I actually liked how they handled Jon's scene. Personally, I think it was better done than in the book.
But other than that, this season was kind of a rushed mess (for obvious reasons), and that finale seemed like it was trying to rapidly tie up too many loose ends, which might not have been such a problem if Cersei's scene didn't drag on much longer than it needed to.
And seriously, what the fuck was that bullshit with Meryn Trant?
"Oh shit, we have to kill Meryn off next episode, but what if people have forgotten what to think of him? After all, Syrio died back in season one, and people may not realise that Arya repeating the names of all those she seeks to kill every night actually means she wants revenge."
"Don't worry, we'll just remind their feeble brains that they're supposed to hate him by making him a paedophile. That way it will feel cathartic when he dies without having to care about the story."
"I dunno, that seems a little subtle. People may not realise he's a bad person."
"What if we make him beat the children before fucking them?"
"That's a good start, but still might go over their heads."
"Perhaps we could try dressing him up as the devil, wearing a top-hat and twirling his moustache while kicking a basket of puppies and holding up a sigh reading 'Hate me you idiots, I'm a bad person! Hate me!' "
"Still too subtle."
Christ, Meryn Trant would hardily make anyone's list of nice people, but it was down right cringe-worthy how hard they were trying to make us hate him with this last minute character assassination. He beat Sansa on the king's command, but there was never any evidence that he got off on in, rather that he was a callus lackey. Hell, that was practically his defining character trait, but they abandon this in favour of making him straight up evil. What the hell happened to nuanced characters and complex motivations? Have they just been turfed out while making room for more fan-fiction?
But other than that, this season was kind of a rushed mess (for obvious reasons), and that finale seemed like it was trying to rapidly tie up too many loose ends, which might not have been such a problem if Cersei's scene didn't drag on much longer than it needed to.
And seriously, what the fuck was that bullshit with Meryn Trant?
"Oh shit, we have to kill Meryn off next episode, but what if people have forgotten what to think of him? After all, Syrio died back in season one, and people may not realise that Arya repeating the names of all those she seeks to kill every night actually means she wants revenge."
"Don't worry, we'll just remind their feeble brains that they're supposed to hate him by making him a paedophile. That way it will feel cathartic when he dies without having to care about the story."
"I dunno, that seems a little subtle. People may not realise he's a bad person."
"What if we make him beat the children before fucking them?"
"That's a good start, but still might go over their heads."
"Perhaps we could try dressing him up as the devil, wearing a top-hat and twirling his moustache while kicking a basket of puppies and holding up a sigh reading 'Hate me you idiots, I'm a bad person! Hate me!' "
"Still too subtle."
Christ, Meryn Trant would hardily make anyone's list of nice people, but it was down right cringe-worthy how hard they were trying to make us hate him with this last minute character assassination. He beat Sansa on the king's command, but there was never any evidence that he got off on in, rather that he was a callus lackey. Hell, that was practically his defining character trait, but they abandon this in favour of making him straight up evil. What the hell happened to nuanced characters and complex motivations? Have they just been turfed out while making room for more fan-fiction?
That was also something that caused me to double take and scratch my head. In the novels, the wildlings are taken through the gate after the battle, and the others who headed to Hardhome are taken to East-Watch, yet in the show they merged the two groups together but for some reason they still travel through the gate. It makes absolutely no sense.BloatedGuppy said:5. Jon drags the Wildling Army he just rescued from the coastal city of Hardhome up to the Gates of Castle Black and asks to be let in. Check out this map:
Note the position of Castle Black, and of Hardhome. Remember he rescued them in ships.
Also remember they did not change the geography for the show. They publish Atlases and puzzle-maps of Westeros that look exactly like this. Now imagine how fucking lazy you have to be to write a scene like that. It's a little thing, but it's so preposterous it totally shatters your immersion.