Agreed, but the point I was trying to make since I apparently didn't make it clear enough, was the position of Doctor Who showrunner is -- and has been since classic -- a limited-time offer, and it's best for showrunners to step down once they get tapped out. RTD was good enough of a showrunner to step down when he knew it was his time; Moffat didn't. Series 4 still had good dialogue and entertaining banter, and Donna was a great companion (IMO); it just fell short in its season arc.Silvanus said:The writing was slipping under Davies. I find it inexplicable how fondly early Tennant under Davies is remembered.
Season 5 was a marked improvement, and Moffat started slipping quickly in season 6 but managed to keep the show serviceable until the Ponds' exit. He should have stepped down to give Capaldi and Coleman a clean slate.
No, we're talking about any complaint about the show getting excused as bigotry. Just like you're doing now, trying to swerve this conversation into being exclusively about Whittaker's gender.Uh-huh, but we're not talking about nepotism complaints. We're talking about the (intense) complaints about the main character being a woman.
With regards to the companion's race they are, and I'll have you address that, thank you very much.It's almost as if Family of Blood wasn't dealing with the same themes.
And when I can voice those criticisms without conversations being immediately derailed to gender, race, sexuality, etc., and minority complaints about Whittaker's gender cease being cherry picked, I'll believe there's good faith in play.There are loads of valid criticisms of the Whittaker era. I don't like it much at all. But why are the most constant, intense complaints focusing on the non-issue of the character's womanhood?
For example, when it came out, I heavily criticized thin ice for being bullish, unsubtle, and thought-suppressing rather than thought-provoking, especially compared to Family of Blood in its themes of race, class, and imperialism in the Victorian and Edwardian eras. Naturally, this could only mean I'm racist and sexist, and hated it because Bill was black and I hate women (just never mind the overwhelming majority of companions are also women...).
Ironic, considering my entire argument is SJW's are shit writers who hide behind identity to deflect otherwise valid criticism.The whining about "SJW" doesn't have writing as its core concern. If it did, it would focus on... the writing.