I'd classify feminism as being societal rather than political. Also, the act of advertising on a politically affiliated site doesn't make the work in of itself political, nor is the presence of politics an inherent negative.Namehere said:Feminism is political. This movie advertised itself on the Mary Sue and other more conventional sites as being all about the women and feminism. Even before the first trailer appeared.
Wait, what?Namehere said:All of that said, you seem to have taken tones of what I wrote out of context. I didn't realise how pin point you needed me to be. I thought depicting that the fan base of Ghostbusters was established among roughly 8 year olds would demonstrate that at the time they became fans they were entirely a-political. Meaning that you have adults now who have picked sides or are on the fence and are no longer a-political. And those theatres full of kids? Some of them became Trekkies, others went on to love Rambo. But they all liked Ghostbusters and all still do. That's a massive reach compared to most franchises. And should be considered in any remake attempting to gross the largest audience. Obviously you misinterpreted my mentioning children to be an appeal to emotion rather then a demonstration of a radically diverse fan base.
I wasn't asking you to pinpoint anything - you singled out the 8 year olds, not me. Also, it's a faulty assumption that the only time you'll be introduced to any media is when you're a child, and that you're introduced to it at a particular time. Of the examples given, I wasn't 'properly introduced' to Ghostbusters until the 2000s (at which point I'd have been a teenager), Star Trek until the 2010s, Star Wars until the 1990s (the one example here where I WAS introduced to it as a child). I'm not claiming that my experience is the be all and end all, but point is, you can't assume that the entirety of a fanbase was all introduced to the same product at the same time at the same age. You're also making a lot of assumptions about demographics here. I'd also like to think that making a film would be based more on trying to do the best you can rather than pandering to a fanbase.
Again, that's a lot of assumptions about fanbases. The one thing I can agree on is that it's demonstrated that a portion of TV fans don't like the Kelvinverse, and not every person who was introduced via the Kelvinverse is going to jump into the TV series. Claiming there's no divide in Ghostbusters or Star Wars is very iffy, considering that the former has possessed a split continuity since GB2, and the latter has multiple tiers of canon that the consumption of which is going to depend on your investment, not to mention that not everyone is going to be introduced to Star Wars in the same way at the same time, or even with the same trilogy.Namehere said:And yes, as to Star Trek Beyond, there are those who are saying it's the best of the Kelvan universe and there is still some doubt... perhaps better said a lack of certainty that they'll follow it up with a fourth. And it's quite obvious that quite a few people who liked various other incarnations of Star Trek aren't interested in the Kelvin universe. By and large this isn't such a major issue for Star Wars and wouldn't have been for Ghostbusters. I was trying to point out that of the film fan bases, Star Trek is divided by series but unified more or less in politics, class and outlook. Unlike Ghostbusters where children grew to be different adults. And that homogeneity of views isn't there.
Based on...what, exactly? The box office? Because that's about the only thing that can generate that conclusion outside of critical consensus (mostly positive), demographic studies (far too early to say), or personal opinion (which we're all entitled to, in the event of actually seeing the movie). I can say however, that as someone who writes and posts on ff.net, the Ghostbusters section got a surge of stories post-2016 movie release, in what was otherwise a section with a low story count.Namehere said:And what I meant to say that apparently didn't come across was that recapturing the magic of the first Ghostbusters was likely impossible. However they could still have made a fairly satisfactory family friendly comedy that would entertain parents and could capture a new generation's interest. They didn't do that.
As the saying goes, a man is entitled to his opinions, not his facts. So, under what basis did they not "made a fairly satisfactory family friendly comedy that would entertain parents and could capture a new generation's interest?" Because based on personal exposure to the film itself (y'know, having actually seen it), and the absence of supporting evidence outside a box office count, that wasn't the case.
Edit: I'll come right out and say it - have you seen the movie or not? Because if not, then this discussion should have ended a long time ago.