LasseZ said:
http://www.youtube.com/watch?v=Ao3FuGEGcU8
This is so fitting!
I'm not sure if fitting is the right word for this. Although I do think it proves an amazing point. The scene you're linking to is from Network (1976), a film by Sidney Lumet who is famous for movies like 12 Angry Men (1957)[#6 on IMdB top 250], Dog Day Afternoon (1975) [#180 on IMdB top 250], Network (1976) [#190 on the IMdB top 250], Serpico (1973), amongst others. Lumet was nominated for 4 Academy Awards for directing, but did not win any of them. Lumet's work during the 1970s, which I would consider his most productive and creative years, is astonishing. He was truly an "actor's director" with a focus on cast and character that is generally lacking in the modern Hollywood studio system. Some of his best works are just about people and take place in just one location, such as Dog Day Afternoon and 12 Angry Men. He was a master of claustrophobic sets and tense atmosphere. Lumet films build up the tension slowly and explode in violence making the violent pay off both relevant and more explosive.
The film you referenced, Network, is pretty much the exact opposite of the contemporary Transformers films in every way. Network is about the breakdown of a news anchor, Howard, Beale, that happens live on TV. He snaps and rants against the world because his own life has fallen apart. Fearful of this the network that he works for isn't sure what to do with him, and then the ratings are phenomenonal. So, the network decides to build an entire show around his rants, until one his rants focuses on an upcoming corporate merger between his network and a Saudi Congolmerate. The network president, Arthur Jensen, steps in and has a meeting with Howard Beale, informing Howard that the world is just corporations and nations no longer matter. Beale sees Jensen as a god-like figure and changes his message to a new corporate envangelicalism.
Unlike Transformers and Transformers: Revenge of the Fallen, Network has an actual plot, characters that the audience can relate to, and finally a strong message. Not to mention the acting by Peter Finch, Faye Dunaway, Beatrice Straight, and Ned Beatty. (Finch, Dunaway, and Straight all won oscars for their work on this film.) The audience cares about Beale because they could relate to his problems and his situation. We've all been pushed to our breaking point. We've all wanted to yell and scream at the world. Beale became the mouthpiece for that frustration until finally he is subsumed back into the corporate swamp as they turn Beale's message into a marketable commodity.
To compare Transformers and Transformers: Revenge of the Fallen to Network is completely unfair to all three films. Even if we treat all films as being a part of the same medium, then there is no room for comparison at all. Network is an Academy Award winning film, directed by one the greatest directors of all time, and was one of the best films of the year and one of the most profitable. Network not only commented on the ills of 1970s America, but also was prescient in its comment on later society. Watching Network today is just as powerful today as it ever was. And all of this comes from a satire about a crazy newscaster.
Not to mention that 1976 was not a bad year for films. Carrie, Rocky, All the President's Men, The Outlaw Josey Wales, and Taxi Driver all released in 1976. I'm not being nostalagic for a "better time", but merely pointing out the quality of films released in 1976.
What will Transformers 3 be remembered for? It'll be another over produced, special effects film from the year of comic book films and sequels. With a reported $195 million budget and a lack of characters, undiscernable plot, terrible performances, awful comic relief, and poor direction. Unlike Lumet's master work in directing, Bay is better known for his explosions and ability to devolve a woman, a human being, into nothing more than a fetish object.
Comparing Network to any of the Transformers films makes me weep for the state of the modern film industry. I don't think that the fans of Transformers are idiots, but I have to wonder how they would react to great films like Network or Dog Day Afternoon. Of course who wants to watch a movie about a crazy newscaster or a gay bank robber when you can see chunks of unindentifiable metal rolling round in front of exploding buildings in 3D? Don't mind me, I'm sobbing in the corner and you couldn't hear me over the Dolby Surround Sound System cranked up so loud your teeth rattle.
Also, I think this is the better scene from Network:
http://www.youtube.com/watch?v=v3vbCxj2ifs