.
Which is related to "toxic masculinity"...how, exactly?
Nevermind that your dreadnought claim is dubious for any number of reasons (range? Firing time? Accuracy?), you've clearly missed the point about Poe's actions, that playing the hero isn't something that always works out, even if it has in past iterations of the franchise. But that aside, if Poe was female, you could have the exact same scenario with the exact same dialogue (bar pronouns) and nothing would change. "Toxic masculinity/feminity" only works as a concept if it's related to gender. None of Poe's actions are.
Then, when Finn wants to lead Rey away from the fleet, and despite the fact that he has literally fuck all to do with the Resistance, he is subdued as a deserter and told that he has no right to abandon the resistance he never signed up for, and is wrong for even considering it.
Lead Rey away from the fleet?
Also, wrong, he helped the Resistance attack Starkiller Base, it's logical to assume he's part of the Resistance. And Rose calling him out on it has less to do with Finn, and more to do with her - she's never met Finn, but has heard of him, so him not living up to expectations (another theme) triggers the response in her (in part).
Then Vice Admiral Gender Studies
...seriously?
informs Poe that Leia made a terrible decision that was based entirely on an incorrect assumption and he had no business being in the chain of command despite the fact that he was still 5th in the chain of command (He is still Commander Air Group, after all),
What decision did Leia make?
How is he 5th in command? I mean, he could be, but we're aware of three Resistance admirals/leaders (Leia, Holdo, Ackbar), and he's already been demoted by this point.
and rather than being a decently competent military commander, she decided to be a living piece of incapable shit and violate the basic precept of military command "A busy crew is a happy crew." When she needed to be bolstering morale, she was off in her corner brooding about how everyone needs to shut the fuck up and watch their friends die because she orders it, violating the second most important order in a military command, "Never give an order you know won't be obeyed."
While the film could have benefitted from clarity at this (I thought it was obvious why she didn't tell many people - the risk of a First Order spy), Holdo's failure is, guess what, a failure in film that has themes dealing with failure.
Rose becomes this annoying super-anti-capitalism messenger
How?
of how there is literally only one way to become rich in the entire fucking universe,
Where does it imply that?
and the literally thousands of people in that casino could only ever be CEOs, CFOs, COOs, and on the board of directors for companies that manufacture weapons for the First Order.
Again, where does it imply that? The impression I got was that most of the people in Canto Bight are regular people. Rich people, but still, regular. And while Canto Bight arguably has something to say against the arms trade (imagine that, politics in Star Wars...obviously that's never been present before), the major theme of Canto Bight is far more related to Finn's arc of seeing the world in the shades of grey it really is, rather than a more dualistic view.
Then when DJ proves them wrong, he becomes a bad guy by turning on them and selling them out to the First Order, because "Oh, look at that" another Man Plan backfires and DJ overhears the plan Holdo should have relayed to Poe in the first place and uses it to save his own skin when shit goes sideways.
Again, see the theme of failure.
Meanwhile, Rey runs to the First Order flagship and is brought before Snoke like the incompetent idiot she actually is,
Um, what? Rey's making the wrong decision. The reason she's making the wrong decision is she believes that because Luke was able to redeem Vader by travelling into the wolf's den, she can do the same, because, well, why wouldn't it? That doesn't make her incompetent, it makes her naieve - again, theme of failure.
thi and yet everything goes exactly as she needs it to,
What? Everything goes wrong until then. It goes wrong almost as soon as she boards the ship. Compare Kylo's mannerisms here to Vader's in RotJ.
right until Kylo Ren decides not to join her because he is right there, and the ultimate power of supreme leader is too seductive to decline. So she just quietly walks away with a sad look on her face and literally no consequences.
What?
Rey doesn't walk away - I'm assuming she runs, given the sorry state the Supremacy is in. And I disagree with your interpretation of Kylo's motives, but fine, let's move on.
Holdo gives her life for the Resistance, like she had planned on anyway, so despite the fact that her plan is damaged by the machinations of the evil men who ruined her plan, she still succeeded in saving the resistance.
I doubt her plan was the hyperspace kamikaze, when the original plan was to use the Raddus as a visual shield to hide the escape pods. And Holdo doesn't save the Resistance. She buys time, sure, but the First Order still lands on Crait. The Resistance still suffers. Luke is ultimately the one who saves the Resistance. It's Luke who's mythologized, not Holdo.
Time and again we are shown Women succeeding while using the same stupid ass-backward tactics that the men do, but the women can't fail whereas the men fail even when they succeed (Poe).
Right, because women never fail in Last Jedi.
Except Holdo. And Rey. And Rose. And Phasma. And...nup, that's all.
Oh, wait, Leia doesn't fail. So...anti-men, something something...
I don't mind the female leads (Although not having a single reoccurring alien does tend to make the movies feel like there is no overlap), but the writing for the new trilogy is shit,
Disagree.
I mean, I have gripes, sure, but the writing is a far cry from "shit."
and the directing and writing for Rogue One were much better,
Rogue One was lackustre. It's only saved by its third act. If you look at it from a writing standpoint, it's lacklustre.
Sorry, I used to take my Star Wars very seriously, before Disney ruined my interest with their idea to have JJ Abrams direct the first movie, put in a bunch of story threads that went nowhere,
Such as?
Bearing in mind that there's still one film that can answer them (though really, what's there left to answer about TFA apart from Maz getting Luke's lightsaber, and Snoke, where argubaly, answering stuff about him would be detrimental)
least allowing the outlines JJ Abrams wrote to be thrown out by the follow-on directors, as Rian Johnson did.
http://starwars.wikia.com/wiki/Star_Wars%3A_Episode_VIII_The_Last_Jedi#Development
That's a gross oversimplification. Also ignores that TFA ignored Lucas's original Ep. 7 ideas, but Ep. 8 re-uses them.
Star Wars is long past the stage of original authoratorial intent. It's arguably been that way since the EU.
Also, from a writer's standpoint, you can't have a story set 30 years after the first 6 movies be nothing but dead ends and mysteries that don't have answers or payoffs
Such as?
Other than Snoke.
without it feeling like a separate universe, and that is probably why the new trilogy feels so different and removed from the OT to us. It just has nothing in common with the old movies despite ripping so much off from them.
Disagree. TFA is soaked in nostalgia. TLJ distances itself from it. That's only 33% of the new trilogy being "removed" (or "mimicking"). Frankly, IMO, it should have distanced itself from the start. If you're going to give us a 30 year time jump, make it seem like a thirty year time jump.