Because they use them better than you do.The Cool Kid said:But trying to quantify it is not a problem...academic papers have been using surveys for years...why is it now a problem? As I've said it's not perfect but certainly provides useful information. You jump to the bizarre conclusion that any answer given in the survey must be so far from the truth that it is irrelevant. That's simply not right if the answers are statistically significant whilst the survey is of sufficient quality.Phopojijo said:The Cool Kid said:I did but it doesn't really seem relevant as you choose what to pirate and therefore can assign a general number to what you would have rented.
E.g. "I've pirated ~100 films. Would have rented only ~60 of them"
Unlike adverts, people choose to partake in piracy; I've yet to meet the person who chooses to watch TV for the adverts.
What you need to let go of is the need for absolutely specific and accurate figures:
E.g. "I've pirated 103 films. Would have rented only 64 of them"
You can still find trends in the data from such surveys as done by the MPAA. There will always be outliers but as long as trends exist, you can then make a good estimate on money gained and lost.Also:Phopojijo said:The problem with surveying people about their habits with/without piracy is that it completely ignores the crux of the problem that the survey is attempting to quantify: What effect the piracy has on their habits to promote or deter them to consume content legitimately.
Not to mention, again, that there is real experimental data to fly in its face.
What you need to let go of is the single shred of evidence that permits you to ignore other viewpoints.The Cool Kid said:What you need to let go of is the need for absolutely specific and accurate figures:
The survey is nice and all, but it is the only evidence you have... and it is limited in scope and relies on someone's ability to self-reflect (just like the commercial survey).
And, again, where exactly does it state how much content they would have consumed, paid or unpaid, had piracy not been an option -- and how much of it would be new content -- etc. etc. etc. (again, just like the commercial survey)?
It doesn't permit me to ignore other evidence. The evidence you have provided is not wholly relevant. Pirating promotes lesser know work; fantastic, but been to a torrent site recently? Almost all the content there are well known albums, songs, shows and films.
The phenomenon you mentioned is not new:
http://news.bbc.co.uk/1/hi/8007472.stm
Any time unknown work gets some sort of publicity, its sales dramatically increase.
As for the survey, I've covered this; the issue is we are just seeing the keynotes, not the raw data, but there is no reason to suspect it's fabricated. The resulting loss from piracy is derived from what they would have bought/rented if piracy was not an option.
Surveys are highly subject to human error both in production as well as interpretation, explicit events are much less susceptible to error in the former.
Thus -- great, have you survey... but when you start hearing things like this -- which have nothing to do with lesser-known work (though there's plenty of evidence for works that are, too):
http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2001/08/05/PK220163.DTL
You need to start questioning how good people are at self-reflection when compared to physical measurements of what they actually do.At this point last year, with Napster in full swing, record sales were up 8 percent from the previous year. This year, sales of new albums -- not including established catalog titles -- are down 8 percent. That's quite a pendulum swing.