Discuss and Rate the Last Film You Watched

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Agema

Do everything and feel nothing
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Mar 3, 2009
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I loved going to the theater as well, but when prices have doubled in less than 5 years, it's really hard to stomach it. When the Avengers came out, my siblings and I watched it close to a dozen times in theaters. Doing that today would be insanely expensive. I wasn't keen on watching Cap 4 in theaters, but my sister was quite excited for it for some reason.
Hard to say. I feel tickets are really expensive in the UK, but I think they've not actually increased that much more than inflation - overall.

Often things can go up a lot in a short time, but can also remain static for a long time, and they sort of balance out. I'm pretty sure a typical PC computer game (full AAA cost) was ~£30-35 from around 2000 all the way to around 2020. That's one hell of a long time for a price to remain effectively static.

Now it's gone up to ~£50-60, which seems like a big jump and feels really painful, but checking inflation, games are about the same real terms price as 20-25 years ago. And if it were not for the 20% or so decline in the value of the pound relative to the dollar (thanks, Brexit), it would probably be cheaper than 20-25 years ago.
 
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Xprimentyl

Made you look...
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Nosferatu: Meh / Great

Dracula buys a new house, and the bank sends a guy to be the rube for the former's proclivity for hot young women.

Not sure what I was expecting given all of the high praise I've seen, but a very "meh" movie for me. Nothing exceptional, nothing exciting, just another take on "Dracula" which ceased to be interesting decades ago. Maybe I'm spoiled given Anne Rice's vampires became the much more interesting take on the vampire for me years 30 years ago. Might have missed the point, but, meh, old guy in a coffin covets young woman... okay, AND?
 

Johnny Novgorod

Bebop Man
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Hard to say. I feel tickets are really expensive in the UK, but I think they've not actually increased that much more than inflation - overall.

Often things can go up a lot in a short time, but can also remain static for a long time, and they sort of balance out. I'm pretty sure a typical PC computer game (full AAA cost) was ~£30-35 from around 2000 all the way to around 2020. That's one hell of a long time for a price to remain effectively static.

Now it's gone up to ~£50-60, which seems like a big jump and feels really painful, but checking inflation, games are about the same real terms price as 20-25 years ago. And if it were not for the 20% or so decline in the value of the pound relative to the dollar (thanks, Brexit), it would probably be cheaper than 20-25 years ago.
How much is a movie ticket in the UK? Out of curiosity.
 

thebobmaster

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Bob_McMillan

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Hard to say. I feel tickets are really expensive in the UK, but I think they've not actually increased that much more than inflation - overall.

Often things can go up a lot in a short time, but can also remain static for a long time, and they sort of balance out. I'm pretty sure a typical PC computer game (full AAA cost) was ~£30-35 from around 2000 all the way to around 2020. That's one hell of a long time for a price to remain effectively static.

Now it's gone up to ~£50-60, which seems like a big jump and feels really painful, but checking inflation, games are about the same real terms price as 20-25 years ago. And if it were not for the 20% or so decline in the value of the pound relative to the dollar (thanks, Brexit), it would probably be cheaper than 20-25 years ago.
I know it's not that simple, but even adjusting for inflation 2020 prices to 2025, they're still essentially doubling what they used to charge.

And it's not like service has gotten better, the more recent cinemas I've been in felt like they were in need of renovations.

I understood doubled prices when the pandemic was still a threat and they halved the capacity of theaters for safety and increased their disinfection efforts, but now it seems like they're just sticking with higher prices because they realized they can get away with it.
 
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Casual Shinji

Should've gone before we left.
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Jul 18, 2009
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I watched Wicked (part 1) and it was quite alright. Didn't really know what to expect seeing as I'm not a Broadway person, and while I can enjoy a musical now and then it's mostly Disney fare, which from what I can gather isn't Broadway. Anyway, I had fun with it. I also heard a lot of talk about the visuals, primarily the colouring, of this movie, and this being the biggest point of contension I have with almost every blockbuster today I was expecting the worst. Fortunately though it didn't bother me much at all. I can't say the tepidness in the colouring wasn't there, but it didn't draw my attention. Maybe it's the artifice of it being a musical, or maybe it's the camera work never lingering too long on the scenery.

Cynthia Erivo is pretty great as Elphaba. She has amazingly expressive eyes, and it's quite something how well the whole look works for her. Oh, and she can sing up a nice storm as well. Ariana Grande barbies it up without it ever becoming annoying, which is a talent I guess. And Jeff Goldblum is always a treat. Michelle Yeoh feels a bit undercooked though.

I have read some of the book that the musical and the movie was based on, and you can tell that everything between Galinda and Elphaba and the whole misfit at school was kinda crowbarred into the original story. Not that it's bad, but it often forgets the entire reason Elphaba even rebels at the end. Animals being treated like shit and being removed from society only comes up once or twice. Not that the story should've been lazer focused on this - it's not like the movie necessarily needed more Animal characters, but showing the oppression in the background really could've helped. There's a scene where Elphaba and Glinda arrive at the Emerald City and there's just Animals walking around without a care in the world, when Dilimond had to meet in secret at Shiz with other Animals to discuss how the walls are closing in on them. And with this demonization being the product of the Wizard, you'd think the Emerald City would be the worst place for Animals, but not from what the movie shows.

Anyway, it was charming overall.
 

Phoenixmgs

The Muse of Fate
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Gunpowder Milkshake - 5/10

Kinda like how we had movies trying to be Tarantino movies, we now have movies trying to be John Wick clones, and this the latter but with chicks (Karen Gillan, Lena Headey, Angela Bassett, Carla Gugino, and Michelle Yeoh). Instead of The High Table, it's called The Firm. The movie is going for a lot more of a comedic vibe than John Wick and you can really see how much it's trying to be funny, cool, and witty and that's not a good thing at all. The action scenes are a bit of a mixed bag but decently fun overall. The one action scene in the bowling alley is really poorly choreographed and it feels like they only had the time/budget to do a couple takes. Then towards the end there's a scene where the result of the fight isn't really shown and you'll like "wait, she lost, and they took the kid too?". I even went back to rewatch the last part of the fight and it's like the editor mistakenly left out the conclusion of the fight.

The Gorge - 7/10

This was a pretty solid movie overall. The premise is that there's mysterious creatures in this foggy gorge since WWII and the west and east send a person every year for the whole year to live in towers on each end and make sure none of the creatures escape. The movie stars Miles Teller as the American and Anya Taylor-Joy as the Russian. The movie procedes as you might think where they check out what the other one is doing with binoculars, then they write simple messages on a board that they can see with the binoculars, and that then escaluates to one of them going over to the other side to meet in person. That all works and flows fine enough. The 2nd half of the movie is the interesting half and it goes places that I totally didn't expect, mainly in scale as I figured it would stay as pretty much a very small scale romance.

It's What's Inside - 8/10

Really interesting movie where the premise is that the characters a playing a game like Mafia/Werewolf but with the twist that there is a body switching machine so everyone also switches bodies. It's a bunch of friends (I think 8) that get back together for a wedding and have a party beforehand. The movie's cinematography is really interesting, especially for a Netflix movie. With the body switching mechanic, the movie is a bit confusing in keeping all the characters straight but the movie does a decent job of showing you who is who. One of my friends was like belingerantly mad at the movie for being purposefully confusing and the rest of us were like "it's not that hard to follow". After he left, we put on Robocop and when he took off his helmet late in the movie, we were all like "oh, that's the guy from the beginning of the movie, so confusing!!!"

---

Nosferatu: Meh / Great

Dracula buys a new house, and the bank sends a guy to be the rube for the former's proclivity for hot young women.

Not sure what I was expecting given all of the high praise I've seen, but a very "meh" movie for me. Nothing exceptional, nothing exciting, just another take on "Dracula" which ceased to be interesting decades ago. Maybe I'm spoiled given Anne Rice's vampires became the much more interesting take on the vampire for me years 30 years ago. Might have missed the point, but, meh, old guy in a coffin covets young woman... okay, AND?
Yeah, I found this movie pretty boring overall as well, it felt like it took forever for "Dracula" to get to the city finally. Defoe is like the only character that brought energy to the movie. I also found it weird that Defoe's character is essentially the exposition dump character but the movie never really gives you the vampire rules either. One friend (the one that likes this director's previous films) commented that it felt longer than Wicked that we saw the night before.

I watched Wicked (part 1) and it was quite alright. Didn't really know what to expect seeing as I'm not a Broadway person, and while I can enjoy a musical now and then it's mostly Disney fare, which from what I can gather isn't Broadway. Anyway, I had fun with it. I also heard a lot of talk about the visuals, primarily the colouring, of this movie, and this being the biggest point of contension I have with almost every blockbuster today I was expecting the worst. Fortunately though it didn't bother me much at all. I can't say the tepidness in the colouring wasn't there, but it didn't draw my attention. Maybe it's the artifice of it being a musical, or maybe it's the camera work never lingering too long on the scenery.

Cynthia Erivo is pretty great as Elphaba. She has amazingly expressive eyes, and it's quite something how well the whole look works for her. Oh, and she can sing up a nice storm as well. Ariana Grande barbies it up without it ever becoming annoying, which is a talent I guess. And Jeff Goldblum is always a treat. Michelle Yeoh feels a bit undercooked though.

I have read some of the book that the musical and the movie was based on, and you can tell that everything between Galinda and Elphaba and the whole misfit at school was kinda crowbarred into the original story. Not that it's bad, but it often forgets the entire reason Elphaba even rebels at the end. Animals being treated like shit and being removed from society only comes up once or twice. Not that the story should've been lazer focused on this - it's not like the movie necessarily needed more Animal characters, but showing the oppression in the background really could've helped. There's a scene where Elphaba and Glinda arrive at the Emerald City and there's just Animals walking around without a care in the world, when Dilimond had to meet in secret at Shiz with other Animals to discuss how the walls are closing in on them. And with this demonization being the product of the Wizard, you'd think the Emerald City would be the worst place for Animals, but not from what the movie shows.

Anyway, it was charming overall.
The coloring is rather subdued as I watched Oz, The Great and Powerful the day after and the colors really pop on that movie. The overall theme is definitely muddled because you have your whole main character that's a perfect example for racism/discrimination but then you also have to do this really heavy handed animal allegory to racism as well? Also, Elphaba is kinda no longer being discriminated anymore as the movie goes on as well so they just kinda drop the whole theming with the main character. Though overall the music is great and the set-pieces are awesome and it's a pretty enjoyable movie overall.
 

thebobmaster

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Old_Hunter_77

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The Apprentice
rating: Fuck Trump / Fuck anyone who likes or excuses Trump


Donald Trump and Roy Cohn represent the absolute worst of everything wrong with humanity and the reason why I or my friends and family can't ever experience true joy again. Fuck them and everyone who ever, even once, excuse them, defend them, supported them.

I watched this movie because I've committed myself to watching as many Oscar-nominated films as I can get my hands on and going into this I wondered if they were going to try to find some humanity, some justification, some understanding of these two absolute monsters. And, no, they didn't- the movie is about two colossal pieces of rank garbage. Is it a hit job? I dunno, can it count as a hit job if your targets are two absolute pieces of rank garbage?

The movie itself was like.. eh, whatever. Awkward and clumsy and really didn't make any actual point. But I don't think there is a point that can be made with this subject matter anyway.
I dunno what to tell you, I spent the whole run time gnawing on my wrist hoping to nosferatu the lifeblood out of myself so I don't have to face every waking moment remember that my friends, family, and countrymen decided to sacrifice their dignity, patriotism, and decency to the ego of a fucking rapist traitor weirdo narcissist.
 
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thebobmaster

Elite Member
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Apr 5, 2020
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United States
 
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thebobmaster

Elite Member
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PsychedelicDiamond

Wild at Heart and weird on top
Legacy
Jan 30, 2011
2,129
997
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Ne Zha (2019)

Chinese animated children's movie. The sequel recently made headlines for being the highest grossing animated movie in history... which by itself isn't saying very much, China has a lot of people, a lot of which, in this day and age, can afford to regularly see movies. Nevertheless, I took it as an opportunity to check out the first movie from 2019.

Ne Zha is loosely based on a Chinese myth. After vanquishing a demon, a taoist deity seperates its essence into its demonic and its pure aspect. He sends both of these aspects to earth to be reincarnated. However, due to an evil plot by his treasonous servant Shen Gongbao, the demonic aspect ends up reincarnated as the titular Ne Zha the son of a couple of noble human warriors while the pure aspect is reincarnated as Ao Bing, the offspring of the banished dragon king. Ne Zha is a mischievous kid, ostracized by the people of his town because of his demonic heritage. The gods bumbling servant Taiyi instructs him in the martial and mystical arts until the day he has to face off with Ao Bing.

There has been quite a surge of Chinese media recently and if I had to describe it bluntly, it regularly seems to present an attempt to find a middle ground between Japanese and Western style of writing, often but not always grounded by Chinese folklore. Accordingly, Ne Zha is effectively the middle ground between a shonen anime and a Dreamworks animated comedy. It doesn't to a bad job at being either of those, truth be told. Aspects of it reminded me a bit of the original Dragon Ball (unsurprisingly, I suppose, considering its inspirations) but all things considered it's very much its own beast.

It has the fancy over the top fight scenes and it has the low brow slapstick jokes. And it mostly does well with both of them. In terms of making Wuxia palatable for a globald audience it's not quite as good as an Avatar the Last Airbender but a decent bit better than Raya and the Last Dragon, for what it's worth. It's quite nice to look at, particularly the environments and action scenes. Some of the characters outside of the main cast look a bit stiff. But from a technical perspective, it's a well produced movie.

There is not much for me to say against this. It looks nice. The jokes are mostly funny, the emotional moments are mostly emotional, the characters are entertaining and memorable. I actually think Ne Zha is a very fun protagonist. It's nice to get a movie like that from the perspective of a bratty, precocious child. The morals are as good as you can expect from a kids movie

Between their film, literature, animation and video game industry, there seems to be a genuine push by Chinese artists and the studios backing them to reach out beyond their own borders and create media for a global audience. As someone who believes that there is no such thing as too great a diversity in artistic expression, I'm all in a favour of that.

I don't think Ne Zha is a masterpiece in animation, but neither does it fall short of the average of studios like Disney or Dreamworks. It's a fun and well made animated family action comedy that might introduce children all over the world to a culture and mythology they might otherwise never have learned about and is quite entertaining to boot. It makes a fine argument for animation produced outside the english speaking world and I do find that appreciable.
 
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Johnny Novgorod

Bebop Man
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The Monkey

Osgood Perkins' Stephen King's Final Destination. Twin brothers inherit a wind-up toy monkey from their severed dad, and quickly discover when wound up the monkey will play a tune and at the end of that tune somebody in town (a random family member, more often than not) will die a freak death. They eventually grow up, become estranged and are both played by Theo James in what is the role of a lifetime, as far as I'm concerned (haven't seen the Detergent movies). The gist of the plot comes down to the good twin trying to reconnect with his kid during a road trip, having shied away from him and family in general in fear of attracting more death.

This is rooted in horror comedy territory (Raimi, Landis). I mean of course it has to be. The premise inherently makes it a comedy, unlike other horror movies where the comedy is forced as a matter of personal preference (Companion). It's funny gore, not mean-spirited gore like the Terrifier movies. The deaths are as over the top as they are violent, but the focus is firmly on the ridiculousness rather than the pain. And that Looney Tunes approach is kinda what makes the movie. Also a hard cut to a person's portrait + funeral march will never not be funny to me.
 

Old_Hunter_77

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The Wild Robot, 9/10

The latest cartoon movie from Dreamworks about a robot hanging out with animals. For the first half it just seemed like a long demo portfolio for a animators and I was fine with it. The animals are cute and the robot is neat- very kinetic film with lots of lovingly framed scenes of running, flying, and swimming. The humor and dialogue is just clever enough to feel familiar with pleasant tinge of darkness (especially from the death-obsessed baby possums) so as to accent the presentation.

If it seems like I'm just praising things that are made with quality that aren't part of franchises... well, I guess I am. Love to see it.
 
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Johnny Novgorod

Bebop Man
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Feb 9, 2012
19,112
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The Brutalist

Kino is back! 215 minutes (including a 15 minute intermission) in the life of the fictional Laszlo Toth, a Jew architect who ferries over from postwar Hungary to America to work at his cousin's furniture shop and ends up toiling at the whim of dandy millionaire Harrison Van Buren, who wants to commemorate mom with an expensive hunk of ugly architecture. The old ball and chain eventually makes it across the Atlantic, too, along with a niece that looks shockingly like Daniel Radcliffe in drag. And that's yet lot, give or take a couple of lousy handjobs and what the Brits used to call "gross indecency".

I thought the movie was fine and the running time was no biggie. Adrien Brody as the Tortured Great Artist is fine, Felicity Jones as the Tortured Wife of a Great Artist is fine too (I'm kidding - she's a real battle axe in this). As far as I'm concerned though the movie belongs to Guy Pearce in the role of a vicious dandy mogul with cruel humor and violent mood swings who's passionate about falling in and out of obsession. He was delightfully hateful in this, and I liked that he played the character as a real, plausible and intensely scary person rather than a movie villain.