Trailer Park Boys: Season 13 (6/10)
This was kind of difficult. I'm not sure they should have continued on after the death of John Dunsworth. And I really don't think the idea of bringing his character back, only to kill him on-screen, then having him stick around like some kind of booze force ghost... is a good one. But you can't deny that fits the particular Trailer Park Boys idiom. The idea to switch to an animated format works pretty well... but some of the fun of TPB previously was watching some of the cartoonish action happen in live action. In the end, I laughed. Its the same kind of guilty pleasure, dumb fun its always been... now its just animated.
Into the Badlands: Season 3 (7/10)
Maybe not quite as good as Season 2, but still a good show. Several of the resolved cliffhangers from season 2 didn't pan out as interesting as I was hoping... basically it didn't meet my admittedly unrealistic expectations after the stellar season 2. Still, seeing Nick Frost pulling off wire-fu using an octopus as nunchaku... worth the price of admission.
I'm also still trying to work through the backlog on my watchlist of anime. I've been stuck for a little while on.
A Certain Magical Index/Scientific Railgun (6/10)
Its enjoyable enough I suppose, and there aren't any characters I absolutely hate. But it has some fairly glaring flaws. Tropey enough to flip the switch in my head that doesn't like shounen. Just one example... bad guy now will have a (very short) redemption and will be a ally or antihero later. This happens 6 or seven times in the 70 or so episodes I've seen. That's balanced a little bit by at least making them more nuanced characters than average anime stock characters like our protagonists. Which is offset by the fact that I don't hate either of them. Schlubby slacker with a superpower which is generally useless but turns out to make him the most powerful character of all with a heart of gold for one series and Superpowerful girl that is more than a little clueless and a little tsundere but has an adorable love of cute childish things. Rings the cliche bell almost a dozen times in one sentence there, but its more of a comfortable familiar feeling than an annoyance. It also suffers harshly from "stakes creep" In Index's 3 seasons we've gone from "Lets protect the pride of our class/school" to "we're trying to save the world while fighting in what is actually being called World War 3." Things are ramping up JARRINGLY fast. And at first I thought Railgun was going to be the "lighter and more comical" version of the story because a: they seemed to be ignoring one of the darker aspects of things happening to the main character (who is a side character in Index) and b: halfway through season one they catapult right into a swimsuit episode after things got the first bit slightly dark. I was wrong. By season two they spring headfirst into that dark storyline involving the main character from Railgun... and contrast it pretty nicely by starting it with a "comedy" episode that ends with a cute new character getting her leg ripped off of her body and then being splattered under a dropped cargo container. Not nearly as a refreshingly abrupt a tonal shift as say Magica Madoka or as satisfying as Doki Doki Literature Club... but they tried and it wasn't terrible. And that kind of sums both series up I guess.
This was kind of difficult. I'm not sure they should have continued on after the death of John Dunsworth. And I really don't think the idea of bringing his character back, only to kill him on-screen, then having him stick around like some kind of booze force ghost... is a good one. But you can't deny that fits the particular Trailer Park Boys idiom. The idea to switch to an animated format works pretty well... but some of the fun of TPB previously was watching some of the cartoonish action happen in live action. In the end, I laughed. Its the same kind of guilty pleasure, dumb fun its always been... now its just animated.
Into the Badlands: Season 3 (7/10)
Maybe not quite as good as Season 2, but still a good show. Several of the resolved cliffhangers from season 2 didn't pan out as interesting as I was hoping... basically it didn't meet my admittedly unrealistic expectations after the stellar season 2. Still, seeing Nick Frost pulling off wire-fu using an octopus as nunchaku... worth the price of admission.
I'm also still trying to work through the backlog on my watchlist of anime. I've been stuck for a little while on.
A Certain Magical Index/Scientific Railgun (6/10)
Its enjoyable enough I suppose, and there aren't any characters I absolutely hate. But it has some fairly glaring flaws. Tropey enough to flip the switch in my head that doesn't like shounen. Just one example... bad guy now will have a (very short) redemption and will be a ally or antihero later. This happens 6 or seven times in the 70 or so episodes I've seen. That's balanced a little bit by at least making them more nuanced characters than average anime stock characters like our protagonists. Which is offset by the fact that I don't hate either of them. Schlubby slacker with a superpower which is generally useless but turns out to make him the most powerful character of all with a heart of gold for one series and Superpowerful girl that is more than a little clueless and a little tsundere but has an adorable love of cute childish things. Rings the cliche bell almost a dozen times in one sentence there, but its more of a comfortable familiar feeling than an annoyance. It also suffers harshly from "stakes creep" In Index's 3 seasons we've gone from "Lets protect the pride of our class/school" to "we're trying to save the world while fighting in what is actually being called World War 3." Things are ramping up JARRINGLY fast. And at first I thought Railgun was going to be the "lighter and more comical" version of the story because a: they seemed to be ignoring one of the darker aspects of things happening to the main character (who is a side character in Index) and b: halfway through season one they catapult right into a swimsuit episode after things got the first bit slightly dark. I was wrong. By season two they spring headfirst into that dark storyline involving the main character from Railgun... and contrast it pretty nicely by starting it with a "comedy" episode that ends with a cute new character getting her leg ripped off of her body and then being splattered under a dropped cargo container. Not nearly as a refreshingly abrupt a tonal shift as say Magica Madoka or as satisfying as Doki Doki Literature Club... but they tried and it wasn't terrible. And that kind of sums both series up I guess.