Metalix Knightmare said:
I WOULD prefer you go into detail actually. Pretty much all I'm getting from you so far is "I don't like it so it's garbage."
Been a good enough reason for film critics to exist for 100 years.
I mean, if you just left it at "I don't like it" that would be one thing. Not everyone is going to like a genre, and to expect otherwise would be madness. (Again, not a fan of sports games.) But to refer to an entire genre of a medium as garbage is the sort of thing that draws eyes, and to leave it as you did basically implies that you consider it garbage simply because it doesn't interest you.
Okay.
I find it pandering nonsense, with 2 dimensional writers writing 1 dimensional characters which archetype human behaviour to the point of popularised concepts of moe and the fact that that's enough makes me feel insulted to watch it beyond an episode in most cases. Because, let's face it, one episode is enough to get concept and the only reason to watch more than one episode is to see the potential of cliche dramatic additions of new characters to the mix.
That the grand majority of them are so frightened (spineless) of pissing off their audiences by picking a vapid, farcical archetype as canon love interest over the others exists simply to maintain a teased viewership of idiots who invest far too much of their passions holding up a consumerist vision of stupid, hollow, beauty-less characters and which of the automatons should get shipped with what amorphous, unmemorable character that is at best an indescribable void emulating humanity with the subtlety and nuance of Robot from the 60's Lost in Space.
I find it much more fun to imagine I'm watching conspiracy theory proof of Reptilians.
Placing any cultural value of it in the realms of 90s sitromcoms and daytime soaps, and in the latter they at least have the courage to have characters actually hook up (even if they then suffer something like death/amnesia by drama). It's mindless pap... and if that's good enough for you, fine. But then don't cry crocodile tears when someone finds it mindless pap.
To put it plainly. 99% of them are destined to be forgotten in a few years time. It's the instant ramen bowl of visual content. Something which is palatable only when you exclude the effort to have anything else. Empty energy that is occupying time in your life and that's disappointing, but understandable. Considered decent if only by association to an amorphous genre of ridiculously similar content that serves to reinforce mild deviations of flavour as if to be so separate from the whole.
Oriental Maggi noodles is crap. So is beef.
Both disappointing and both understandable.
I'm not going to conclude all instant ramen tastes like congealed rat vomit ...I'm also going to have misgivings about the next new one I eat.
I mean, alter a few choice words in what you put down here and you could pretty easily turn it into a condemnation of Shonen comics, Romance Novels, Romantic Comedies, and Slasher Movies.
Hell no. I fucking love Patlabor. I fucking love Ash vs. the Evil Dead. Spice and Wolf, read the manga, all the light novels, and own two individually bought collections of the anime, and I'll treat it as if its own thing regardless of the artistic method of its creation.
Spice and Wolf is smart, funny, and at the sametime ... I get the sneaking suspicion that's why it's so fucking difficult to get a Season 3 of the anime because you can't ship characters and the characters don't just devolve into moe but grow, change, react differently, and even begin to reflect the qualities they see in eachother which influence sll aspects of their life on the road and their life goals which are mutable as is anyone's.
And when I see the dominance of sequelitis in U.S. tv shows, and harem anime they mostly leave me with the same impression ... that this sells, and ultimately something like Spice and Wolf has to sacrifice for artistic integrity.
House of Cards, like many British television programmes, told a meaningful story that 4 seasons of U.S. version can't. It's also why I quite like Rogue One. It's an entire story constrained to a single movie. That takes far more skill than making an interconnected trilogy of plot... which is why RotJ is fucking garbage and the constant re-envisioning of the originals by Lucas is so bad that even diehard fans hate the guy with a passion. Visceral hate.
And this is a problem in every media form. It's an accepted condition of market forces. Fine. But harem anime, even going so far as to cut and paste plot, character, narrative structure, gets a free pass because it's technically a different animu show even as people piss vinegar how the protagonist in Rogue One is somewhat similar to the protagonist in The Force Aakens? I can't be the only one with cognitive dissonance trying to understand this phenomena.
If the prime argument is; "Yeah, but different standards..." then it's not unfair to say those standards are based purely on one's tolerance for mindless crap. Your tolerance might be higher than mine. And all power to you.